Live and Let Die | ||||
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Soundtrack album by | ||||
Released | 2 July 1973 | |||
Recorded | 1972–73 | |||
Studio | AIR (London) | |||
Length | 31:14 | |||
Label | United Artists | |||
Producer | George Martin | |||
George Martin chronology | ||||
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James Bond soundtrack chronology | ||||
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Singles from Live and Let Die | ||||
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Live and Let Die is the soundtrack to the eighth James Bond film of the same name,scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings. It was the first Bond film score to not involve John Barry.
The music for most of the Bond films up until Diamonds Are Forever had been scored by John Barry. Due to his working on a musical,and having fallen out with Bond producer Harry Saltzman over the last title song,Barry was unavailable to score Live and Let Die. [1]
Producers Saltzman and Albert Broccoli approached Paul McCartney to write the theme song and McCartney in turn asked Martin to record it for him. Impressed with the orchestration for the finished track,Saltzman and Broccoli considered Martin for the film's score. [2]
Martin worked closely with director Guy Hamilton who described what the music should convey in each scene as it unfolds. Only very minor changes to the finished score were asked for. Martin felt that this was as much for Hamilton's accurate briefing. [2]
The orchestra was conducted by Martin and recorded at AIR Studios. The soundtrack was also released in quadrophonic.
Having recorded McCartney's performance, Martin was taken aback when Saltzman asked him who he thought should sing the film's title song, suggesting to him Thelma Houston. Saltzman had envisaged a female soul singer. Martin said that it should be McCartney. [2] The recording contract had specified that McCartney would "perform the title song under the opening titles". [3] Martin nonetheless scored a soul arrangement to accompany singer B. J. Arnau for a nightclub sequence in the film.
Live and Let Die was the first time that a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969. McCartney had been considered as title song composer for the previous Bond film, Diamonds Are Forever . [4] The song was nominated for an Academy Award but lost to "The Way We Were".
The ″Live and Let Die" single was a major success in the U.S. [5] and UK and continues to be a highlight of McCartney's live shows. [6] Chrissie Hynde covered the song for Bond composer David Arnold's compilation album Shaken and Stirred: The David Arnold James Bond Project .
The original soundtrack LP ended with track 14, James Bond theme, and this version was released on CD in 1988. The digitally remastered CD re-release, 2003, as well as adding eight additional tracks, extended several of the original ones, such as Bond Meets Solitaire. Except as noted, all tracks composed by George Martin. [7]
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated five times in 1999, 2002, 2008, 2012, and 2021. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast was an English composer and conductor of film music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, he formed a band in 1957, the John Barry Seven. He later developed an interest in composing and arranging music, making his début for television in 1958. He came to the notice of the makers of the first James Bond film Dr. No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. Noel Rogers, the head of music at United Artists, approached Barry. This started a successful association between Barry and the Bond series that lasted for 25 years.
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
Solitaire is a fictional character in the James Bond novel and film Live and Let Die. In the film, she was portrayed by Jane Seymour.
"Live and Let Die" is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatles producer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded "Live and Let Die" during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.
The Man with the Golden Gun is a 1974 spy film and the ninth in the James Bond series produced by Eon Productions, and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's posthumously published 1965 novel of the same name, the film has Bond sent after the Solex Agitator, a breakthrough technological solution to contemporary energy shortages, while facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex.
On Her Majesty's Secret Service is a 1969 spy film and the sixth in the James Bond series produced by Eon Productions. It is based on the 1963 novel by Ian Fleming. Following Sean Connery's decision to retire from the role after You Only Live Twice, Eon selected George Lazenby, a model with no prior acting credits, to play the part of James Bond. During filming, Lazenby announced that he would play the role of Bond only once. Connery returned to portray Bond in 1971's Diamonds Are Forever.
Live and Let Die is a 1973 spy thriller, the eighth film in the James Bond series produced by Eon Productions, and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman, while Tom Mankiewicz wrote the script. Although the producers had approached Sean Connery to return after Diamonds Are Forever (1971), he declined and a search for a new Bond actor led to Moore being signed.
The Spy Who Loved Me is the soundtrack for the tenth James Bond The Spy Who Loved Me. The soundtrack is one of only two Bond soundtracks to be nominated for the Academy Award for Best Original Score. The other score nominated was Skyfall (2012).
"You Know My Name" is the theme song of the 2006 James Bond film Casino Royale, performed by American musician Chris Cornell, who wrote and produced it jointly with David Arnold, the soundtrack's composer. The film producers chose Cornell because they wanted a strong male singer. Cornell and Arnold tried to make the song a replacement theme for the character instead of the "James Bond Theme" reflecting the agent's inexperience in Casino Royale, as well as an introduction to Daniel Craig's grittier and more emotional portrayal of Bond.
The James Bond film series is a British series of spy films based on the fictional character of MI6 agent James Bond, "007", who originally appeared in a series of books by Ian Fleming. It is one of the longest continually running film series in history, having been in ongoing production from 1962 to the present. In that time, Eon Productions has produced 25 films as of 2021, most of them at Pinewood Studios. With a combined gross of over $7 billion, the films produced by Eon constitute the fifth-highest-grossing film series. Six actors have portrayed 007 in the Eon series, the latest being Daniel Craig.
The Man with the Golden Gun is the soundtrack for the ninth James Bond film of the same name.
Dr. No is the film score for the 1962 film of the same name composed by Monty Norman.
From Russia with Love is the soundtrack for the second James Bond film, From Russia With Love. This is the first series film with John Barry as the primary soundtrack composer.
Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
A View to a Kill is the soundtrack for the film of the same name, the 14th instalment in the James Bond film series.
The Bond Collection, a.k.a. Bassey Sings Bond, is a 1987 studio album by Shirley Bassey, notable for having been released without the artist's consent and subsequently withdrawn from sales by court order.
"You Only Live Twice", performed by Nancy Sinatra, is the theme song to the 1967 James Bond film of the same name. The music was by veteran Bond film composer John Barry, with lyrics by Leslie Bricusse. The song is widely recognized for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns. It is considered by some to be among the best James Bond theme songs, and has become one of Nancy Sinatra's best known hits. Shortly after Barry's production, Sinatra's producer Lee Hazlewood released a more guitar-based single version.
Brenda Arnaud, known as B. J. Arnau, was an American-born female singer and actress active in the UK and the US from the late 1960s to the early 1980s.
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