Sufi whirling (or Sufi turning) (Turkish : Semazen borrowed from Persian Sama-zan, Sama, meaning listening, from Arabic, and zan, meaning doer, from Persian) is a form of physically active meditation which originated among certain Sufi groups, and which is still practiced by the Sufi Dervishes of the Mevlevi order and other orders such as the Rifa'i-Marufi. It is a customary meditation practice performed within the sema, or worship ceremony, through which dervishes (from the persian Darvish Persian درویش also called semazens, from Persian سماعزن) aim to reach greater connection with Allah. This is sought through abandoning one's nafs, ego or personal desires, by listening to the music, focusing on God, and spinning one's body in repetitive circles, which has been seen as a symbolic imitation of planets in the Solar System orbiting the Sun. [1]
The Mevlevi practice gave rise to an Egyptian form, tanoura, distinguished by the use of a multicolored skirt. This has also developed into a performance dance by non-Sufis, including dancers outside the Islamic world.
As an order, the whirling Dervishes were founded by mystic poet Rumi in the 13th century. [2] Initially, Sufi fraternities (Arabic : طرائق, romanized: ṭarāʾiq) were organized as leaderships where members followed prescribed disciplines in service to a sheikh or master to establish trust with him. [3] A member of such a fraternity is referred to as a Persian darwish. These turuk were responsible for organizing an Islamic expression of religious life, often founded by independent saints or resulted from the division of existing orders. [4] Each Sufi tariqa stems from a unique silsila, or "chain of order" in which a member must learn, as the silsila binds each member to Allah through one's chain of order. [4] One's silsila extends through the member's individual teacher, to their teacher and so on, through time until one is connected to the Prophet and thus Allah. [4] The Prophet himself is revered as the originator of Sufism, which has in turn been traced down through a series of saints. [4]
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A dervish practices multiple rituals, the primary of which is the dhikr , a remembering of Allah. [3] The dhikr involves recitation of devotional Islamic prayer. This dhikr is coupled with physical exertions of movement, specifically dancing and whirling, in order to reach a state assumed by outsiders to be one of "ecstatic trances". [3] As explained by Sufis: [5]
In the symbolism of the Sema ritual, the semazen's camel's hair hat (sikke) represents the tombstone of the ego; his wide, white skirt (tennure) represents the ego's shroud. By removing his black cloak (hırka), he is spiritually reborn to the truth. At the beginning of the Sema, by holding his arms crosswise, the semazen appears to represent the number one, thus testifying to god's unity. While whirling, his arms are open: his right arm is directed to the sky, ready to receive god's beneficence; his left hand, upon which his eyes are fastened, is turned toward the earth. The semazen conveys god's spiritual gift to those who are witnessing the Sema. Revolving from right to left around the heart, the semazen embraces all humanity with love. The human being has been created with love in order to love. Mevlâna Jalâluddîn Rumi says, "All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!"
Among the Mevlevi order, the practice of dhikr is performed in a traditional dress: a tennure, a sleeveless white frock, the destegul, a long sleeved jacket, a belt, and a black overcoat or khirqa to be removed before the whirling begins. [6] As the ritual dance begins, the dervish dons a felt cap, a sikke, in addition to a turban wrapped around the head, a trademark of the Mevlevi order. [6] The sheikh leads the ritual with strict regulations. To begin,
The sheikh stands in the most honored corner of the dancing place, and the dervishes pass by him three times, each time exchanging greetings, until the circling movement starts. The rotation itself is on the left foot, the center of the rotation being the ball of the left foot and the whole surface of the foot staying in contact with the floor. The impetus for the rotation is provided by the right foot, in a full 360-degree step. If a dervish should become too enraptured, another Sufi, who is in charge of the orderly performance, will gently touch his frock in order to curb his movement, The dance of the dervishes is one of the most impressive features of the mystical life in Islam, and the music accompanying it is of exquisite beauty, beginning with the great hymn in honor of the Prophet (na't-i sharif, written by Jalaluddin himself) and ending with short, enthusiastic songs, some things sung in Turkish. [6]
