Junkanoo | |
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Status | Active |
Genre | Folk festival, street festival, parade |
Country | Caribbean |
Junkanoo | |
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Country | Bahamas |
Reference | 01988 |
Region | Latin America and the Caribbean |
Inscription history | |
Inscription | 2023 (18th session) |
List | Representative |
Music of the Anglophone Caribbean | ||||
Genres | ||||
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Regional music | ||||
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Junkanoo is a festival that was originated during the period of African chattel slavery in British American colonies. It is practiced most notably in Jamaica, The Bahamas and Belize, and historically in North Carolina and Miami, where there are significant settlements of West Indian people during the post-emancipation era. In the present day, there are considerable variations in performance and spelling, but there are the shared elements of masquerade (or masking), drumming, dance, and parading.
In many territories, Junkanoo is observed around the week of Christmas. These Christmas-time cultural parades are predominantly showcased in Jamaica. [1] In The Bahamas, it was initially called Junkanoo and is said to date back to the 1700s where it is celebrated year round. In Belize, where the music is also mainstreamed, competition results are hotly contested. [2] There are also Junkanoo parades in Miami in June and Key West in October, where local black populations have their roots in the Caribbean. [3]
Its origin is assumed to have begun in The Bahamas, but is claimed by several other islands in the English-speaking Caribbean. However, evidence shows that Junkanoo's origins point strongly to Jamaica and was later spread throughout the Caribbean as early as the 18th century. [4] Though stemming from the same origin, each celebration has been localized by different countries and, over time, evolved to be somewhat different. [5]
This tradition is one of the oldest dance celebrations in Jamaica. [6] In addition to being a cultural dance for the Garifuna people, [7] [8] this type of dancing is also performed in The Bahamas on their independence day and other historical holidays.
Historically, Junkanoo parades were also found in southeastern North Carolina that can be traced back to Jamaican roots. [9] However, the custom became less popular after slavery was abolished. The last known Junkanoo celebration in the Southern United States was in Wilmington, North Carolina, in the late 1880s. [10]
Dances are choreographed to the beat of goatskin drums and cowbells.
The festival may have originated several centuries ago when enslaved Africans or their descendants, on the plantations in Jamaica, celebrated holidays granted around Christmastime. This was done with dance, music (drumming), and costumes. The costumes and drumming used in celebration in Jamaica show strong similarities to West African mask dances.
A contribution to the origins of this Jamaican tradition could be found in three "groups" of West African festival traditions. These are;
The tradition continued in countries like The Bahamas after emancipation. Junkanoo evolved far from simple origins to a formal, organized parade with intricate costumes, themed music, and official prizes within various categories.
The origin of the word junkanoo is disputed. Theories include that it is named after a folk hero named John Canoe or that it is derived from the French term gens inconnus (unknown people), as the revelers wear masks. [12]
Douglas Chambers, professor of African studies at the University of Southern Mississippi, suggests a possible Igbo origin from the Igbo yam deity Njoku Ji, referencing festivities in time for the New Yam Festival. Chambers also suggests a link with the Igbo okonko masking tradition of southern Igboland, which features horned maskers and other masked characters, similar to junkanoo masks. [13]
Similarities with the Yoruba Egungun festivals have also been identified. [14] However, an Akan origin is more likely because the celebration of the Fancy Dress Festivals/Masquerades are during the same time (Christmas week (December 25–January 1)) in the Central and Western Regions of Ghana. In addition, John Canoe was an existing Ahanta chief and an Akan warrior hero that ruled Axim, Ghana before 1720, the same year the John Canoe festival was created in the Caribbean. [15] As scholar Jeroen Dewulf pointed out, the term may have had a religious dimension, relating to the Akan deity Nyankompong (in today's spelling), who was known in eighteenth-century English sources as John Company. [16]
According to Edward Long, an 18th-century Jamaican enslaver/historian, the John Canoe festival was created in Jamaica and the Caribbean by enslaved Akan who backed the man known as John Canoe. Canoe was an ally soldier for the Germans until he turned his back on them for his Ahanta people, siding with the Asante, Nzema, Wassa and others in an alliance called Kotoko(another name for the Asante state), to take the area from the Germans and other Europeans. The news of his victory reached Jamaica, and he has been celebrated ever since the Christmas of 1708 when he first defeated Prussian forces for Axim. Twenty years later, his stronghold was broken by neighboring Fante forces, aided by the military might of the British.
