"Missing You" | ||||
---|---|---|---|---|
Single by John Waite | ||||
from the album No Brakes | ||||
B-side | "For Your Love" | |||
Released | June 1984 | |||
Genre | ||||
Length | 3:56 | |||
Label | EMI America | |||
Songwriter(s) | John Waite, Mark Leonard, Charles Sandford | |||
Producer(s) | John Waite, David Thoener, Gary Gersh | |||
John Waite singles chronology | ||||
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Music video | ||||
"Missing You" on YouTube |
"Missing You" is a song co-written and recorded by English musician John Waite. It was released in June 1984 as the lead single from his second album, No Brakes (1984). It reached number one on Billboard 's Album Rock Tracks and on the Hot 100, as well as number 9 on the UK Singles Chart. "Missing You" was the only record in 1984 to spend only a single week at the top of the Hot 100. The song was nominated for the 1985 Best Pop Vocal Performance Male Grammy Award.
Waite re-recorded the song with country/bluegrass artist Alison Krauss which appeared on her album A Hundred Miles or More: A Collection , and released it to country music radio in 2007. The re-recording peaked at number 34 on Hot Country Songs. The original recording has been featured in the films, Selena (1997) and Warm Bodies (2013), [4] the video game Grand Theft Auto: Vice City , and the TV series Miami Vice (episode, "Heart of Darkness", originally aired 28 September 1984), [5] as well as in the comedy sitcom Rules of Engagement , in a scene at the diner where there is a flashback of Timmy's and Russell's best moments together (season 7, episode "A Wee Problem", originally aired on 6 May 2013). It also appears in the film 22 Jump Street (2014) during the montage where main characters Schmidt and Jenko begin to miss each other after going their separate ways following a fight.
The song is mentioned by Sheila Weller as describing O. J. Simpson's obsession with Nicole Brown Simpson and is the inspiration for the title of her book Raging Heart. [6]
The song is a soft rock track. It is performed in the key of G♭ major with a tempo of 104 beats per minute in common time. Waite's vocals span from G♭3 to C♭5 in the song. [7]
In the verses/bridge, the singer describes how much he misses his ex-lover, while in the chorus, he lies to himself and vehemently denies missing them. The opening line "Every time I think of you" [8] is the title of a song by Waite's group The Babys. [9]
Waite's record label was convinced they had enough songs for the No Brakes album, but he felt it lacked a hit single. He went to a songwriter's house in LA, who showed him a guitar melody on a cassette tape. Waite listened to the melody once through, and the second time, improvised the entire first verse, 'B' section, and "missing you" section without stopping. Waite said the song was about three women in his life: he was getting divorced, and he was thinking of an old love interest from when he first moved to New York City as well as a current love interest. He said, "I was singing about New York, and distance, the caving in of my marriage, and the options that I had. It was bittersweet – it was about the end of my marriage and the beginning of something new. Although, when I was singing 'I ain't missing you', it was denial too." He had to convince the record label to spend $5,000 to record one last single—this one—for the album. [10]
The accompanying music video for "Missing You" was written/directed/produced by Kort Falkenberg III and was actually filmed in Los Angeles during the summer of 1984. Although some people understandably have mistaken the street scene for New York City or London, the director intentionally looked for a location in downtown Los Angeles where there was "no Stucco" on the walls which would have been a dead giveaway that it was shot in the southwest U.S., as he wanted it to look neutral and not be identifiable as any particular city.
To start the clip, John Waite is sitting in a chair, and after seeing a picture of a woman (played by actress Elizabeth Reiko Kubota [11] ) with whom he is still in love, he, frustrated, slaps the lamp above him causing it to swing back and forth and begins to sing the song. When he opens his bedroom door, a woman playfully jumps into his arms and they embrace falling back onto the bed. Later, Waite watches through a crack in the door as the woman angrily throws her clothes into her suitcase. She pushes through the door to leave him and it hits him in the face full force as she storms past him. Pained at her emotional and physical assault, he sadly remembers being at one of her photo shoots. Trying to be cool, Waite leans on a lighting stand but misses and stumbles. She lovingly laughs at his fumbling. Back to the present, Waite tries to call her from a phone booth, but when the woman finally picks up the phone, her only connection is to a dangling phone in an empty phone booth: Waite is gone. He laments "I ain't missin' you at all" as he walks down the street only to see a picture of the woman on a newspaper. He goes into a bar. There, an older woman slides onto the stool next to him and tries to flirt, but for sheer sorrow he shows he is not interested. He goes home again still pining for the woman. He tries to call her but his anger and frustration gets the better of him and he smashes the phone into pieces. When she finally comes to his door and knocks, he doesn't answer, as he doesn't hear her knock over the music playing on his earphones. She leans against the door gently touching it and, with a deep breath, she turns and leaves as tears flow down her face. [12]
Weekly charts
| Year-end charts
Certifications
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"Missing You" | ||||
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Single by Tina Turner | ||||
from the album Wildest Dreams | ||||
B-side | "The Difference Between Us" | |||
Released | 25 July 1996 | |||
Genre | Dance-rock | |||
Length | 4:36 | |||
Label | Parlophone | |||
Songwriter(s) | John Waite, Mark Leonard, Charles Sandford | |||
Producer(s) | Trevor Horn | |||
Tina Turner singles chronology | ||||
| ||||
Music video | ||||
"Missing You" on YouTube |
"Missing You" was also recorded by American singer and actress Tina Turner in 1996, and was released as the third single from her ninth solo album, Wildest Dreams (1996). When Waite's original version of "Missing You" topped Billboard's Hot 100 in late 1984, it ended the reign of Tina Turner's "What's Love Got to Do with It". Turner's version of Waite's "Missing You" hit No. 12 in the UK and No. 84 in the U.S. in 1996.
