Norman Newell was an English record producer, who was mainly active in the 1950s and 1960s. He was also the co-writer of many notable songs. As an A&R manager for EMI, he worked with musicians such as Shirley Bassey, Dalida, Claude François, Vera Lynn, Russ Conway, Bette Midler, Judy Garland, Petula Clark, Jake Thackray, Malcolm Roberts, Bobby Crush and Peter and Gordon.
"Goldfinger" is the title song from the 1964 James Bond film Goldfinger. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
Never Never Never is a 1973 album by Shirley Bassey. It features the hit single title track, which was a UK top 10 hit, which became one of Bassey's best-known songs. The album also became a top 10 hit in the UK and was a moderate hit in the US.
The Shirley Bassey Singles Album is a compilation album released in 1975 by British singer Shirley Bassey.
"What I Did for Love" is a song from the musical A Chorus Line. It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an inclusion in their recorded albums to great effect. The Daily Telegraph described it as a "big anthem".
Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962, and arranged by Nelson Riddle. Kenneth Hume, Shirley Bassey's husband and manager wrote the sleeve notes for this album, in which he gives an insight into how this album came to being: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.
Shirley Bassey is a 1961 album by Shirley Bassey, her fifth studio album and her third with EMI/Columbia. Bassey was accompanied by Geoff Love and his orchestra and The Williams Singers. The album spent eleven weeks on the charts, beginning in February 1962, and peaking at #14. This album was issued in mono and stereo. The stereo version of this album was released on CD in 1997 by EMI.
This Is My Life is a 1968 album by Shirley Bassey that was released in Italy on the United Artists label.
I Am What I Am was the only studio album recorded by Shirley Bassey for the Towerbell Records label. Several other tracks were also recorded at this label and issued as singles only. The recording sessions took place at Olympic Studios, Barnes, London, in July and August 1984. Following the success of the previous album All by Myself, this album peaked at number 25 in the UK album chart and reached Gold status. This release was the first digitally recorded album made by Shirley Bassey and was issued on vinyl, cassette and CD. Consisting of mainly re-recordings from Shirley Bassey's back catalogue and two new songs, this album was recorded 'live' with The London Symphony Orchestra, conducted by Carl Davies. The album also reunited Shirley Bassey with Norman Newell, who had served successfully as her producer throughout the 1960s.
Live in Japan is a double album by Shirley Bassey, recorded July 8, 1974 at Kosei-Nenkin Kaikan Hall in Tokyo, Japan. The album was released in Japan only, and the reverse of the cover listed the songs in English and Japanese. Live at Carnegie Hall had been released just a year prior, with nine of the same songs from Live in Japan, and it is believed that this is at least partly the reason Live in Japan didn't gain a worldwide release. Japan was an important growing market for many artists in the 1970s and many recorded live albums exclusively for release in Japan.
Four Decades of Song is a three-CD compilation from Shirley Bassey issued in 1996. This set features 54 songs recorded between 1959 and 1993. In 2008 EMI repackaged and retitled this boxset as Shirley Bassey The Collection; the new version had six extra tracks.
Bassey – The EMI/UA Years 1959–1979 is a 5-CD boxset compilation from Shirley Bassey issued in 1994, this set features 94 studio recordings on four CDs, recorded for EMI/United Artists between 1959 and 1979. Disc five features a previously unreleased live recording from Carnegie Hall. The boxset was reissued by EMI in 2010 in a standard jewel case set.
Thoughts of Love is a compilation album released in 1976 by singer Shirley Bassey. A themed compilation of love songs, selected from material recorded in the late 1960s and early 1970s, the album sold well in the UK and Germany, reaching the Top 20 in the UK Albums Chart and achieved Gold status. Thoughts of Love was re-issued on CD in 2011 by BGO Records, together with the 1979 album The Magic Is You.
All by Myself is a 1982 album by Shirley Bassey. Having ended her contract with United Artists around 1980, Bassey took a break from recording, and then began releasing albums on various labels. All by Myself was the first of these, issued on the Applause label. 1982 was the dawn of the CD era, and this was her first-ever album to be issued on CD. The album was also issued on LP and cassette. In the UK and some other countries, the album was titled Love Songs, with identical cover art, and under that name it charted for five weeks on the UK albums chart, on the K-tel label, peaking at #48. The original CD has since become scarce, though the songs have appeared on many compilations.
Nobody Does It Like Me is a 1974 album by Shirley Bassey. Bassey's recordings had been selling well since 1970, scoring three top ten singles and three ten top albums. Nobody Does It Like Me was recorded with a new producer, George Butler, and brought a partial return to the traditional pop sound of Bassey's pre-1970s career. Here, the title track "Nobody Does It Like Me" and "When You Smile" harken back to the big band era. Bassey's soaring vocals on Paul Anka's "I'm Not Anyone" and the slightly funky "Morning in Your Eyes" contrast with a delicately rendered "Davy". The duet "Davy", recorded with the song's composer Benard Ighner, is one of the rare occasions that Bassey would share the credits with another vocalist; it was also issued as a single and hit #44 on the US Adult Contemporary chart. The album closes with Bassey's reading of Stevie Wonder's "You Are the Sunshine of My Life". This album failed to chart in the UK, and peaked at #142 in the US. Her next two studio albums would be top 15 albums in the UK.
Good, Bad but Beautiful is a 1975 album by Shirley Bassey. In the first half of the decade, Bassey recorded nine albums, with three making the top ten. In March 1975, Bassey released a compilation that became her highest-charting album to date, The Shirley Bassey Singles Album (#2), and reflects the momentum Bassey had maintained since her 1970 "comeback". Good, Bad but Beautiful, released in the autumn of 1975, spent seven weeks on the UK Albums Chart, peaking at #13, and earned a silver disc. The album reflects the formula that brought Bassey back to the charts: a combination of contemporary songs combined with her forte of standards, show tunes, and torch songs, featuring arrangements aimed squarely at the adult contemporary, or middle-of-the-road, audience. This was also achieved by modifying her backup orchestra to include electric guitars, a string and brass section with a more contemporary sound, and drumming that is more soft rock-oriented than jazz-oriented, while side two's opener, "Feel Like Makin' Love" displays a smooth jazz style.
This Is My Life is a 1968 album by Shirley Bassey. The mid to late sixties was a period of declining popularity for traditional pop. How much the changing tastes in popular music directly affected Bassey's record sales is difficult to quantify; but her record sales had been faltering since the latter part of the mid 1960s, and the album failed to chart..
"The Way I Want to Touch You" is a song written by Toni Tennille, which started the professional recording careers for Captain & Tennille. It was certified gold by the Recording Industry Association of America (R.I.A.A) for sales of one million units. Captain & Tennille recorded a Spanish version, entitled "Como Yo Quiero Sentirte" which was released as a single in 1975. It was taken from the Spanish version of their debut album Por Amor Viviremos. The duo also re-recorded "The Way I Want To Touch You" in 1995 for their album, 20 Years of Romance.
The Shirley Bassey Collection is a double compilation album released in 1972 by British singer Shirley Bassey. The album charted at #37 in the UK charts in January 1972.
25th Anniversary Album is a compilation album by Shirley Bassey. Released in 1978 to mark her 25th year in show business, the album was a double set, comprising 40 tracks. The songs included span just 20 of the 25 years from 1957 to 1976, however, her first professional contract is dated 1953. Bassey had toured extensively throughout 1978 to mark her 25 years. This collection, including her biggest hits and some lesser-known recordings, became one of her biggest in the UK, where it reached No.3 and spent 12 weeks on the album chart.
