"Smiling Faces Sometimes" is a soul song written by Norman Whitfield and Barrett Strong for the Motown label. It was originally recorded by the Temptations in 1971. Producer Norman Whitfield had the song re-recorded by the Undisputed Truth the same year, resulting in a number-three Billboard Hot 100 position for the group. "Smiling Faces" was the only Top 40 single released by the Undisputed Truth, and was included on their debut album The Undisputed Truth.
"Controversy" is a song by American musician Prince, the lead single and title track to his 1981 album. The song addresses speculation about Prince at the time such as his sexuality, gender, religion, and racial background, and how he could not understand the curiosity surrounding him.
"Free Ride" is a song written by Dan Hartman and performed by the Edgar Winter Group from their 1972 album They Only Come Out at Night, produced by Rick Derringer. The single was a top 15 U.S. hit in 1973, reaching number 14 on the Billboard Hot 100 and number 10 on Cash Box. In Canada, it peaked at number 8.
"Summer Breeze" is a 1972 song by American soft rock duo Seals and Crofts. It is the title track of their fourth studio album, and was released as the album's lead single in August 1972. The song reached No. 6 on the US Billboard Hot 100 chart in the US. In 2013, it was ranked No. 13 in Rolling Stone′s "Best Summer Songs of All Time". The song also became a hit for the Isley Brothers in 1974.
"Love Train" is a hit single by the O'Jays, written by Kenny Gamble and Leon Huff. Released in 1972, it reached No. 1 on both the R&B Singles and the Billboard Hot 100 in February and March 1973 respectively, and No. 9 on the UK Singles Chart and was certified gold by the RIAA. It was the O'Jays' first and only number one record on the US pop chart. The song has been considered one of the first songs of disco music.
"Break It to Me Gently" is a pop song written by blues musician Joe Seneca with lyrics by Diane Lampert. Both Brenda Lee and Juice Newton were met with considerable success with their versions of the song.
"Sad Eyes" is a song written and recorded by Robert John, and released in April 1979. It debuted May 19 on the Billboard Hot 100, reaching the top of the chart the week of October 6. It was produced by George Tobin in association with Mike Piccirillo.
"Baby, What a Big Surprise" is a ballad written by Chicago's then bassist/singer Peter Cetera, which appeared on their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.
"Teach Your Children" is a song written by Graham Nash in 1968 when he was a member of the Hollies. Although it was never recorded by that group in a studio, the Hollies did record it live in 1983. After the song was initially recorded for the album Crosby, Stills & Nash in 1969, a much more enhanced version of the song was recorded for the album Déjà Vu by Crosby, Stills, Nash & Young, released in 1970. As a single, the song peaked at No. 16 on the Billboard Hot 100 charts that year. On the Easy Listening chart, it peaked at No. 28. In Canada, "Teach Your Children" reached No. 8. Reviewing the song, Cash Box commented on the "incredible soft harmony luster" and "delicately composed material." Billboard called it "a smooth country-flavored ballad that should prove an even bigger hit on the charts [than 'Woodstock']." Stephen Stills gave the song its "country swing", replacing the "Henry VIII" style of Nash's original demo.
"You Took the Words Right Out of My Mouth" (also known as "You Took the Words Right Out of My Mouth (Hot Summer Night)") is the first solo single by the American singer Meat Loaf, released in 1977. It is a track from his album Bat Out of Hell, written by Jim Steinman.
"I Love Music" is a song by American R&B group The O'Jays. It was written by production team Gamble and Huff. The song appeared on The O'Jays 1975 album, Family Reunion. The single reached number five on the US US Billboard Hot 100 and number one on the soul singles chart. In the UK, the song peaked at number 13 in the Top 40 singles charts in March 1976. The single spent eight weeks at number one on the US Disco File Top 20 chart.
"I Just Want to Be Your Everything" is a song recorded by Andy Gibb, initially released in April 1977 by RSO Records as the first single from his debut album Flowing Rivers (1977). The song was written by Gibb's older brother Barry, and produced by Gibb-Galuten-Richardson. It reached number 1 on the Billboard Hot 100 for three weeks, starting on the week ending 30 July 1977, and again for the week ending 17 September 1977. It was Gibb's first single released in the United Kingdom and United States. His previous single, "Words and Music" was only released in Australia. It is ranked number 26 on Billboard's 55th anniversary All Time Top 100.
"Do It Baby" is a 1974 single recorded and released by the Motown R&B group The Miracles. The song was taken from the album of the same name, and written by Motown staff songwriters Freddie Perren and Christine Yarian and produced by Perren.
"Heaven Must Be Missing an Angel" is a disco song written by Freddie Perren and Keni St. Lewis. It was recorded by the American band Tavares in 1976. It was released as the first single from their fourth album, Sky High! (1976), and was split into two parts: the first part was 3 minutes and 28 seconds in length, while the second part was 3 minutes and 10 seconds. "Heaven Must Be Missing an Angel" was re-released in February 1986.
"Heaven Must Have Sent You" is a song written by Brian Holland, Lamont Dozier, and Eddie Holland when at Motown, and first recorded by The Elgins in 1966. It was also a 1979 disco hit single by Bonnie Pointer.
"Real Love" is a hit song by The Doobie Brothers, the first of three singles from their 1980 LP, One Step Closer.
Once in a While is an album by American pop singer Johnny Mathis that was released on May 23, 1988, by Columbia Records and found him returning to the practice of covering contemporary hits but also mixing in lesser-known songs already recorded by other artists along with a few new ones.
"(Just Like) Romeo and Juliet" is a song written by Bob Hamilton and Freddie Gorman, first made famous by the 1964 hit recording by the Reflections. The song is the first person narrative of a young man who plans to find a job so that he can buy his girlfriend presents and a car to take her out on dates. He fears that if he fails to find gainful employ, their love will fall apart, a situation he likens to the famous tragedy Romeo and Juliet. The song is widely regarded to be among the final doo-wop singles to chart on the Billboard Hot 100 during the British Invasion era.
Reddy is the eleventh studio album release by Australian-American pop singer Helen Reddy. Between 1971 and 1978, Reddy had ten studio albums released by Capitol Records, the label also having issued her Greatest Hits album and a concert album: Live in London, the latter issued in December 1978 - which same month Reddy filed suit claiming Capitol Records had shortchanged her $1,793,000, the suit being an apparent bid to win release from the label. However Reddy, issued in June 1979, would be released by Capitol Records, Reddy's tenure with the label extending to include her twelfth studio album: Take What You Find, issued in 1980.
"Breakdown Dead Ahead" is a 1980 song recorded by Boz Scaggs, and composed by Scaggs and David Foster. It was the lead single of two released from Scaggs's album Middle Man.