The single "Missing You" included an edited single version of the track, an alternative mix and certain formats also the European non-album track "The Difference Between Us", later featured on the U.S. edition of the Wildest Dreams album. The B-side of the U.S. edition of the CD single was the non-album track "Do Something" which was the B-side of the UK single for "On Silent Wings".
Larry Flick from Billboard complimented Turner's version as "a lushly arranged rendition". He wrote, "Under the shrewd guidance of mega-producer Trevor Horn, Turner's distinctive growl is pushed to deliciously dramatic heights and is matched by countless layers of synths and a crisp rock backbeat. The combined attention of the singer's loyalists and those who simply never get enough of this timeless tune should make this cover an instant (and most deserving) winner at top 40 and AC." [40] A reviewer from Music Week rated the song four out of five, adding that "a lottery show appearance and a fine cover of this John Waite hit should do the business for la Turner." [41]
The accompanying music video for "Missing You" was directed by Peter Lindbergh and premiered in mid-1996.
Chart (1996) | Peak position |
---|---|
Belgium (Ultratip Bubbling Under Flanders) [42] | 3 |
Europe (European Hot 100 Singles) [43] | 70 |
France (SNEP) [44] | 9 |
Germany (Official German Charts) [45] | 66 |
Iceland (Íslenski Listinn Topp 40) [46] | 14 |
Netherlands (Dutch Top 40 Tipparade) [47] | 16 |
Netherlands (Dutch Single Tip) [48] | 10 |
Poland (Official Poland Charts) [44] | 20 |
Scotland (OCC) [49] | 7 |
UK Singles (OCC) [50] | 12 |
US Billboard Hot 100 [51] | 84 |
US Adult Contemporary ( Billboard ) [52] | 16 |
"Missing You" | |
---|---|
Single by E'voke | |
Released | 28 December 1998 |
Genre | Pop |
Length | 3:43 |
Label | Pulse8, WEA, Pinball records |
Songwriter(s) | John Waite, Mark Leonard, Charles Sandford |
Producer(s) | Barry Leng & Duncan Hannant |
"Missing You" was also recorded by British female vocal duo E'voke in 1997 following their departure from Manifesto Records. James Rudolph provided a rap on the single and as with the previous single "Arms of Loren", there were Steinway and Nip N Tuck remixes (the only version of the Nip N Tuck remix ever released was labelled an edit despite being the full version of the remix). Two promotional CDs were released before Pulse8 went bankrupt. The track was picked up by WEA who commissioned remixes by Metro and Echobeatz (the Echobeatz remix featuring on WEA's 1998 Summer Sampler) with the track scheduled for release in October 1998. [53] The release was pushed back with two new radio edits being promo-ed including a "Christmas version" and a new release date of 14 December 1998. [54]
A video was issued which would later be released to iTunes in 2011 (a video with the Christmas version dubbed over it was also released). [55] The track was finally released on 28 December 1998 [56] and failed to chart. Following this E'voke split up though the CD2 track listing would be released digitally with Pinball records issuing the CD1 track listing on iTunes in 2011. It is unknown if "Missing You" in an original or remixed form will be on the E'voke album due in 2014.
"Missing You" | ||||
---|---|---|---|---|
Single by Brooks & Dunn | ||||
from the album Tight Rope | ||||
B-side | "The Trouble with Angels" | |||
Released | 2 August 1999 | |||
Genre | Country | |||
Length | 3:46 | |||
Label | Arista Nashville – 13179 | |||
Songwriter(s) | John Waite, Mark Leonard, Charles Sandford | |||
Producer(s) | Kix Brooks Ronnie Dunn Byron Gallimore | |||
Brooks & Dunn singles chronology | ||||
|
This song was also recorded by American country music group Brooks & Dunn and was released in August 1999 as the lead single from the album Tight Rope . Their version peaked at No. 6 on the Canadian RPM Country Tracks, No. 15 on the U.S. Billboard Hot Country Singles & Tracks and reached No. 75 on the U.S. Billboard Hot 100.
