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Kenyan hip hop | |
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Stylistic origins | |
Cultural origins | 1990s, Nairobi, Kenya |
Typical instruments | |
Derivative forms | |
Subgenres | |
kapuka, genge, gengetone, shrap, Kenyan drill | |
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Kenyan hip hop [1] is a genre of music and a culture that covers various forms and sub-genres of hip hop and rap originating from Kenya. It is most commonly a combination of Swahili and English (Kenya's official languages) as well as Sheng and a variety of tribal languages. [2]
As hip hop gained recognition in the global music scene in the late 1980s and early 1990s, it became increasingly common in Kenyan media. As most American rappers were of African descent, Kenyan youths felt represented and inspired, and started emulating them by wearing African American urban fashion; exchanging albums, mix tapes, hip hop magazines such as Word Up and The Source ; and reciting song lyrics and rapping in English. [3] The movement spread further when matatus painted with graffiti started playing rap music, and some Kenyan artists started releasing rap-influenced songs.
According to Alicia Rebensdorf, [4] initially there was a strong correlation between rap music and wealth in Nairobi in the 1990s. The extremely high cost of rap CDs, magazines, merchandise, and music equipment led the genre to be initially exclusive to middle- and upper-class youths. [3] Music videos were a primary source of exposure to the global rap/hip-hop music scene and culture. In this visual medium, the social and cultural meanings of lyrics were overshadowed by the "visual images of wealth and the verbal speed of the rappers", producing a "relatively materialistic notion of rap music and hip-hop culture". [3]
According to the documentary Hip-Hop Colony, [5] the beginnings of Kenyan hip hop was like a "new breed of colonialism," transplanting the original styles from the Westernized world to Africa. [6] However, Kenya has not only embraced but also appropriated the genre, creating its own distinct version. Since its explosion in the mid-1990s, Kenyan hip hop is now generally written and performed in English, Swahili, and Sheng, a slang combination of the two.
In 1990, the teenage singer and producer Ricky Oyaro made the initial impact on the Kenyan music scene with the hip-hop/R&B single "Renaissance", which triggered a renaissance in the then-ailing Kenyan music industry. The song received massive airplay on radio and Music Time on Kenyan television. Jimmy Gathu, one of the earliest known rappers on the Kenyan scene, would soon follow with his 1991 hit "Look, Think, Stay Alive", [7] a song dealing with road safety. Soon after, more and more Kenyan youths started rapping on TV. The show Mizizi, which aired on the Kenya Broadcasting Corporation, gave young rappers a platform to express themselves, giving rise to Kenyan hip hop.
The first major commercial hip hop hit emerged in 1996 with "Uhiki" by Hardstone (Harrison Ngunjiri), which sampled a Kikuyu folk song and Marvin Gaye's "Sexual Healing",[ citation needed ] and was produced by Tedd Josiah of Audio Vault Studios (now Blue Zebra). Other popular pioneering acts were Kalamashaka with their national hit "Tafsiri Hii",[ citation needed ] K-South with "Nyabaga Kodo Gakwa" (which was also sampled from a Kikuyu folk song), and Poxi Presha with his breakout hit "Dhako Kelo".[ citation needed ]
Gidi Gidi Maji Maji became well-known in 1999 for their song "Ting Badi Malo", and released their debut album Ismarwa the following year. They went on to release their popular and politically charged hit "Unbwogable" in 2002; the word took on the meaning of "unshakable", "unstoppable", or "unbeatable" and was subsequently used by major politicians and in reference to 2008 US presidential candidate Barack Obama. [8] [9]
In 2006, Ukoo Flani Mau Mau was awarded Best Song (Hip Hop) at the 2006 Kisima Music Awards for "Punchlines Kibao", featuring Vigeti (Kalamashaka, Kimya, and Ibra da Hustla (Nako 2 Nako)). The song was produced by Musyoka and recorded at Andaki Studios, deep in the heart of Dandora, Kenya's home of hip hop.[ citation needed ]
The first all-Kenyan hip hop awards ceremony, the UnKut Africa Hip Hop Awards, was held virtually in 2018 and in-person in December 2019 with over 10,000 votes cast. The event was hosted by UnKut Africa, an entertainment organization founded by Ruby V. [10]
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Joseph Mbilinyi, known for his stage names Mr. II, Sugu and 2-proud, is a Tanzanian politician, human rights activist and rapper. He was a Mbeya Urban elected member of Parliament from 2010 to 2020.
Sheng is primarily a Swahili and English-based cant, perhaps a mixed language or creole, originating among the urban youth of Nairobi, Kenya, and influenced by many of the languages spoken there. While primarily a language of urban youths, it has spread across social classes and geographically to neighbouring Tanzania and Uganda.
