"Lipstick Traces (on a Cigarette)" | ||||
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Single by Benny Spellman | ||||
B-side | "Fortune Teller" | |||
Released | 1962 | |||
Recorded | 1962 | |||
Genre | R&B | |||
Length | 2:23 | |||
Label | Minit Records 644 | |||
Songwriter(s) | Naomi Neville | |||
Producer(s) | Allen Toussaint | |||
Benny Spellman singles chronology | ||||
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"Lipstick Traces (on a Cigarette)" is a song first recorded by New Orleans singer Benny Spellman in 1962. It was written by Allen Toussaint under the pseudonym Naomi Neville. The song became Spellman's only hit record, peaking at number 28 on the Billboard R&B chart and number 80 on the Billboard Hot 100 pop chart. The flip side of the single was "Fortune Teller", made famous by The Rolling Stones cover among others.
Toussaint explained the song's origin in an interview with journalist Terry Gross of National Public Radio: "Well, 'Lipstick Traces'...the guy, Benny Spellman, that sang the bass part on "Mother-In-Law" - he didn't know what it was worth at the time we were doing it, but when "Mother-In-Law" came out and sold, and went to number one, let's say, Benny Spellman that sang the bass part made sure that everyone within the sound of his voice got to know that he sang that part. And then he would go around - he would gig - based on [the fact that] he sang the low part on "Mother-In-Law." And he encouraged me...with much force, to write him a song that he could use that concept. And one result of that was the song 'Lipstick Traces.'" [1]
"Lipstick Traces (on a Cigarette)" was recorded in New Orleans on February 2, 1962. The background vocals were done by label mates Irma Thomas and Willie Harper. [2]
"Lipstick Traces (On a Cigarette)" | ||||
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Single by Ringo Starr | ||||
from the album Bad Boy | ||||
B-side | "Old Time Relovin'" | |||
Released | 18 April 1978 | |||
Length | 3:01 | |||
Label | Portrait | |||
Songwriter(s) | Naomi Neville | |||
Producer(s) | Vini Poncia | |||
Ringo Starr singles chronology | ||||
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"Lipstick Traces" has been covered by a number of artists. One of the earliest cover versions was by The O'Jays in 1965. (Imperial single 66102) Their version peaked on the R&B chart at No. 28, matching the R&B chart success of Spellman's original; and surpassed it on the Pop Chart, peaking at No. 48. [3] It was included on the 1965 album Comin' Through (Imperial 9290). [4] The O'Jays' original five-member lineup of Walter Williams (who sang lead), Eddie Levert, William Powell, Bobby Massey and Bill Isles, performed the song on a 1965 telecast of ABC-TV's "Shivaree". [5]
The American Breed covered the song on their 1967 self-titled debut album. Ringo Starr's cover, from his 1978 album Bad Boy , was released as a US single (backed with "Old Time Relovin'") on April 18 1978. [nb 1] [6] [7] Other artists who have covered the song include Amazing Rhythm Aces, Donel Austin, The Beautiful South, Alex Chilton, Snooks Eaglin, Frankie Ford and Delbert McClinton. [8] Joe Krown's instrumental version appears on his 2007 album Old Friends. [9]
The song was the basis for the main title of Greil Marcus' book Lipstick Traces: A Secret History of the 20th Century . [10]
The O'Jays are an American R&B group from Canton, Ohio, formed in Summer 1958 and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once the producers Gamble & Huff signed them to their Philadelphia International label in 1972. With Gamble & Huff, the O'Jays emerged at the forefront of Philadelphia soul with Back Stabbers (1972), and topped the US Billboard Hot 100 the following year with "Love Train". Several other US R&B hits followed, and the O'Jays were inducted into the Vocal Group Hall of Fame in 2004, The Rock and Roll Hall of Fame in 2005, and the Rhythm and Blues Music Hall of Fame in 2013.
Allen Richard Toussaint was an American musician, songwriter, arranger, and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions. He was a producer for hundreds of recordings: the best known are "Right Place, Wrong Time", by longtime friend Dr. John, and "Lady Marmalade" by Labelle.
Lipstick Traces: A Secret History of the 20th Century (1989) is a non-fiction book by American rock-music critic Greil Marcus that examines popular music and art as a social critique of Western culture.
Golddiggas, Headnodders and Pholk Songs is the ninth and penultimate album by The Beautiful South, released in 2004. It is almost entirely a covers album, with one notable exception. The track "This Old Skin" was originally claimed to have been written by Bobby Christiansand/Barry Klein, and to have been originally performed by an obscure band called "The Heppelbaums" in the 1970s, but it was later revealed to have been an original composition by the usual Beautiful South writing team, Paul Heaton and Dave Rotheray. This was confirmed in 2006 by frontman Paul Heaton during a Question and Answer session entitled "Ask the Band". Prior to that, a website for The Heppelbaums had been created, in which many more clues to the real identity of the band were revealed. The domain was created on 5 August 2004 and registered to Sony, the band's record label. Although the website no longer exists, the contents can still be found on Archived 7 May 2006 at the Wayback Machine
"Only You (And You Alone)" (often shortened to "Only You") is a pop song composed by Buck Ram. It was originally recorded by The Platters with lead vocals by Tony Williams in 1955.
