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Fantezi is a Turkish classical music genre composed in Turkish pop music in accordance with the tradition of the Turkish people. Also called folk song or urban folk music, in its plural form is a Turkish music genre which has taken many forms over the years. Fantezi followed after the commercialization of Turkish classical music and Kanto music. It was strongly dominated by Turkish folk music. When used in context, it refers mostly to the form it took in the period from the 1920s to the 1980s. It is a vocal work which emerged in the 20th century, in a free style, usually having several parts, each part composed in a different tempo or method. [1]
The main cultural Turkish dances and rhythms in today's Turkish music culture in Fantezi music are Tsifteteli, Syrta, Kaşık Havası (Fazzani), Zeybek dance, Hasaposerviko, Kalamatianos (Devr-i Hindî), Karsilamas, Maqsoum, Baladi, Sama'i (Waltz), Ayoub, Malfuf, Saidi, Masmoudi, Fellahi, Karachi, and Khaleegy (Haligi). Fantezi music was known as "Taverna müziği" performed live in the taverns and was very popular in the 80's.
Most notable performers include:
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization.
Romani music is the music of the Romani people who have their origins in northern India but today live mostly in Europe.
The music of Bangladesh spans a wide variety of styles. Bangladesh claims some of the most renowned singers, composers and producers in Asia. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
The music of Greece is as diverse and celebrated as its history. Greek music separates into two parts: Greek traditional music and Byzantine music. These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Hellenic culture, both within Greece and in the diaspora.
The music of Cyprus includes a variety of traditional, Western classical and Western popular genres. Cypriot traditional music is similar to the traditional music of Greece, it is most similar to Nisiotika the songs and dances of the Aegean islands, and includes dances like sousta, syrtos, ballos, tatsia, antikristos, arabiye, karotseris, sinalik, çifteli, zeimbekiko and the mandra dance.
The music of Albania is associated with the country of Albania and Albanian communities. Music has a long tradition in the country and is known for its regional diversity, from the Ghegs in the North to the Tosks in the South. It is an integral part of the national identity, strongly influenced by the country's long and turbulent history, which forced Albanians to protect their culture from their overlords by living in rural and remote mountains.
The Macedonian music refers to all forms of music associated with ethnic Macedonians. It shares similarities with the music of neighbouring Balkan countries, yet it remains overall distinctive in its rhythm and sound.
The music of Armenia has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music. Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and musicologist, in the late nineteenth and early twentieth centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by traditional performers such as duduk player Djivan Gasparyan.
The vast majority of the inhabitants of the United States are immigrants or descendants of immigrants. This article will focus on the music of these communities and discuss its roots in countries across Africa, Europe and Asia, excluding only Native American music, indigenous and immigrant Latinos, Puerto Rican music, Hawaiian music and African American music. The music of Irish- and Scottish-Americans will be a special focus, due to their extreme influence on Appalachian folk music and other genres. These sorts of music are often sustained and promoted by a variety of ethnic organizations.
"Misirlou" is a folk song from the Eastern Mediterranean region. The song's original author is unknown, but Arabic, Greek, and Jewish musicians were playing it by the 1920s. The earliest known recording of the song is a 1927 Greek rebetiko/tsifteteli composition. There are also Arabic belly dancing, Albanian, Armenian, Serbian, Persian, Indian and Turkish versions of the song. This song was popular from the 1920s onwards in the Arab American, Armenian American and Greek American communities who settled in the United States.
The music of Crete, also called kritika (κρητικά), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music, a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres.
Balkan music is a type of music found in the Balkan region of southeastern Europe. The music is characterised by complex rhythm. Famous bands in Balkan music include Taraf de Haïdouks, Fanfare Ciocărlia, and No Smoking Orchestra.
Ottoman music or Turkish classical music is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble.
Manele is a genre of pop folk music from Romania.
Turkish folk music is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era. After the foundation of the Turkish Republic in 1923, Turkish President Mustafa Kemal Atatürk ordered a wide-scale classification and archiving of samples of Turkish folk music from around the country, which, from 1924 to 1953 collected more than 10,000 folk songs. Traditional folk music was combined with Western harmony and musical notation to create a more modern style of popular Turkish music.
Laïko or laïkó is a Greek music genre composed in Greek language in accordance with the tradition of the Greek people. Also called "folk song" or "urban folk music", in its plural form is a Greek music genre which has taken many forms over the years. Laïkó followed after the commercialization of Rebetiko music. It is strongly dominated by Greek folk music and it is used to describe Greek popular music as a whole. When used in context, it refers mostly to the form it took in the period from the 1950s to the 1980s.
Greek traditional music includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
The culture of Northern Cyprus is the pattern of human activity and symbolism associated with Northern Cyprus and Turkish Cypriots. It features significant elements influenced by or developed upon the culture of Turkey, but combines these elements with a unique Cypriot approach and local traditions, as well as several other influences, such as the British and contemporary western cultures.