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Heitor Villa-Lobos was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory.
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Chôros No. 2 is a duet for flute and clarinet written in 1924 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras. and in duration up to over an hour. Chôros No. 2 is the shortest in the series, a performance lasting only about two-and-a-half minutes.
Chôros No. 7, subtitled "Settimino" (Septet), is an instrumental septet written in 1924 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 7 is of modest length, a performance lasting about eight-and-a-half minutes.
Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.
Chôros No. 8 is a work for orchestra and two pianos, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recording of Chôros No. 8 conducted by the composer lasts 22 minutes.
Introdução aos Chôros: Abertura, is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen Chôros. A performance of just the Introdução lasts about thirteen minutes.
The Quinteto is a chamber-music composition by the Brazilian composer Heitor Villa-Lobos, written in 1928. Originally scored for five woodwind instruments, it is most often performed in an arrangement for the conventional wind quintet of flute, oboe, clarinet, horn, and bassoon. A performance lasts about eleven minutes.
Luiz Americano was a Brazilian choro musician and composer. He was best known as a clarinetist, saxophonist and recording artiste.
References
- 1 2 3 Matos, Marcelo; Lemos, Cristina. "Using the approach of local productive arrangements and systems for the analysis of creative industries in Brazil" (PDF). Academia.edu. Retrieved 20 August 2023.
- ↑ Magalhães Pinto, Marcelo G.M. "The Musical Thought of Egberto Gismonti in 7anéis for Piano" (PDF). FMCB. Retrieved 20 August 2023.
- ↑ Mitchell II, Ceylon. "Selected Flute Traditions in the Americas: Brazilian Chôro, Cuban Charanga, and Classical Music Applications". ProQuest. Retrieved 20 August 2023.