Genre | Folk dance |
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Origin | Armenian Highlands |
Yalli (Kochari, Tenzere), traditional group dances of Nakhchivan | |
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Country | Azerbaijan |
Reference | 01190 |
Region | Europe and North America |
Inscription history | |
Inscription | 2018 (13th session) |
List | Need of Urgent Safeguarding |
Tamzara [a] is a folk dance native to Armenian Highlands. In Armenia the dance originally had a ritual character, it was a wedding song and dance. Now "Tamzara" has lost its former ritual significance, when it was performed during almost all community events and parties. It is today performed by Armenians, Assyrians, Azerbaijanis (in the regions of Sharur, Nakhchivan and parts of Iranian Azerbaijan), [2] [3] and Greeks. [4] [5] [6] [7] In post-Soviet Armenia, tamzara dance is gaining more and more popularity among all strata of the population.
This dance was also especially popular in the formerly Armenian-populated regions of Erzincan, Erzurum, Kigi, Arapgir, Harput, and Malatya. There are many versions of Tamzara, with slightly different music and steps, coming from the various regions and old villages in the Armenian Highlands. According to Folk Dance Federation of California, Inc (July, 2001) Tamzara is performed by Armenians not only in Armenia, also in the countries of Armenian Diaspora. [8]
The meaning of this dance, which is famous in the villages of Charchibogan, Chomakhtur and other villages of Nakhchivan's Sharur region, is "Gizili tanbatan" (half golden) in word-by-word translation. Tamzara is included to the repertoire of the folklore dancing collectives respectively. The women dancing used to dress luxuriously and adorn themselves with golden accessories, including rings, ear-rings, bracelets, chains and others.
In 2018, Azerbaijani-style Tamzara, along with Yalli and Kochari, was inscribed into the UNESCO List of Intangible Cultural Heritage in need of urgent safeguarding. [9]
All Tamzaras have the unique 9
8 rhythm, with the two accented beats at the end of each measure. In addition, the melody to most Tamzaras is very similar, though there are exceptions. Like most folk dances of the Armenian Highlands, Tamzara is done as a line dance or circle dance, with a large group of people with interlocked pinkies. However one version of the Tamzara is done by a man with one or two women standing shoulder to shoulder facing the same direction with their arms around each other's waists.
Tamzara is one of the most popular Armenian folk dances to have been preserved in the United States by the Armenian-American community. [8]
The khorovod or horovod is an East Slavic and pagan art form and one of the oldest dances of Russia with its more than 1,000 years history. It is a combination of a circle dance and chorus singing, similar to the choreia of ancient Greece. The dance was also known in Russia as karagod, tanok and krug.
Hora, also known as horo and oro, is a type of circle dance traditionally performed in Southeast Europe. Circle dances called with similar names are found in Bulgaria, Greece, Moldova, North Macedonia, Romania, and culturally adopted by ethnic minorities such as the Ashkenazi Jews, Sephardic Jews and the Roma.
The Nakhchivan Autonomous Republic is a landlocked exclave of the Republic of Azerbaijan. The region covers 5,502.75 km2 (2,124.62 sq mi) with a population of 459,600. It is bordered by Armenia to the east and north, Iran to the southwest, and Turkey to the west. It is the sole autonomous republic of Azerbaijan, governed by its own elected legislature.
Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation.
Kochari is a folk dance originating in the Armenian Highlands. It is performed today by Armenians, while variants are performed by Assyrians, Azerbaijanis, and Pontic Greeks. It is a form of circle dance.
The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum.
Sadarak District is one of the 7 districts of the Nakhchivan Autonomous Republic of Azerbaijan. The district borders the district of Sharur, as well as the Iğdır Province of Turkey, Ararat Province of Armenia and the West Azerbaijan Province of Iran. Its capital is Heydarabad and largest settlement is Sadarak. As of 2020, the district had a population of 16,100.
Nakhchivan is the capital and largest city of the eponymous Nakhchivan Autonomous Republic, a true exclave of Azerbaijan, located 450 km (280 mi) west of Baku. The municipality of Nakhchivan consists of the city of Nakhchivan, the settlement of Əliabad and the villages of Başbaşı, Bulqan, Haciniyyət, Qaraçuq, Qaraxanbəyli, Tumbul, Qarağalıq, and Daşduz. It is spread over the foothills of Zangezur Mountains, on the right bank of the Nakhchivan River at an altitude of 873 m (2,864 ft) above sea level.
