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Syrtos [note 1] is a traditional Greek dance in which the dancers link hands to form a chain or circle, headed by a leader who intermittently breaks away to perform improvised steps. [1]
Syrtos and its relative kalamatianos are the most popular dances throughout Greece and Cyprus, and are frequently danced by the Greek diaspora worldwide. They are very popular in social gatherings, weddings and religious festivals. Syrtos and kalamatianos use the same dance steps, but the syrtos is in 4
4 time and the kalamatianos is in 7
8 time, organized in a slow (3 beat), quick (2 beat), quick (2 beat) rhythm.
Syrtos and kalamatianos are line dances and circle dances, done with the dancers in a curving line holding hands, facing right. The dancer at the right end of the line is the leader. He may also be a solo performer, improvising showy twisting skillful moves as the rest of the line does the basic step. While he does this, the next dancer in line stops dancing and holds him up with a twisted handkerchief linking their hands, so he can turn and not fall down, as in the Antikristos . In some parts of syrtos, pairs of dancers hold a handkerchief from its two sides.
Rennell Rodd (1892) [2] suggests that the dance is an imitation of the action of drawing in the seine net. C. T. Dimaras [3] describes an inscription from the times of Caligula, which implied that already at these times Syrtos was considered an ancient Greek dance of local tradition.
Syrtos is an ancient chain dance of Greece. It was described by Lucian (c. AD 125–190) and is still danced today in many varieties all over Greece and in the Greek islands. Traditionally, it was danced by segregated lines of men and women, a youth leading the line of girls; lines now are frequently mixed. The dancers in the chain maintain a simple fundamental step, but the leader improvises, often breaking away from the line. [4]
In 1803, the surviving women of the war-torn town of Souli, faced with capture by Turkish troops, danced the syrtos as they threw themselves off the mountain of Zálongo. The kalamatianos, a form of the syrtos and a profoundly popular national dance, is frequently danced to the ballad of Zálongo. The metre of the kalamatianos is 7
8 (3 + 2 + 2); the syrtos metre is usually 2
4. Both the leader and other dancers may improvise in the kalamatianos, the leader leaping and flourishing his handkerchief and, when he chooses, passing it to a new leader. [5]
A relevant ancient Greek dance may be the "Hormos", literally "a string". [6]
The Greek mainland, from the Peloponnese and Thessaly to Macedonia and Thrace, uses mainly the 7
8 rhythm form of the dance, [7] in contrast to Crete, the Aegean islands, Asia Minor and Constantinople that use 4
4. [8]
Kalamatianos syrtos or syrto-kalamatianos are the most popular Greek folkdance syrtoi in Greece, Cyprus and internationally. The steps of the Kalamatianos are the same as those of the Syrtos, but the latter is slower and more stately, its beat being an even 4
4. Traditionally, it was danced by segregated lines of men and women. The lead dancer usually holds the second dancer by a handkerchief.
Syrtoi from the islands or nisiotikoi, with the relative local Greek culture of the islands.
Nisiotikoi syrtoi include: Kalamatianos, Sousta, Syrtos from Ikaria, Pentozali, Pidikhtos, Rhoditikos, Syrtos from Symi, Skyrianos syrtos, Maleviziotikos, Samiotikos syrtos, Syrtos from Andros, Syrtos Chiotikos, Skopelitikos syrtos, Syrtos from Paros, Syrtos Kithnou, Syrtos Naxou, Zakynthinos syrtos, Syrto Rodou, a dance very widespread in Greek islands and other.
Koftos is a Greek dance that is danced in the regions of Thessaly, Epirus and central Greece. The name of the dance comes from the cut in tune/music. It is a faster syrto sta dyo style dance. When the music stops the dancers yell "Hey". When the music stops you also can put your arms up, down, or clap. It can also be danced going backwards and forwards or with partners. "Koftos" in Greek means to cut and the music cuts periodically. This is how the name came about.