The Western world, having witnessed Sufi whirling through tourism, have described the various forms of dhikr as "barking, howling, dancing, etc." [4] The practice of each tariqa is unique to its individual order, specific traditions and customs may differ across countries. The same tariqa in one country will not mirror that of another country as each order's ritual stresses "emotional religious life" in various forms. [4] The Mevleviyah order, like many others, practice the dhikr by performing a whirling meditation. Accompanying the dhikr practices of whirling and prayer, the custom of sama serves to further one's "nourishment of the soul" through devotional "hearing" of the "'subtle' sounds of the hidden world or of the cosmos." [7] In contrast to the use of sama, whirling and devotional prayer in the practice of dhikr, the tariqa orders perform Sufi whirling in addition to playing musical instruments, consuming glowing embers, live scorpions and glass, puncturing body parts with needles and spikes, or practicing clairvoyance and levitation. [4] The dervish practice can be performed by community residents or lay members, members have typically been those of lower classes. [3] Women were received into a tariqa order by a male sheikh, but traditionally were instructed to practice the dhikr alone or with an established branch of females within a specific order. [4]
The custom of sama among Sufi orders has a history of controversy within the Islamic faith. In one argument, the use of the term sama is considered to suggest physically "listening" in a spiritual context. [7] A differing opinion argues that sama is in fact "hearing", as "to hear" can pertain to any sound in addition to any "subtle" sounds of the spiritual realm. [7] Those in support of sama further claim that the term is actually synonymous with "understanding" and therefore recognition and application of the Revelation as well as the act of "attaining higher knowledge." [7] Sama can also refer to considerate listening to an honest temporal leader who ensures social justice and makes word of God mainstream.The spread of sama among Sufi orders began some time around the mid third/ninth century C.E. in Baghdad, eventually finding acceptance and favor in Persian, Turkish and Indian Islam. [7] The custom of sama evolved in practice over time as it complemented Sufi dhkir, whirling and among some orders dancing and a meal. [7] Rules of propriety and conditions were adopted upon the widespread concern surrounding the necessity of sama with the dhikr; in order to distinguish between entertainment and valuable spiritual practice, the sama was distinguished as heard from the ego, heart or spirit. [7] Despite the application of rules, some sheikhs continued to limit or disapprove the practice of sama. While controversy continuously questioned the place of sama in Sufi orders, the music itself was not affected. [7] More recently, the custom of sama is most commonly performed within a dhikr ceremony. Those in support of sama continue to argue that "according to that which it is not sama and dance which induce ecstasy, but ecstasy which arouses dance, or furthermore, that sama is only a revealing instrument and that it only supplies that which is brought to it by the hearer." [7]
In 2005, UNESCO proclaimed the "Mevlevi Sema Ceremony" of Turkey as one of the Masterpieces of the Oral and Intangible Heritage of Humanity. [8]
Dervish communities, in the Middle Ages, served a central role in social, religious and political life throughout "central Islamic lands." [3] Dervish orders were at one time much larger in size than they are today, as the government has taken control over most Dervish monasteries throughout this area. [4] In 1925, Turkey ordered the dissolution of all Sufi fraternities by decree, the Mevlevi managed to survive among small villages throughout the Middle East. [9] In 1954, the Turkish government granted the Mevlevi order a special permission to perform ritual whirling practices for tourists during two weeks each year. [9] Outside of tourist entertainment, Orthodox theologians have now vocally discounted the Dervish practice resulting in faqirs, or wandering, mendicant dervishes throughout central Islamic regions. [3] Despite strict government control over Dervish practices, the Mevleviyah order continued its existence in Turkey to this day. [9]
While only men have historically been permitted to take part in the ceremony, some communities now allow women to participate. [10]
In Egypt, the practice of whirling has been adapted as tanoura (Arabic : التنورة, romanized: el-tanoura). The word tanoura or tannoura refers to the colorful skirt worn by the whirler, with a color representing each Sufi order. [11] The word may also refer to the dancer, traditionally a Sufi man. [11] Tanoura is associated with Sufism and is performed at Sufi festivals, but it is also performed by non-Sufis as a folk dance or concert dance.
Although it is mainly used for visual effects, the dancers also augment their balance with the tanoura, through a dynamic centrifugal effect.[ citation needed ]
In Sufi shrines in Pakistan, such as the Lal shrine in Sehwan, Sindh, [12] [13] the practice of Sufi whirling is called Dhamaal and is performed to honor Sufi saints, or qalandars.[ citation needed ] Unlike the Turkish practice, Dhamaal may be practiced by any devotee – priests as well as pilgrims. Dhamaal is usually preceded by the beating of a drum (naghara) and ringing of bells, as pilgrims raise their hands, start to skip steps standing at one place and gradually work into a trance as the beats get faster. As the beats get faster, rhythms change and the drum beats are accompanies by the playing of shehnai.