Ahanta and other Asante Kotoko captives were taken to Jamaica as prisoners of war. The festival itself includes motifs from battles typical of Akan fashion. The many war masks and dance formations of the Ahanta people became part of this celebration worldwide, especially in the Caribbean. The elaborate masks and attire resemble Akan battledress with charms, referred to as a "Batakari". [17]
Junkanoo has been prominent and celebrated in colonies such as Jamaica (as Jankunu, jonkonnu), The Bahamas (as Junkanoo), and North Carolina. [13] [18]
Historian Stephen Nissenbaum described the festival as it was performed in 19th-century North Carolina:
Essentially, it involved a band of black men—generally young—who dressed themselves in ornate and often bizarre costumes. Each band was led by a man who was variously dressed in animal horns, elaborate rags, female disguise, whiteface (and wearing a gentleman's wig!), or simply his "Sunday-go-to-meeting-suit." Accompanied by music, the band marched along the roads from plantation to plantation and town to town, accosting whites and sometimes even entering their houses. In the process, the men performed elaborate and (to white observers) grotesque dances that were probably of African origin. In return for this performance, they always demanded money (the leader generally carried "a small bowl or tin cup" for this purpose), though whiskey was an acceptable substitute. [19]
The Junkanoo parade has been featured in movies, such as the James Bond film Thunderball (erroneously described as a local Mardi Gras-type festival), After the Sunset , and Jaws The Revenge. It was also in the season one episode, Calderone's Return (Part II), of the 1984 television series Miami Vice , taking place on the fictitious island of St. Andrews.
A song titled "Junkanoo Holiday (Fallin'-Flyin')" was written by Kenny Loggins and is featured on his 1979 album Keep The Fire . This song immediately follows the hit song, "This Is It," on the album. "This Is It" has a fade ending that segues into "Junkanoo Holiday (Fallin'-Flyin')", omitting a complete break between the two songs.
In the thirteenth episode of the television show Top Chef: All-Stars , "Fit for a King", the contestants danced at a Junkanoo parade, learned about its history, and competed to make the best dish for the Junkanoo King.
The post-Covid return to Junkanoo was briefly discussed across the two-part episodes 189 and 190 of Nicole Byer and Sasheer Zamata's podcast, Best Friends, documenting their trip to The Bahamas. [20] [21]
Carnival or Shrovetide is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras.
The music of the Bahamas is associated primarily with Junkanoo, a celebration which occurs on Boxing Day and again on New Year's Day. Parades and other celebrations mark the ceremony. Groups like The Baha Men, Ronnie Butler,Kirkland Bodie and Twindem have gained massive popularity in Japan, the United States and other places. Other popular Bahamian artists include Stileet and Stevie S.
J'ouvert is a traditional Carnival celebration in many countries throughout the Caribbean. The parade is believed to have its foundation in Trinidad & Tobago, with roots steeped in French Afro-Creole traditions such as Canboulay. J'ouvert typically begins in the early morning, before dawn, and peaks by mid-morning. The celebration involves calypso or soca bands, DJs, and their followers dancing through the streets. In many countries, revelers cover their bodies in paint, mud, or pitch oil. Today J'ouvert is also a part of Carnival celebrations outside of the Caribbean, with the biggest celebrations happening in cities with large Caribbean ex-pat communities.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch" fetes running in the lead up to the street parade on Carnival Monday and Tuesday. Traditionally, the festival is associated with calypso music, developed by enslaved West and Central Africans in 17th century Trinidad; however, Soca music has begun to replace calypso as the more popular musical genre for Carnival. Costume, stick-fighting, limbo, and steelpan competitions are important components of the festival.
The Akan people are a Kwa group living primarily in present-day Ghana and in parts of Ivory Coast and Togo in West Africa. The Akan speak dialects within the Central Tano branch of the Potou–Tano subfamily of the Niger–Congo family. Subgroups of the Akan people include: the Agona, Akuapem, Akwamu, Akyem, Anyi, Ashanti, Baoulé, Bono, Chakosi, Fante, Kwahu, Sefwi, Wassa, Ahanta, and Nzema, among others. The Akan subgroups all have cultural attributes in common; most notably the tracing of royal matrilineal descent in the inheritance of property, and for succession to high political office. All Akans are considered royals in status, but not all are in royal succession or hold titles.
