This article needs additional citations for verification .(October 2007) |
Letkajenkka, also known as Letkajenkaa in English and many other languages, is a Finnish dance.
Letkajenkka / letkis is a music genre and a general noun as well as two songs by the same name ("Letkajenkka" and "Letkis") as proper nouns, after which the genre got its name; jenkka, on the other hand, is a general noun, a music and dance genre like waltz.
The popular music genre and the ensuing dance craze were at their hottest during 1963–1965. Letkajenkka is based on the idea of performing Jenkka music using non-traditional instruments. Traditional instruments for playing the jenkka, a Finnish traditional folk dance, are instruments such as the violin and accordion. In the early 1960s some composers thought of writing jenkka tunes for more contemporary bands with more modern instruments, such as wind instruments (for a more swing-like jenkka) and amplified instruments like electric guitars, basses, and drums (a more rock 'n' roll or boogie woogie-like sound). The form of the letkajenkka songs is consistent with traditional jenkka, but where the music is distinctively jenkka, the dance steps are not. Both dances are based on a lightly bouncing and skipping step. A rhythmic component that contributes towards the feel of a letkajenkka and distinguishes a letkajenkka from a regular jenkka tune is a distinctive pattern of either three crotchets / quarter notes followed by a quarter rest or two crotchets / quarter notes followed by a third dotted one in the end of its musical phrases that more or less coincide with the three consecutive hops of the dance steps. Regular jenkkas do not typically feature this rhythm pattern, at least not repeatedly.
Erik Lindström introduced the genre with his song Letkajenkka. A Swedish band called the Adventurers recorded it, and it immediately topped the charts in Finland. Later Jan Rohde, a Norwegian artist, recorded a version with lyrics with the bands the Adventurers and the Wild Ones.
Half a year later Rauno Lehtinen followed with his song Letkis. This has become by far the most popular of all songs in the letkajenkka genre. It was first recorded by his studio orchestra Rautalanka Oy in August 1963, but was made popular in the October of the same year by a group called Ronnie Krank's Orchestra. His chart topper has been re-recorded approximately a hundred times, and the rights to at least 60 versions of the song are owned by Swedish publisher Stig Anderson. [1] One well known recording of the song is by German musician Roberto Delgado.
For versions in other languages, Lehtinen's Letkis was renamed Letkiss, Let's Kiss, Lasst uns Küssen etc., for easier pronunciation in different languages. The name Letkis has nothing to do with kissing; the idea of kissing was introduced by non-Finnish speakers, who thought that the title of the song sounded like "kissing". In Finnish Letkis / letkis is merely short for Letkajenkka / letkajenkka, a diminutive formed by the beginning of the word and adding "is" in the end.
Also, contrary to what some magazines [2] and single and long play covers had the world believe, there is no kissing or "smooching" during the Finnish version of the dance.
Lehtinen's Letkis made the charts in many European countries, in Latin America, and even in Japan. There are numerous translations including Russian, Swedish, and Japanese. In 1965, four instrumental versions of the tune reached number one in the Netherlands simultaneously. These were by Stig Rauno, Gudrun Jankis, The Wild Ones and the Dutch Swing College Band. All four versions had the English title Letkiss rather than the original Finnish title. It remained the only Dutch number one to have originated from Finland until 2000, when "Freestyler" by the Bomfunk MC's reached number one.[ citation needed ]
The steps of Letkajenkka are like the steps of Bunny Hop, a novelty dance from the 1950s. It has been proposed that exchange students returning from the United States to Finland would have imported the steps of the Bunny Hop to Finland, as they had seen them on the TV show Bandstand. Whereas the Bunny Hop starts with a right foot lead, the Letkajenkka / letkajenkka transformed into a dance based on the same step, but starting with a left leg lead. This can be seen from the early recordings for TV and in some movies made during the hottest craze. Also many translated lyrics include advice on the steps: "left kick, left kick, right kick, right kick, forward jump, backward jump, hop, hop, hop".