Dances in Iran or Iranian dances are dance styles indigenous to Iran. Genres of dance in Iran vary depending on the area, culture, and language of the local people, and can range from sophisticated reconstructions of refined court dances to energetic folk dances. The population of Iran includes many ethnicities, such as Kurds, Azerbaijanis, Arabs, Baluchis, Turkmen, Jews, Armenian, Georgian peoples, in addition to numerous Iranian tribal groups which can be found within the borders of modern-day Iran. Each group, region, and historical epoch has specific dance styles associated with it. Raghs is the Arabic word for dance, and is almost exclusively the word used for dance in Persian, as the Persian word for dance, paykubi, is no longer in common usage. It is also the word in Azerbaijani for dance (Reqs). The Kurdish word for dance is Halperke, and the Lurs from Lorestan use the word Bākhten for dance.
Horon is a group of traditional folk dances from the Eastern Black Sea Region in Turkey.
Halay is the national dance of Turkey and a regional category of folk dance styles in central, southern, eastern, and southeastern regions of the country. It is mainly performed by Turks and Kurds in Turkey. Halay and similar dances are parts of multiple ancient folk dance traditions and cultures throughout the Middle East and regions in proximity.
Azerbaijani dances are traditional dances developed and performed in the Republic of Azerbaijan. These dances are known for their quick tempo and the dancers' traditional clothing.
Greek dance is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko.
The Armenian dance heritage has been considered the oldest and most varied in its respective region. From the fifth to the third millennia B.C., in the higher regions of Armenia, the land of Ararat, there are rock paintings of scenes of country dancing. These dances were most likely accompanied by certain kinds of songs or musical instruments. In the fifth century, Moses of Khoren himself had heard of how the old descendants of Aram make mention of these things in the ballads for the lyre and their songs and dances.
The population of Armenia includes various significant minority ethnic groups.
Khigga is a style of Assyrian folk dance in which multiple dancers hold each other's hands and form a semi-circle or a curved line. There are multiple foot patterns that dancers perform. Its thought to have been danced for thousands of years. It is one of the most common and simplest Assyrian folk dances, generally performed at weddings, baptisms, confirmations and other joyous occasions. Set in common time, khigga is accompanied by a moderate dance beat and is usually performed to Assyrian folk and pop music.
Armenians had a historic presence in Nakhchivan. According to an Armenian tradition, Nakhchivan was founded by Noah, of the Abrahamic religions. During the Soviet era, Nakhchivan saw a significant demographic shift. The Armenian population saw a great reduction in their numbers throughout the years repatriating to Armenia. Nakhchivan's Armenian population gradually decreased to around 0%. Still some Armenian political groupings of Armenia and the Armenian diaspora, claim that Nakhchivan should belong to Armenia. The Medieval Armenian cemetery of Jugha (Julfa) in Nakhchivan, regarded by Armenians as the biggest and most precious repository of medieval headstones marked with Christian crosses – khachkars, was completely demolished by 2006.
The Sharur-Daralayaz uezd was a county (uezd) of the Erivan Governorate of the Caucasus Viceroyalty of the Russian Empire. It bordered the governorate's Erivan and Nor Bayazet uezds to the north, the Nakhichevan uezd to the south, the Zangezur and Jevanshir uezds of the Elizavetpol Governorate to the east, and Persia to the southwest. It included most of the Vayots Dzor Province of present-day Armenia and the Sharur District of the Nakhchivan exclave of present-day Azerbaijan. The administrative centre of the county was Bashnorashen.
Armenian-Azerbaijani cultural relations are relations between two ethnic groups in terms of their language and culture.
The Muslim uprisings in Kars and Sharur–Nakhichevan were a series of insurgencies by local Muslims against the administration of the First Republic of Armenia, beginning on 1 July 1919 and ending 28 July 1920. The areas of uprising were persuaded into insurrection by the sedition of Turkish and Azerbaijani agents who were trying to destabilise Armenia in order to form a pan-Turkic corridor between their nations.
External videos | |
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Darulelhan Heyeti Tarafından - Sivas Tamzarasi (Taş Plak Arşivi) |