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The khorovod or horovod [lower-alpha 1] is an East Slavic and pagan art form and one of the oldest dances of Russia with its more than 1,000 years history. [1] It is a combination of a circle dance and chorus singing, similar to the choreia of ancient Greece. The dance was also known in Russia as karagod, tanok and krug.
The term khorovod probably descended from the Greek Choreia (Ancient Greek: χορεία). Greek culture had a strong impact on Rus' culture. It is related to choreia (Greek circle dance), kolo dance (South Slavic circle dance in Serbia, Croatia and Bosnia), hora dance (Balkans), kochari (Armenian and Azerbaijani folk dance).
The most significant features of the khorovod dance is to hold hands or the little finger of the partners while dancing in a circle.
The circle dance symbolised in ancient Russian culture "moving around the sun" and was a pagan rite with the meaning of unity and friendship. The female organizer or leader of the dance was called khorovodnitsa.
The khorovod dance has own characteristics in the different regions of Old Russia.
In the northern Russian regions, the round dance was known for its gentle and subtle manner, while in the central Russian regions, the dance was more cheerful and lighthearted. Russian folk songs accompanied the dance. The people kicked, clapped and made quick and energetic movements. Dances in southern Russia, with its warm, mild weather, were famous for their rapid, hot-blooded movements and complex patterns, embodying strength, boundless energy and youth. [2] [3]
Slavic paganism, Slavic mythology, or Slavic religion is the religious beliefs, myths, and ritual practices of the Slavs before Christianisation, which occurred at various stages between the 8th and the 13th century.
The gusli is the oldest East Slavic multi-string plucked instrument, belonging to the zither family, due to its strings being parallel to its resonance board. Its roots lie in Veliky Novgorod in Novgorodian Republic. It has its relatives in Europe and throughout the world: kantele in Finland, kannel in Estonia, kanklės in Lithuania, kokles in Latvia, Zither in Germany, citera in the Czech Republic, and psalterium in France. Furthermore, the kanun has been found in Arabic countries, and the autoharp, in the United States. It is also related to such ancient instruments as Chinese gu zheng, which has a thousand-year history, and its Japanese relative koto. A stringed musical instrument called guslim is listed as one of the Me in ancient Sumer.
Hora, also known as horo and oro, is a type of circle dance originating in Romania and Bulgaria. Other types of circle dances called with similar names are found in other South East European countries and culturally adopted by ethnic minorities such as the Ashkenazi Jews, Sephardic Jews and the Roma.
Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation.
Choreia is a circle dance accompanied by singing, in ancient Greece. Homer refers to this dance in his epic poem, the Iliad.
Kolo is a South Slavic circle dance, found under this name in Bosnia and Herzegovina, Croatia, and Serbia. It is inscribed on the UNESCO List of Intangible Cultural Heritage for Serbia.
Russian culture has been formed by the nation's history, its geographical location and its vast expanse, religious and social traditions, and both Eastern and Western influence. Russian writers and philosophers have played an important role in the development of European thought. The Russians have also greatly influenced classical music, ballet, sport, painting, and cinema. The nation has also made pioneering contributions to science and technology and space exploration.
Turkish folk dances are the folk dances of Turkey. Facing three seas, straddling important trade routes, Turkey has a complex, sophisticated culture, reflected in the variety of its dances. The dominant dance forms are types of line dance. There are many different types of folk dances performed in various ways in Turkey. Zeybek, Teke Zortlatması in Aegean region, Bar in Erzurum province, Halay in the central, southern, eastern, and southeastern parts of the country, Hora in Thrace, Horon in the eastern Black Sea region, Spoon dances in and around Konya, and Lezginka in Kars and Ardahan are some of the best known examples of these.
Pre-Christian Slavic writing is a hypothesized writing system that may have been used by the Slavs prior to Christianization and the introduction of the Glagolitic and Cyrillic alphabets. No extant evidence of pre-Christian Slavic writing exists, but early Slavic forms of writing or proto-writing may have been mentioned in several early medieval sources.
A detinets or detinetz is an ancient Rus' city-fort or central fortified part of a city, similar to the meaning of kremlin or citadel. The term was used in many regions, including: Kievan Rus', Chernihiv, Novgorod, and Kyiv.
Dancing tradition in Serbia is represented by various styles of dances, commonly called Kolo. The word originates from the Slavic word meaning a 'wheel,' circle, or circuit. Kolo is a collective dance, where dancers hold each other's hands in either a V or W formation, making a chain or a union. It is danced by all ethnicities and religious groups both in Serbia and as well as other regions of the Balkans. Other terms such as Oro and Tanac are also used especially in regions of today's southeastern Serbia. Different forms of dances originated in different parts of Serbia, each shaped by local traditions, historical influences, and regional legacies. These dances also reflect interactions with other ethnic groups, migration patterns, changing governments, and cross regional influences.
Ukrainian folklore is the folk tradition which has developed in Ukraine and among ethnic Ukrainians. The earliest examples of folklore found in Ukraine is the layer of pan-Slavic folklore that dates back to the ancient Slavic mythology of the Eastern Slavs. Gradually, Ukrainians developed a layer of their own distinct folk culture. Folklore has been an important tool in defining and retaining a cultural distinctiveness in Ukraine in the face of strong assimilatory pressures from neighboring lands.
Croatian dance traditionally refers to a category of folk-dances, the most common being the kolo.
Russian folk dance is an important part of Russian culture. Some of the unique characteristics suggest that many elements were developed by the early Russian population.
Koliada or Koleda is a Slavic pseudo-deity, a personification of the newborn winter Sun and symbol of the New Year's cycle. The figure of Koliada is connected with the solar cycle, passing through the four seasons and from one substantial condition into another.
European dances refers to various dances originating in Europe. Since the Middle Ages, many European dances tend to be refined, as some are based on the court dances of aristocrats.
Slavic carnivals are known under different names in various Slavic countries: Bulgarian: Сирни заговезни, Прошка, Поклади, romanized: Sirni zagovezni, Proshka, Pokladi; Macedonian: Прочка, romanized: Pročka; Russian: Масленица, Мясопуст, romanized: Maslenitsa, Myasopust; Polish: Ostatki, Mięsopust, Zapusty; Czech: Masopust, Šibřinky, Ostatky; Slovak: Fašiangy; Slovene: Mesopȗst, Pust, Pustni teden, Fašnk; Serbian: Покладе, Проћка / Poklade, Proćka; Croatian: Pust, Poklade, Mesopust, Fašnik. They are traditional Slavic festivals related to the period of carnival.
The Russian braid is a national traditional hairstyle in Russia. It has an ancient history since the times of the Rus'. In modern Russia the hairstyle is still widespread among girls and women, while the symbolism behind the Russian braid is no longer so strong in modern Russia. It also plays an important role in Russian folk dance and Russian folk song ensembles.
Belarusian folk dance is a Belarusian folk dance art, presented in the form of folk domestic or staged scenic dance. The history of Belarus and efforts to preserve Belarusian traditions have shaped the dances in use today, which have many ancient and archaic elements. These dances started to form in the 14th century, and originated in East Slavic rites. In the middle of the 19th century, traditional folk dancing began to merge with quadrilles and polkas from Western Europe.