The people participating in the dance form a Conga-like line (that can also be a circle) so that everyone holds the person in front of themselves by the shoulders or the waist. The steps go as follows (everybody does the same thing):[ citation needed ]
1–4 may be enhanced by bouncing with the leg opposite to the kicking side.
The music genre became popular, and many composers around the world started writing letkis music. Examples of non-Finnish letkis music include "La Yenka" (performed by Johnny & Charley Kurt, 1965), Gemelle Kessler's Lasciati Baciare Col Letkis, "Leaf Fall" (Russian : Листопад) by David Tukhmanov and Ploem Ploem Jenka by nl:Pieter Goemans. Lindström's Letkajenkka was translated and covered in Japanese as Retto Kisu (Jenka) / レット・キス(ジェンカ), performed by Kyu Sakamoto.
In Finland, the most well-known letkajenkka songs include
The movie Jamboree66 (Sampaguita Pictures, Philippines, 1966, directed by Luciano B. Carlos) features a scene where the song "Letkis" is being played at a club.
There are at least two Letkajenkkas by Mimis Plessas that appear in the Greek movie Mia Trelli, Trelli Oikogeneia (Crazy, crazy family) that is directed by Dinos Dimopoulos (el:Ντίνος Δημόπουλος). There is a scene with people dancing around the pool. The steps are not strictly jenkka, but the music is in the style of letkis. In another scene, Katerina Gogou and Alekos Tzanetakos are dancing a letkajenkka variation as a couple to letkis music. The choreography is John Flery's. [7]
In the Hungarian movie Patyolat akció (1965), Mari Törőcsik and Gyula Bodrogi perform letkajenkka. The dance also appears in the Polish film Małżeństwo z rozsądku from 1966 (en. Marriage of Convenience) and was later released in that version on cardboard record as Polski Let's Kiss (en. Polish Let's Kiss). Same tune is also used in Polish tv series Wojna Domowa airing 1965-66 of the same composer.
In the final scene of the Italian film Io la conoscevo bene (1965) directed by Antonio Pietrangeli, the protagonist Adriana (Stefania Sandrelli) plays the record of the version of Letkiss by Robert Delgado (Horst Wende).
In Cave Story , the side character Jenka is named after the letkajenkka dance, and her theme tune plays in her house and in the Labyrinth.
In 2015, on its 150th anniversary, the Finnish telecom company Nokia broke the world record of the letkajenkka line. 1393 persons in blue Nokia shirts stood in line forming the digits "150" when, in a surprise from the management, the music started to play. The previous record of 1354 dancers was held in Kokemäki in 1995. [8]
The galliard was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy.
The music of Finland can be roughly divided into folk music, classical and contemporary art music, and contemporary popular music.
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes.
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina, Finland, France, Italy, Norway ("reinlender"), Portugal and Brazil, Spain, Sweden, Denmark, Mexico, and the United States, among other nations. The schottische is considered by The Oxford Companion to Music to be a kind of slower polka, with continental-European origin.
The bunny hop is a novelty dance created at Balboa High School in San Francisco in 1952.
Antti Tuisku is a retired Finnish pop singer. He finished third in the 2003 Idols talent show, the Finnish version of Pop Idol. Tuisku has sold over 300,000 records during his career in Finland.
"Let the Music Play" is a song recorded by American singer Shannon and released on September 19, 1983, as both her debut single and the lead single from her 1984 debut studio album of the same name. Written by Chris Barbosa and Ed Chisolm, and produced by Barbosa and Mark Liggett, "Let the Music Play" was the first of Shannon's four number ones on the US Dance Club Songs chart, reaching the top spot in October 1983. It also became a huge crossover hit in the US, peaking at number two on the Hot R&B/Hip-Hop Songs chart and number eight on the Billboard Hot 100 in February 1984. It was Shannon's only top 40 hit in the US. Some mark "Let the Music Play" as the beginning of the "dance-pop" era. "Let the Music Play" was ranked 43rd on the 2009 VH1 Special 100 Greatest One-Hit Wonders of the 1980s, while Rolling Stone and Billboard featured it in their lists of "200 Greatest Dance Songs of All Time" and "500 Best Pop Songs of All Time" in 2022 and 2023, respectively. The song also appears in the film Totally Killer and the video games Dance Central 3 and Scarface: The World Is Yours.