Princes Town or Pokesu is located 5 km east of Fort St. Antonio on Manfro Hill in the Ahanta West District of the Western Region of south Ghana, Africa. It lies between Axim to the west and Sekondi-Takoradi to the east. On 1 January 1681, a Brandenburger expedition of two ships commanded by Otto Friedrich von der Groeben arrived in the Gold Coast and began to build a strong fort between Axim and the Cape of Three Points. The fort was completed in 1683 and was named Fort Fredericksburg in honour of Prince Frederick William I, Elector of Brandenburg. Because the fort was named after a Prince, it has been referred to as Princes Town. The fort was to be the headquarters of the Brandenburgers in Africa.
John Canoe, also known as January Conny, was the European name given to an Akan warrior from Axim, Ghana. He was a chief of the Ahanta people in the early 18th century, who established a stronghold in the defunct Fort Fredericksburg and fought multiple wars with European traders for twenty years. The stronghold finally fell in 1725, though Canoe's fate is unknown. He is commemorated in the Junkanoo festival held in the Caribbean each December.
Bahamian culture is a hybrid of African, European, and other cultures.
The Gombey is an iconic symbol of Bermuda, a unique performance art full of colorful and intricate masquerade, dance and drumming. This folk tradition reflects the island's blend of Native American, African, Caribbean and British cultures.
The culture of St. Kitts and Nevis, two small Caribbean islands forming one country, has grown mainly out of the West African traditions of the slave population brought in during the colonial period. France and British colonists both settled the islands, and for a period of time the British imported indentured Irish servants. The native Caribs, skilled warriors, defended their lands by attacking the colonies. But by 1782, the British had gained control of St. Kitts and Nevis, which they retained until granting the islands their independence in 1983. British influence remains in the country's official language, English, while some islanders speak an English-based Creole. The influence of the French, Irish, and Carib seems less pronounced.
A masquerade ceremony is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day. They have a variety of themes. Their meanings can range from anything including life, death, and fertility. In the Dogon religion, the traditional beliefs of the Dogon people of Mali, there are several mask dances, including the Sigi festival. The Sigi entered the Guinness Book of Records as the "Longest religious ceremony".
Afro-Jamaicans are Jamaicans of predominantly African descent. They represent the largest ethnic group in the country.
Igbo Americans, or Americans of Igbo ancestry, or Igbo Black Americans are residents of the United States who identify as having Igbo ancestry from modern day Bight of Biafra, which includes Cameroon, Gabon, Equatorial Guinea, São Tomé and Príncipe & Nigeria. There are primarily two classes of people with Igbo ancestry in the United States, those whose ancestors were taken from Igboland as a result of the transatlantic slave trade before the 20th century and those who immigrated from the 20th century onwards partly as a result of the Nigerian Civil War in the late 1960s and economic instability in Nigeria. Igbo people prior to the American Civil War were brought to the United States by force from their hinterland homes on the Bight of Biafra and shipped by Europeans to North America between the 17th and 19th centuries.
The Ahanta/Ayinda are Akan People who live to the north and east of the Nzema. The Ahanta land has been historically known as one of the richest areas on the coast of what is now Ghana.
Igbo people in Jamaica were trafficked by Europeans onto the island between the 18th and 19th centuries as enslaved labour on plantations. Igbo people constituted a large portion of the African population enslaved people in Jamaica. Jamaica received the largest number of enslaved people from the biafra region than anywhere else in the diaspora during the slave trade. Some slave censuses detailed the large number of enslaved Igbo people on various plantations throughout the island on different dates throughout the 18th century. Their presence was a large part in forming Jamaican culture, Igbo cultural influence remains in language, dance, music, folklore, cuisine, religion and mannerisms. In Jamaica the Igbo were often referred to as Eboe or Ibo. There are a substantial number of Igbo language loanwords in Jamaican Patois. Igbo people mostly populated the northwestern section of the island.
Coromantee, Coromantins, Coromanti or Kormantine is an English-language term for enslaved people from the Akan ethnic group, taken from the Gold Coast region in modern-day Ghana.
Pitchy Patchy is a costume character in Jamaican Jankunu festival figure. Other characters include: King and Queen, Cow Head, Horse Head, red Indians and Belly Woman.
The Kundum festival is celebrated by the Ahanta and Nzema people of the Western region of Ghana. It is celebrated to thank God for the abundance of food at the time of the harvest period of the area.
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