Goodnight Vienna is the fourth studio album by Ringo Starr. It was recorded in the summer of 1974 in Los Angeles, and released later that year. Goodnight Vienna followed the commercially successful predecessor Ringo, and Starr used many of the same players, including Billy Preston, Klaus Voormann, Robbie Robertson, Harry Nilsson, and producer Richard Perry. The title is a slang phrase meaning "it's all over".
"Act Naturally" is a song written by Johnny Russell, with a writing credit given to Voni Morrison and publishing rights transferred to Buck Owens. It was originally recorded by Buck Owens and the Buckaroos, whose version reached number one on the Billboard Country Singles chart in 1963, his first chart-topper. In 2002, Shelly Fabian of About.com ranked the song number 169 on her list of the Top 500 Country Music Songs.
"Mother-in-Law" is a 1961 song recorded by Ernie K-Doe. It was a number-one hit in the U.S. on both the Billboard Hot 100 chart and the Billboard R&B chart. The song was written and produced by Allen Toussaint, who also played the piano solo. It was issued by Minit Records.
Bad Boy is the seventh studio album by English rock musician Ringo Starr, released in 1978 by Polydor Records. The album was released at a time of diminishing success for Starr, failing to chart in the UK and reaching only No. 129 in the US and No. 98 in Australia, with none of its singles charting in either the UK or US. Prior to its release in the US, it was cross-promoted with the TV special Ringo, which was poorly received, and a planned follow-up special never came to fruition. Bad Boy would ultimately be Starr's final album release for Polydor.
"You're Sixteen" is a song written by the Sherman Brothers. It was first performed by American rockabilly singer Johnny Burnette, whose version peaked at number eight on the US Billboard Hot 100 in December 1960 and number 3 in the UK in 1961. The song was covered by Ringo Starr in 1973 and this version reached number one in the US.
"I Can't Tell You Why" is a song by the American rock band Eagles that appeared on their 1979 album The Long Run. It was written by band members Timothy B. Schmit, Glenn Frey and Don Henley. Recorded in March 1978, it was the first song finished for the album and the first Eagles song to feature Schmit on lead vocals. Released as a single in February 1980, it became a Billboard top 10 hit in April, reaching number eight on the Billboard Hot 100 and number three on the Adult Contemporary chart. It was the group's last top ten hit on the Billboard Hot 100.
Benny Spellman was an American R&B singer, best known for the 1962 single "Lipstick Traces " and its B-side "Fortune Teller", both written by Allen Toussaint.
"Working in the Coal Mine" is a song with music and lyrics by the American musician and record producer Allen Toussaint. It was an international hit for Lee Dorsey in 1966, and has been recorded by other musicians including Devo in 1981.
Lipstick Traces may refer to:
Sneakin' Sally Through the Alley is the debut solo album by Robert Palmer, released in 1974. It was his first effort after three album releases co-fronting the band Vinegar Joe.
"Fortune Teller" is a song written by Allen Toussaint under the pseudonym Naomi Neville and first recorded by Benny Spellman. It was issued in 1962 as B-side of the single "Lipstick Traces " on Minit Records.
Xscape is an American girl group from Atlanta, Georgia, formed in 1991 by Kandi Burruss, Tameka "Tiny" Cottle, LaTocha Scott, Tamera Coggins-Wynn, and Tamika Scott. The following year Coggins-Wynn left the group and Xscape became a quartet. They were discovered by Jermaine Dupri who signed the group to his So So Def label. The group released their debut album Hummin' Comin' at 'Cha in 1993, which spawned two of their biggest hits, "Just Kickin' It" and "Understanding". The album was certified Platinum on February 1, 1994. Xscape has sold more than 9 million records worldwide.
Joe Krown is an American keyboardist, based in New Orleans, Louisiana. Apart from being a solo artist, he is the full time member of Kenny Wayne Shepherd band. He plays New Orleans styled piano and also Hammond B3 organ.
This is the discography for American R&B-jazz musician Allen Toussaint.
"It's Raining" is a soul/R&B ballad, written by Allen Toussaint under the name "Naomi Neville". It was first recorded in November 1961 by Irma Thomas, and produced by Allen Toussaint. The song has emotional ties to Louisiana, having been written and sung by people born in that state, being released on a New Orleans–based record label and enduring in the Deep South as a regional classic.