Katri Helena Kalaoja is a Finnish singer.
Kimmo Ilpo Juhani Laiho, better known by his stage name Elastinen, is a Finnish rapper and also one of the founders and CEO of independent Finnish rap label Rähinä Records. Together with his colleague Iso H, he founded the Finnish rap duo Fintelligens. He has released five solo albums.
Sousta is a Greek folk dance, performed at weddings as an activity of courtship between husband and wife. It originates from Ancient Greece, and holds prominence in Dodecanese Islands, and broader Aegean region. It is the second most common Greek dance, after the Syrtos, with many Greek islands and villages adopting their own version. The performance of the dance reflects various gender roles, inter-played with values of romance and marriage. The Sousta acted as a socialisation process between the youth of a village, evolving into a dance central to these youth as they grew up and formed relationships with others. Socially, the Sousta also functioned as a visible verification of courtship, namely paying respects to the wife and her family. The Sousta is most commonly performed as a three-step dance, with a 'hopping' motion and crossed-over hands.
Acrobatic rock and roll is a fast, athletic, physically demanding form of partner dance that originated from Lindy Hop but has evolved to a choreographed sport, often done in formal competition. It is danced by both couples and groups, either all-female or four to eight couples together.
"Civilization" is an American traditional pop song. It was written by Bob Hilliard and Carl Sigman, published in 1947 and later included in the 1947 Broadway musical Angel in the Wings, sung by Elaine Stritch. The song is sometimes also known as "Bongo, Bongo, Bongo ", from the first line of its chorus. The sheet music gives the title as "Civilization ".
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events.
Rauno Väinämö Lehtinen was a Finnish conductor and composer. He composed the 1960s hit Letkis which was based on a folk-dance. Letkis was recorded in over 92 countries.
"Meditation" is a bossa nova and jazz standard song composed by Antônio Carlos Jobim and Newton Mendonça. The English version has lyrics by Norman Gimbel. In Finland, the song was recorded in 1963 by Olavi Virta with lyrics by Saukki under the title "Hymy, kukka ja rakkaus". Erkki Liikanen recorded the song in 1967 with lyrics by Aarno Raninen under the title "Taas on hiljaisuus".
Jenkka is a fast Finnish partner dance found in Finnish folk dance, the Finnish version of the schottische. It is danced to music in 2
4 or 4
4 time signature, with about 140 beats per minute. The dance arose in the mid-19th century, and was being danced in rural areas in the 1960s.
Täältä tullaan Venäjä is the debut album of Hassisen Kone. It was released in 1980, shortly after the newly formed band had won the Finnish Rock championship. The outspoken lyrics of the opening track "Rappiolla" shocked, among others, Yleisradio reporters Anneli Tempakka and Maija Dahlgren, who started protesting against indecency in rock lyrics. In response to this, the band humorously dedicated their 1981 Christmas song "On jouluyö, nyt laulaa saa" to the reporters. "Rappiolla" became one of Hassisen Kone's biggest hits.
Thomas Katter was a professional musician and composer from Finland.
"Hysteria" is a song by Finnish singer Anna Abreu from her fourth studio album, Rush (2011). Patric Sarin, who had previously worked with Abreu on her former two albums, wrote the song. It was produced by Jukka Immonen, the hitmaker responsible for producing all three of Finnish singer Jenni Vartiainen's albums, including Seili, which was certified 7xPlatinum and went on to become one of the highest-selling albums of all time in Finland. "Hysteria" is a Pop song that continues the Dance infusion Abreu started using during the Now era. It also contains elements of Synthpop. The song was released on 10 January 2011 in Finland, as the album's lead single.
{{cite book}}
: |last=
has generic name (help)