Cretan Syrtos comes from Western Crete, Chania in particular. According to tradition, [9] during the Fall of Constantinople, the Cretan defenders of the City, during the pauses of battle, sang between themselves poetic words urging each other to bravery, using two melodic motives, Protos Chaniotikos (First, from Chania) and Deuteros Chaniotikos (Second, from Chania) or Kissamitikos (from Kissamos). When the City fell, the Sultan, observing the bravery of the Cretans allowed them to return to their homeland, Western Crete, fully armed. Thus, these two melodies, the archetypes of all other Cretan Syrtoi, were introduced to Crete and in subsequent years they were put into dance. It has been observed by authority of Greek traditional music Domna Samiou, that the Cretan Syrtos resembles to a certain degree the dances of the same name from Constantinople, the Aegean and Asia Minor. [10]
A syrtos from Arcadia, it has become a pan-Hellenic dance. The older, two-part syrtos botaitikos from Palaiopyrgos (formerly Bodias) can also be done to this music. This older form of the dance features men and women in two separate lines, the men behind the women. They merge into one line of mixed men and women and then back to the two lines, using the ancient chain hold that can be seen on ancient Greek vase paintings. The song tells of a young man meeting an old man and asking, "Where are the greens of the meadow, the water from the well?"
Politiko syrto is from the area of Constantinople in Asia Minor. Constantinople was referred as "the city" (or "poli") because of its importance as a seat of culture and trade in the civilized world. Syrto (from the Greek word "syro" meaning to pull or, more accurately, to lead) is characterized by its slow-quick-quick rhythm within its 4
4 meter. There is also a similar dance, the Silivrianos Syrtos.
This dance is from the island of Kefallonia in the Ionian Sea.
This is danced to a song entitled Ti Tha Yino, Ego Me Sena ("What Shall I Become, I with You?"), the story of an erstwhile courtship:
What am I to do with you Panayiotis? You've stolen my heart and youth. For three years now you've enslaved me and you'vetormented me, but I've got your game now, you liar, and know that you've no feelings for me. You come to my neighborhood to chat with me, and you come and go in my house and laugh behind everyone's back. But you must know that my mother will not be ashamed to tell you that you're a liar and a scoundrel. You better leave before she sees you, and face it, she'll kick you out, Panayiotis. Then she'll marry me off to someone else, and I'll be freed from you, Panayiotis.
Circle pidikhtos dance, with the steps of simple "syrtos" and the squat-steps of "sygkathistos", a syrtos dance widespread in Thessaly and Thrace.
Syrtos of Macedonia, is another one form of syrtos, danced in the Greek region of Macedonia.
This dance is from a village in Macedonia called Pyleas. One of the variations is called "arm aloft," as dancers raise their arms rhythmically over their heads and back down again. The Dance is mainly done by women. [11]
Also known as Omali, in the Kerasounta/Giresun region, this dance is called syrto, karshilidiko omal, Λάχανα (lakhana) (after the name of the song, which means "vegetables"), kerasountaiko or kotsihton omal, widespread in Asia Minor. [12] It is a 9
8 rhythm and bears no resemblance to what we usually call syrto, which is usually either a 7
8 kalamatianos or 8
8 rhythm. In this case, the name most likely refers to the style, what we call dragging dances.[ citation needed ]
Crete is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete is located about 100 km (62 mi) south of the Peloponnese, and about 300 km (190 mi) southwest of Anatolia. Crete has an area of 8,450 km2 (3,260 sq mi) and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete to the north and the Libyan Sea to the south. Crete covers 260 km from west to east but is narrow from north to south, spanning three longitudes but only half a latitude.
The Megali Idea is a nationalist and irredentist concept that expresses the goal of reviving the Byzantine Empire, by establishing a Greek state, which would include the large Greek populations that were still under Ottoman rule after the end of the Greek War of Independence (1821–1829) and all the regions that had large Greek populations.
Sirtaki or syrtaki is a dance of Greek origin, choreographed for the 1964 film Zorba the Greek. It is a recent Greek folkdance, and a mixture of "syrtos" and the slow and fast rhythms of the hasapiko dance. The dance and the accompanying music by Mikis Theodorakis are also called Zorba's dance, the Zorba or "the dance of Zorba". The dance has become popular in Greece and is identified with the Greeks, becoming an invented tradition.
Circle dance, chain dance, or line dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation.
Antikristos or Antikrystós is a dance of Greek origin. “Aντικρυστός” in Greek language refers to the verb αντικρύζω “be across, opposite, face-to-face”. It is also known in Armenia. Antikristos has similarities with the karsilamas dance. It is danced in couples.
