Benga | |
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Stylistic origins | Luo music, Kamba soukous |
Cultural origins | Late 1940s - Late 1960s, Kenya |
Regional scenes | |
Kenya • Tanzania | |
Other topics | |
Part of a series on the |
Culture of Kenya |
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Cuisine |
Benga is a genre of Kenyan popular music. It evolved between the late 1940s and late 1960s, in Kenya's capital city of Nairobi. In the 1940s, the African Broadcasting Service in Nairobi aired a steady stream of soukous, South African kwela, Congolese finger-style guitar and various kinds of Cuban dance music that heavily influenced emergence of benga. There were also popular folk songs of Tanzania and Kenya's Luo peoples that formed the base on benga creation.
The Luo of Kenya have long played an eight-string lyre called nyatiti , and guitarists from the area sought to imitate the instrument's syncopated melodies. In benga, the electric bass guitar is played in a style reminiscent of the nyatiti. As late as the turn of the twentieth century, this bass in nyatiti supported the rhythm essential in transmitting knowledge about society through music. Opondo Owenga of Gem Yala, the grandfather of Odhiambo Siangla, was known for employing music as a means of teaching the history of the Luo. The father of the popular Luo Benga is non-other than The Famous George Ramogi (Omogi Wuod Weta) and CK Jazz. He helped the Benga enthusiasts by recording their Benga music in different labels in the capital city of Nairobi. Dr. Mengo of Victoria Jazz was a protege of George Ramogi.
In 1967, the first major benga band, Shirati Jazz, was formed by Daniel Owino Misiani (22 February 1940 – 17 May 2006). [1] [2] The group launched a string of hits that were East Africa's biggest songs throughout the 1970s and 1980s. Shirati Jazz's biggest rival was Victoria Jazz, formed in 1972 by Ochieng Nelly Mengo and Collela Mazee. Despite many personnel changes, Victoria Jazz remained popular throughout the 1970s, when the Voice of Kenya radio station pushed an onslaught of East African pop. Victoria C Band of Awino Lawi was one of the splinter group of Victoria Jazz.
1997 saw the death of three prominent Luo Benga artists, Okatch Biggy of Heka Heka Band, George Ramogi and Prince Jully. The Jolly Boys Band of Prince Jully was taken over by his wife Princess Jully and she has since been a leading female Benga musician. [3]
Another famous benga band Migori Super Stars was formed in the mid-70s and was led by Musa Olwete which later split to form another popular benga band Migori Super Stars C with musicians such as Joseph Ochola (Kasongo Polo Menyo), Onyango Jamba, Ochieng' Denge denge and others.
More modern benga artists include Kapere Jazz Band and the rootsy Ogwang Lelo Okoth. The new millennium has seen the emergence of Dola Kabarry and Musa Juma. The latter saw his career cut short as he died in 2011. MJ, as he was popularly known to his fans, developed a kind of benga that infused elements of rumba. he was able to mold other musicians such as John Junior, Ogonji, Madanji, and his late brother Omondi Tonny. [4]
Currently, Odhiambo Tusker of Malela Kings Band is considered the superstar of Luo Benga music, with all his music loved by people of all ages. [5] [6]
There are also other benga artists based in other countries other than Kenya, such as the American/Kenyan group Extra Golden.
The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages.
The Luo are several ethnically and linguistically related Nilotic ethnic groups that inhabit an area ranging from Egypt and Sudan to South Sudan and Ethiopia, through Northern Uganda and eastern Congo (DRC), into western Kenya, and the Mara Region of Tanzania. Their Luo languages belong to the western branch of the Nilotic language family.
The Suba (Abasuba) are a heterogeneous Bantu group of people in Kenya with an amalgamation of clans drawn from their main tribes Ganda people, Luhya people, and Soga who speak the Suba language that is closely similar to the Ganda language spare some lexical items borrowed from Luo. Their population is estimated at 157,787, with substantial fluent speakers. They migrated to Kenya from Uganda and settled on the two Lake Victoria islands of Rusinga and Mfangano, others also settled on the mainland areas including Gembe, Gwassi, Kaksingri of Suba South and Migori and are believed to be the last tribe to have settled in Kenya. The immigrants to present-day Subaland trace their ancestry among Ganda people, Luhya people, Soga people, and the Luo people. The evidence supporting this is the fact that some Suba groups speak languages similar to Luganda, Lusoga and the Luhya. The Suba groups tracing ancestry among the Kenyan tribes preceded those groups from Uganda in present-day Subaland and are the numerous and influential ones. Those groups from Uganda are mostly concentrated in Rusinga and Mfangano islands with small pockets of them being found in mainland Kenya. Linguistically, the Suba are highly influenced by the neighbouring Luo, to the point of a language shift having taken place among large portions of the mainland Suba. As a result, their own language has been classified as endangered. Despite this language shift, the Suba have kept a distinct ethnic identity. The Rusinga Festival is held in December of every year as a cultural festival to celebrate and preserve Suba culture and language.
The Luo of Kenya and Tanzania are a Nilotic ethnic group native to western Kenya and the Mara Region of northern Tanzania in East Africa. The Luo are the fourth-largest ethnic group (10.65%) in Kenya, after the Kikuyu (17.13%), the Luhya (14.35%) and the Kalenjin (13.37%). The Tanzanian Luo population was estimated at 1.1 million in 2001 and 3.4 million in 2020. They are part of a larger group of related Luo peoples who inhabit an area ranging from South Sudan, southwestern Ethiopia, northern and eastern Uganda, southwestern Kenya, and northern Tanzania, making them the largest ethnic group in East Africa.