The music video was directed by Deaton Flanigen and premiered in mid-1999.
"Missing You" peaked at number 15 on the U.S. Billboard Hot Country Singles & Tracks charts for the week of 18 December 1999.
Chart (1999) | Peak position |
---|---|
Canada Country Tracks ( RPM ) [57] | 6 |
US Billboard Hot 100 [58] | 75 |
US Hot Country Songs ( Billboard ) [59] | 15 [60] |
Chart (1999) | Position |
---|---|
Canada Country Tracks ( RPM ) [61] | 63 |
Waite re-recorded the song in 2006 as a duet with bluegrass singer Alison Krauss. This re-recording was included on Waite's album Downtown: Journey of a Heart and Krauss's A Hundred Miles or More: A Collection , both released via Rounder Records. The rendition spent 21 weeks on Hot Country Songs between December 2006 and mid-2007, peaking at number 34. [62]
Chart (2006–2007) | Peak position |
---|---|
US Hot Country Songs ( Billboard ) [63] | 34 |
"What's Love Got to Do with It" is a song written by Graham Lyle and Terry Britten, and recorded by Tina Turner for her fifth studio album, Private Dancer (1984). Capitol Records released it as a single from Private Dancer in May 1984 and it eventually became Turner's biggest-selling single.
John Charles Waite is a British rock singer and musician. As a solo artist, he has released ten studio albums and is best known for the 1984 hit single "Missing You", which reached No. 1 on the US Billboard Hot 100 and the top ten on the UK Singles Chart. He was also the lead vocalist for the successful rock bands The Babys and Bad English.
"Let's Stay Together" is a song by American singer Al Green from his 1972 album of the same name. It was produced and recorded by Willie Mitchell, and mixed by Mitchell and Terry Manning. Released as a single in 1971, "Let's Stay Together" reached number 1 on the Billboard Hot 100, and remained on the chart for 16 weeks and also topped Billboard's R&B chart for nine weeks. Billboard ranked it as the number 11 song of 1972.
"River Deep – Mountain High" is a song by Ike & Tina Turner released on Philles Records as the title track to their 1966 studio album. Produced by Phil Spector and written by Spector, Jeff Barry and Ellie Greenwich. Rolling Stone ranked "River Deep – Mountain High" No. 33 on their list of the 500 Greatest Songs of All Time. NME ranked it No. 37 on their list of the 500 Greatest Songs of All Time. The Rock and Roll Hall of Fame added it to the list of the 500 Songs That Shaped Rock and Roll. The song was inducted into the Grammy Hall of Fame in 1999.
"Proud Mary" is a song by American rock band Creedence Clearwater Revival, written by vocalist and lead guitarist John Fogerty. It was released as a single in January 1969 by Fantasy Records and on the band's second studio album, Bayou Country. The song became a major hit in the United States, peaking at No. 2 on the Billboard Hot 100 in March 1969, the first of five singles to peak at No. 2 for the group.
"Tonight" is a song written by David Bowie and Iggy Pop for the latter's second solo studio album, Lust for Life (1977). The song was later made into the title-track for Bowie's own album Tonight (1984).
"Private Dancer" is a song first released and made famous by Tina Turner in 1984. The song was written by Mark Knopfler of Dire Straits, but never fully recorded or released by his band. Turner's recording was produced by John Carter for her fifth solo album of the same name and released as the album's fifth single. The track reached number seven on the US Billboard Hot 100 and number three on the US R&B chart. The song had moderate international success, reaching number 26 on the UK Singles Chart.
"Addicted to Love" is a song by English rock singer Robert Palmer released in 1986. It is the third song on Palmer's eighth studio album Riptide (1985) and was released as its second single. The single version is a shorter edit of the full-length album version.
"Better Be Good to Me" is a song written by Mike Chapman, Holly Knight, and Nicky Chinn, recorded by Tina Turner for her solo studio album Private Dancer (1984) and released as a single in early September 1984. The song was originally recorded and released in 1981 by Spider, a band from New York City that featured co-writer Knight as a member. Turner's version was successful in the United States and peaked at No. 5 on the Billboard Hot 100 and No. 6 on the then-Hot Black Singles charts. At the 27th Annual Grammy Awards in 1985, it won Best Rock Vocal Performance, Female, one of four Grammys awarded to Turner's Private Dancer album at that ceremony. The song was also included on the Miami Vice soundtrack, and the 2024 film IF, during which the main characters sing and dance to the track inside the official music video.