The Greco-Turkish War of 1897 or the Ottoman-Greek War of 1897, also called the Thirty Days' War and known in Greece as the Black '97 or the Unfortunate War, was a war fought between the Kingdom of Greece and the Ottoman Empire. Its immediate cause involved the status of the Ottoman province of Crete, whose Greek-majority population had long desired union with Greece. Despite the Ottoman victory on the field, an autonomous Cretan State under Ottoman suzerainty was established the following year, with Prince George of Greece and Denmark as its first High Commissioner.
The Pentozali or Pentozalis is the trademark folk dance of the island of Crete. It takes its name from the fifth (pente) attempt or step of the Cretan people to liberate Crete from the Ottoman Empire. It can thus be translated as "five-steps". The name also contains an element of wordplay, as ‘ζάλη’ means dizziness, and so it may also be interpreted as a dance that can make its dancers dizzy five times over ("five-dizzy"). In fact the dance has ten steps in total.
The music of Crete, also called kritika (κρητικά), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music, a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres.
The music of Thrace, a region in Southeastern Europe spread over southern Bulgaria, northeastern Greece, and European Turkey, contains a written history that extends back to the antiquity, when Orpheus became a legendary musician and lived close to Olympus. Though the Thracian people were eventually assimilated by surrounding Balkan groups, elements of Thracian folk music continue.
Koftos is a lively Greek dance typical of the areas of Thessaly, Epirus and central Greece. "Koftos" in Greek means to cut and the name of the dance comes from the periodic interruptions in the music/tune. When the music stops, the dancers yell "Hey", and you can also put your arms up, down, or clap. This sta dio (two-measure) style dance is a faster syrtos, that can also be danced going backwards and forwards or with partners.
Sousta is a Greek folk dance, performed at weddings as an activity of courtship between husband and wife. It originates from Ancient Greece, and holds prominence in Dodecanese Islands, and broader Aegean region. It is the second most common Greek dance, after the Syrtos, with many Greek islands and villages adopting their own version. The performance of the dance reflects various gender roles, inter-played with values of romance and marriage. The Sousta acted as a socialisation process between the youth of a village, evolving into a dance central to these youth as they grew up and formed relationships with others. Socially, the Sousta also functioned as a visible verification of courtship, namely paying respects to the wife and her family. The Sousta is most commonly performed as a three-step dance, with a 'hopping' motion and crossed-over hands.
Greek traditional music includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences.
The Ballos is a Greek folk dance and a form of sirtos. There are also different versions in other Balkan countries.
Greek dance is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko.
The Kalamatianós is one of the best-known dances of Greece. It is a popular Greek folk dance throughout Greece, Cyprus and internationally and is often performed at many social gatherings worldwide. As is the case with most Greek folk dances, it is danced in chain with a counterclockwise rotation, the dancers holding hands.
It forms part of the broader musical tradition of mainland and of the southern Balkans. Compared to other regions of, the music of Macedonia is characterized by a high degree of diversity, due to the numerous influences it has received over the years from neighboring countries and particularly from refugees arriving in the early 20th century. In general terms, Macedonian music can be thought of as the connecting chain between the Western musical tradition of Epirus and Thessaly and the Eastern musical tradition of Thrace and Constantinople.
Nisiotika are the songs and dances of the Aegean islands with a variety of styles. Outside of Greece, it is played in the diaspora in countries such as Turkey, Australia, the United States and elsewhere.
Music of Thessaly is the music of the geographic and historical region of Thessaly in Greece. Folk dances from Thessaly are slow and stately, however the music accompanying the Syrtos dance, is typically livelier and more energetic than it is in other parts of Greece and include: Kalamatianos, Thessalikos, Dionysiakos, koftos, Sirtaki, Kalamatiano, Syrtos, kleistos, kangeli, gaitanaki, tsamikos, Pilioritikos, Svarniara, Sta tria, Karagouna, Kleistos, zeibekiko, Rougatsiarikos, Tsamiko of Deskati, antikrystos and galanogalani.
The Convention of Constantinople was signed between the Kingdom of Greece and the Ottoman Empire on 2 July 1881, resulting in the cession of the region of Thessaly and a part of southern Epirus to Greece.
The borders of Greece have changed nine times since the Protocol of London on March 22, 1829 until the accession of the Dodecanese in 1947.