The Dholuo dialect or Nilotic Kavirondo, is a dialect of the Luo group of Nilotic languages, spoken by about 4.2 million Luo people of Kenya and Tanzania, who occupy parts of the eastern shore of Nam Lolwe and areas to the south. It is used for broadcasts on Ramogi TV and KBC.
Daniel Owino Misiani was a Tanzanian-born musician based in Kenya, where he led the Shirati Jazz collective. He was known as the "King of History" in Kenya; overseas and in Tanzania, he was known as "the grandfather of benga", which he pioneered.
Bethwell Allan Ogot is a Kenyan historian and eminent African scholar who specialises in African history, research methods and theory. One of his works starts by saying that "to tell the story of a past so as to portray an inevitable destiny is, for humankind, a need as universal as tool-making. To that extent, we may say that a human being is, by nature, historicus.
Migori county 044, also known as Suna-Migori, is a multi-ethnic municipal town which acts as the capital of Migori County, Kenya. The town is located 63 kilometers south of Kisii town and 22 km north of the Tanzanian border. The Migori Metropolitan area consists of Migori municipality and the adjacent smaller towns. The area has eight constituencies, namely Rongo, Awendo, Suna East, Suna West, Uriri, Nyatike, Kuria East and Kuria West with a total population of 393,012 according to the Kenya National Bureau of Statistics-sponsored national census of 2019. The neighboring town/constituency of Awendo has 96,872 and Kuria East (Sirare) has 117, 290. In 2010, The Star newspaper reported that the town (proper) had a population of approximately 100,000 people.
Virginia Edith Wambui Otieno (1936–2011), born Virginia Edith Wambui Waiyaki, who became Wambui Waiyaki Otieno Mbugua after her second marriage, and generally known as Wambui, was born into a prominent Kikuyu family and became a Kenyan activist, politician and writer. Wambui became prominent in 1987 because of a controversial legal fight between her and the clan of her Luo husband Silvano Melea Otieno over the right to bury Otieno. The case involved the tension between customary law and common law in modern-day Kenya in the case of an inter-tribal union. The various legal hearings this case stretched over more than five months and the final verdict suggested that a Kenyan African was presumed to adhere to the customs of the tribe they were born into unless they clearly and unequivocally broke all contact with it. As Otieno retained some rather tenuous links with his clan, they were awarded the right to bury him, ignoring Wambui's wishes. However, Wambui inherited most of her late husband's estate.
Peter Gatonye, known better for his stage name Pilipili is a musician/singer from Kenya. At the beginning of his career, he collaborated with another musician, Gun B. Their best known song was "Nampenda". He also did a song with Ratatat. The song was called "Morale".
Ohangla is a traditional dance among the Luo community. It was used to celebrate weddings and also in funeral ceremony as part of Tero Buru. Ohangla consists of more than 8 drums hit by a stick and a cylindrical shoulder slung drum played normally to the accompaniment of flute, Nyatiti or kinanda. Tony Nyadundo, Prince Indah, Emma Jalamo, Otieno Aloka, Freddy Jakadongo, Osogo Winyo and Onyi Papa Jey are among the best known Ohangla musicians.The original Ohangla has very fast tempo nature and vulgar messages convey in the music. Local elders used to ban ohangla music in the early 1980s because the music was meant for adults, "the songs can only be interpreted by very intelligent or mature people, but not children or teenagers" says Juma Oketch, an ohangla band vocalist based in Nairobi.
George Ramogi (1945–1997) was a Kenyan musician, who empowered the traditional luobenga and rumba genre of music. Ramogi was known for his spur of the good life and his notable appearances at bars and clubs in western Kenya-Nyanza region. During the beginning of his career. Ramogi is believed to have been the real force behind “benga” as a genre.
The orutu is a one-stringed vertical fiddle originated in the pre-colonial societies of Western Kenya, especially amongst the Luo community. In Luhya it's known as Ishiriri. The Luo had a strong tradition of stringed instruments and was famous for their skills with harps and lyres. When played with a bow, the orutu creates different notes determined by finger pressure against the central stick.
Maseno School, located in Kisumu County in Kenya, is one of the oldest formal education schools in the country.
Eriko Mukoyama, known as Anyango, is a female nyatiti player.
Chandarana Records is a record company from Kericho, Kenya. The company was known throughout Africa for releasing several thousand 45-rpm singles featuring a wide range of Kenyan and Tanzanian groups.
Musa Juma Mumbo was a rumba and Benga musician from Kenya. He was born to the second wife of his father, a policeman, who had three wives and a total of 18 children. He grew up in Homabay where he attended primary and secondary schools. He began singing and playing instruments at a young age. His first instruments were guitars and drums made from tins and strings. He was the bandleader, guitarist and composer for Orchestra Limpopo International. Most of his music was sung in Luo language. Some of his songs are a fusion of the Luo and Congolese musical styles. He also sang in Kiswahili and English.
Kisumu Rugby Football Club is a Kenyan rugby union club based in Kisumu. Also known as Lakeside RFC, for the 2015–16 season the club competes in the Nationwide League.
Elly Mathayo Okatch, better known as Okatch Biggy (1954–1997) was a Kenyan benga musician. His first album Helena Wang'e Dongo, released in 1992, brought him into the limelight.