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The culture of Kenya consists of multiple traditions and trends without a single prominent culture identifying the country. Kenyan cultural heritage and modern expressions of culture instead consist of various cultures, shaped and practiced by the country's different communities.
Gidi Gidi Maji Maji is a Kenyan hip hop duo from Nairobi. Its two members are Maji Maji and Gidi Gidi. Their lyrics are mostly in Luo language, with some English and Swahili. Unlike most local hip hop artists, GidiGidi MajiMaji do willingly mix African rhythms with their music. According to popular entertainment guide Ghafla, their music is a "fusion of hip hop/rap and African music [which] they mostly sing and rap in their native language called Luo."
In Kenya, matatu or matatus are privately owned minibuses used as share taxis. Often decorated, many matatu feature portraits of famous people or slogans and sayings. Likewise, the music they play is also aimed at quickly attracting riders. Over 70% of commuter trips are taken using matatu in cities like Nairobi.
Genge music is a genre of hip-hop music influenced by dancehall, originating from Nairobi, Kenya in the 1990s. The term "Genge" was coined by producer Clemo and popularized by Kenyan rappers Jua Cali and Nonini at Calif Records. The genre is commonly performed in Sheng, a mixture Swahili, English and various local dialects. The word "Genge" itself comes from Sheng slang, meaning "a group or a mass of people."
East African urban music is a popular music genre of the three countries customarily grouped as "East Africa": Kenya, Tanzania and Uganda. The genre is basically an offshoot of western popular music, particularly hip hop and funk, somewhat influenced by more traditional African music. Kapuka, genge, and bongo flava are some of the subgenres which have arisen in this style.
Harold E. Lambert OBE (1893–1967) was a British linguist and anthropologist in Kenya.
Harrison Mungai "Harry" Kimani is a Kenyan musician and composer.
Boomba music, also referred to as kapuka, is a form of hip pop music popular in Kenya. It incorporates hip hop, reggae and African traditional musical styles. The lyrics are in Swahili, Sheng or local dialects. It is associated with the Ogopa Deejays and is believed to have originated in the late 1990s with artists such as Redsan, Bebe Cool and Chameleone. It went on to dominate East African airwaves after the release of the Ogopa Deejays' first album in 2001, which included artists such as the late E-Sir, Nameless, Mr. Lenny, Amani, Mr. Googz and Vinnie Banton amongst others.
Paul Julius Nunda, better known by his stage name Jua Cali, is a Kenyan rapper and record producer. In 2000, together with record producer Clemo, he founded Calif Records where he has been ever since, producing music which dominated East African music alongside Jose Chameleone of Uganda and Mr. Nice of Tanzania. Jua Cali performs in Swahili and Sheng in a popular Kenyan style of rapping called genge.
Hardstone is a Kenyan musician. His music is a mixture of ragga, reggae and hip hop. He sings in English, Swahili and Kikuyu languages. He is a pioneer urban style artist in Kenya and topped the Kenyan music scene for a while in the late 1990s.
James "Jim" Wathigo "Wat" Mburu,, better known by his stage names Jimwat and Jimweezy, is a Kenyan genge rapper.
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Daniel Lubwama Kigozi is a Ugandan rapper and record producer. Starting off his career, he was part of the award-winning hip hop group Klear Kut, along with fellow rappers The Mith & JB, that introduced the term "Ugaflow" to describe Uganda's hip hop scene. Navio is best known for his successful solo career with hits such as "Ngalo", "Bugumu", "One & Only", and "On and On".
Odi pop is a Kenyan music style which involves localized hip hop and draws influences from reggae and Dancehall music to build on an African Rhythm base performed in sing-along rap in heavy Kiswahili/Sheng language. There are several sub-genres stemming from this umbrella term including Gengeton, Dabonge, Debe and others. The music is spearheaded by Kenyan youths and most of them are pursuing their careers as music groups opposed to solo careers.
Nah Eeto is a Kenyan rapper and videographer, currently releasing music on UK-based label Blah Records. She has collaborated with many English and African artists, and raps both in the Swahili and English language. She has worked with respected Afrobeat and jazz drummer Tony Allen and Blah founder Lee Scott, among others.
Wakadinali is a Kenyan hip hop group with three members, David Munga Ramadhan professionally known as Domani Munga, Churchill Mandela professionally known as Scar Mkadinali and Salim Ali Tangut professionally known as Sewer Sydaa. The group is also known as Rong Rende. Wakadinali who are from the Eastlands area in Nairobi started out as an underground hiphop group and broke into the mainstream in 2020.