Gregory S. Butler (born August 18, 1971, Suffield, Connecticut) is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. [1] Butler graduated in 1993 with a major in film, television and theater design. [2] Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump . Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian , rising up to a technical director job, and Cinesite for Practical Magic . While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings . [3] Among his achievements was working on the creation of Gollum. [4] for which he was awarded a Visual Effects Society Award. [5]
Butler also worked as a computer graphics supervisor on I, Robot before an invitation to work as an effects supervisor for the Moving Picture Company, in London. [6] He later moved to MPC's, Vancouver office. [7] On January 24, 2012, he won a BAFTA [5] and was nominated for an Oscar for Harry Potter and the Deathly Hallows – Part 2 .
He became a member of the Academy Of Motion Picture Arts and Sciences in 2012. [8]
In 2020, he received his second BAFTA win [5] and Academy Award nomination, and first win, for Best Visual Effects, for the 2019 film, 1917 , at the 92nd Academy Awards. [9]
After leaving MPC, he spent time working for Method Studios, where he worked as a VFX supervisor on feature, episodic, and advertising projects, including The Lord of the Rings: The Rings of Power for Amazon. [10] [11]
In June of 2022 he began working for VFX and animation studio DNEG. [5]
Framestore is a British animation, visual effects company and creative studio based on Chancery Lane in London. Formed in 1986, it acquired the Computer Film Company in 1997. It works on feature films and television, commercials and immersive projects including VR experiences, digital signage and theme park attractions. Framestore employs about 2500 staff - 1000 in London, and 1500 spread across offices in Chicago, New York, Los Angeles, Montreal, Mumbai and Beijing.
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
Industrial Light & Magic (ILM) is an American motion picture visual effects company that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when Lucas began production of the film Star Wars.
Wētā FX, formerly known as Weta Digital, is a New Zealand digital visual effects company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy and Avatar. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs.
John Knoll is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic (ILM). One of the original creators of Adobe Photoshop, he has also worked as visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact, as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects.
Richard Baneham is an Irish animator and visual effects supervisor, who has worked on such films as The Lord of the Rings film trilogy, the Chronicles of Narnia, and Avatar. Amongst other awards, Baneham has received a BAFTA Award for Best Special Visual Effects and an Academy Award for Best Visual Effects.
Rhythm & Hues Studios was an American visual effects and animation company, that received the Academy Award for Best Visual Effects in 1995 for Babe, in 2008 for The Golden Compass, and in 2013 for Life of Pi. It also received four Scientific and Technical Academy Awards.
The Mill is a British VFX production company and creative studio headquartered in London, England, with three offices in the United States, three others in Europe and three in Asia. It is owned by the company Technicolor SA. The Mill produces real-time visual effects, animation, moving images, design, experiential, and digital projects for the advertising, games, and music industries.
DNEG is a British-Indian visual effects, computer animation, and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Prime Focus.
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio is led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.
Bill Westenhofer is an American visual effects supervisor. He worked for Rhythm and Hues Studios until 2013.
Dean Wright is a film director and visual effects supervisor, best known for his work on The Lord of the Rings film trilogy and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Joseph Bruce Letteri is a senior visual effects artist, winner of four Academy Awards, four BAFTA awards and four VES awards. He is the current director of the Academy Award-winning Weta Digital, having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects, for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).
Namit Malhotra is the chief executive officer of visual effects, animation and stereo conversion company DNEG. He is also the founder and non-executive director of Prime Focus Limited, world's largest independent integrated media services company.
Tom Wood is an English visual effects supervisor.
The Moving Picture Company (MPC) is a multinational company providing visual effects, CGI, animation, motion design and other services for the film, TV, brand experience and advertising industries.
Sean Noel Walker is a New Zealand visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Shang-Chi and the Legend of the Ten Rings.
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