"Missing" is a song by English musical duo Everything but the Girl, taken from their eighth studio album, Amplified Heart (1994). It was written by the two band members, Tracey Thorn and Ben Watt, and was produced by Watt and John Coxon. It was taken as the second single off the album on 8 August 1994 by Blanco y Negro Records in the United Kingdom and by Atlantic Records in the United States. It initially did not achieve much success until it was remixed by Todd Terry and re-released in 1995, resulting in worldwide success, peaking at or near the top of the charts in many countries. The release of the remixed version of "Missing" gave an indication of the band's future experimentation with more electronic dance music on subsequent albums.
"I Don't Wanna Fight" is a song by American singer and actress Tina Turner, released in April 1993 by Parlophone. The track was co-written by British singer Lulu, her brother Billy Lawrie, and Steve DuBerry. The song was first offered to singer Sade, who sent it on to Turner. Turner recorded it in 1993 as part of the soundtrack for her autobiographical film, What's Love Got to Do with It. Lulu's version appears as a B-side to her 1993 single "How 'Bout Us" as well as on the 2003 album The Greatest Hits.
"Two People" is a song by recording artist Tina Turner. It was written by Terry Britten and Graham Lyle, with production helmed by the former, and released as the second single from her sixth solo album Break Every Rule (1986).
"In Your Wildest Dreams" is a duet by American singers Tina Turner and Barry White, released from Turner's ninth solo studio album, Wildest Dreams (1996). The original European album version features spoken vocals by actor Antonio Banderas, while for the single version and US edition of the Wildest Dreams album, Turner re-recorded the track with White.
"Steamy Windows" is a song by American-Swiss singer Tina Turner. It was included on Turner's seventh studio album, Foreign Affair (1989), and released as the album's second single in November 1989. In the United Kingdom, it was instead issued as the third single on February 5, 1990. It was written by Tony Joe White and produced by Dan Hartman. It became a top ten hit in Belgium, Ireland and Italy, while reaching the top forty on the majority of all charts it appeared on.
"What You Get Is What You See" is a song by recording artist Tina Turner from her album Break Every Rule (1986). The 12" single included three versions of the song, the Extended Dance Mix, the Extended Rock Mix and a live version recorded in London in November 1986. A different live recording of the song was later used as the opening track on Turner's 1988 album Tina Live in Europe. She also included it in her 2009 live album Tina Live. It was recorded during Turner's 50th Anniversary Tour. The track is from the March 21, 2009 live show at the GelreDome in Arnhem, Netherlands.
"Look Me in the Heart" is a song by recording artist Tina Turner. It was written by Billy Steinberg and Tom Kelly and produced by Dan Hartman for Turner's seventh solo studio album, Foreign Affair (1989). Released as a single in March 1990, it reached number 23 on the Irish Singles Chart and number 31 in the United Kingdom. In the United States, it peaked at number eight on the Billboard Adult Contemporary chart. The single was released in a variety of formats, including a live recording of the Private Dancer track "Steel Claw", remixes of "Look Me in the Heart" and the 1987 "Tina Turner Montage Mix", a nine-minute megamix including tracks from Private Dancer and Break Every Rule.
"If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the Billboard country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. It was nominated for the 1974 Country Music Association Award for Single of the Year.
"Don't Mean Nothing" is the debut single by singer/songwriter/producer Richard Marx from his triple platinum 1987 eponymous album. It hit No. 1 on Billboard's Album Rock Tracks chart and No. 3 on the Hot 100. With the chart success of "Don't Mean Nothing" and subsequent singles from his debut album, Marx became the first male artist to reach the top three of the Billboard Hot 100 pop chart with four singles from a debut album.
Workin' Together is a studio album released by Ike & Tina Turner on Liberty Records on November 9, 1970. This was their second album with Liberty and their most successful studio album. The album contains their Grammy Award-winning single "Proud Mary."
"We Don't Need Another Hero (Thunderdome)" is a song written by Graham Lyle and Terry Britten. It was recorded by American singer Tina Turner for the soundtrack album to the 1985 film Mad Max Beyond Thunderdome, which starred Mel Gibson and Turner. On the heels of Turner's multiplatinum album Private Dancer (1984), the song was released as a 7-inch single, an extended version was released as a 12-inch single and on the film's soundtrack album. In the United Kingdom, a shaped picture disc was also issued. The power ballad received a Golden Globe Award nomination for Best Original Song and a Grammy Award nomination for Best Female Pop Vocal Performance. As songwriters, Lyle and Britten received the Ivor Novello Award for Best Song Musically and Lyrically.
Waite delivers "Missing You" in a clenched white-soul growl, cutting his heartache with impotent fury.
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