Practitioners associate the dance with Lal Shahbaz Qalandar and with protests following the Battle of Karbala. They regard the rhythm of the drum to evoke the rhythm of the creation of the universe, as illustrated in the concept of Kun Fyakun.[ citation needed ]
The tanoura tradition has attracted some interest from Westerners in the belly dancing community. These performers include both men and women, solo and in groups. Such performances may be augmented with pyrotechnics or props, such as veils, wings and ribbons. [14] [ non-primary source needed ] The techniques used in Egyptian Tanoura can also be adopted by belly dancers to help with their balance and control dizziness.[ citation needed ]
Sufi whirling has also been promoted by actor and memoirist Annabelle Gurwitch as a form of stress relief. [15]
A defining feature of whirling is continuous rotation (clockwise or counterclockwise) around a central radical axis while avoiding vertigo. In untrained dancers, this sustained rotation causes dizziness or motion-induced vertigo. Training for whirling targets the inner ear, which is responsible for balance functions in humans. To counteract this effect, whirling dance performers practice various balancing and psychological techniques.[ example needed ]
Guinness World Records for "most Sufi whirls in one hour" were awarded in London in 2012, to Shafik Ibrahim Abd El Hamed in the male category with 2,905 rotations, and Tara Lee Oakley in the female category with 2,191. [16] These records were surpassed in Zurich in 2015 by Nicole McLaren, with 3,552 rotations. [17]
The longest continuous whirling performance has been recorded at more than four hours.[ citation needed ] The most people simultaneously whirling is 755, set in Taiwan in 2011. [18]
Jalāl al-Dīn Muḥammad Rūmī, or simply Rumi, was a 13th-century poet, Hanafi faqih (jurist), Islamic scholar, Maturidi theologian (mutakallim), and Sufi mystic originally from Greater Khorasan in Greater Iran.
Sufism is a mystic body of religious practice found within Islam which is characterized by a focus on Islamic purification, spirituality, ritualism, and asceticism.
A tariqa is a religious order of Sufism, or specifically a concept for the mystical teaching and spiritual practices of such an order with the aim of seeking haqiqa, which translates as "ultimate truth".
The Mevlevi Order or Mawlawiyya is a Sufi order that originated in Konya, Turkey and which was founded by the followers of Jalaluddin Muhammad Balkhi Rumi, a 13th-century Persian poet, Sufi mystic, and theologian. The Mevlevis are also known as the "whirling dervishes" due to their famous practice of whirling while performing dhikr. Dervish is a common term for an initiate of the Sufi path; whirling is part of the formal sema ceremony and the participants are properly known as semazens.
Sama is a Sufi ceremony performed as part of the meditation and prayer practice dhikr. Sama means "listening", while dhikr means "remembrance". These performances often include singing, playing instruments, dancing, recitation of poetry and prayers, wearing symbolic attire, and other rituals. Sama is a particularly popular form of worship in Sufism.
Dervish, Darvesh, or Darwīsh in Islam can refer broadly to members of a Sufi fraternity (tariqah), or more narrowly to a religious mendicant, who chose or accepted material poverty. The latter usage is found particularly in Persian and Turkish (derviş) as well as in Tamazight (Aderwic), corresponding to the Arabic term faqīr. Their focus is on the universal values of love and service, deserting the illusions of ego (nafs) to reach God. In most Sufi orders, a dervish is known to practice dhikr through physical exertions or religious practices to attain the ecstatic trance to reach God. Their most popular practice is Sama, which is associated with the 13th-century mystic Rumi. In folklore and with adherents of Sufism, dervishes are often credited with the ability to perform miracles and ascribed supernatural powers. Historically, the term Dervish has also been used more loosely, as the designation of various Islamic political movements or military entities.
The Naqshbandi order is a Sufi order of Sunni Islam named after Baha al-Din Naqshband. They trace their silsila to Prophet Muhammad through the first caliph Abu Bakr by the way of Ja'far al-Sadiq. The Naqshbandi Sufi order is most distinguished from other Sunni schools by the high level of importance they assign to the sharia, highlighted by major Naqshbandi scholars such as Ahmad Sirhindi and Shah Waliullah Dehlawi.
Sacred dance is the use of dance in religious ceremonies and rituals, present in most religions throughout history and prehistory. Its connection with the human body and fertility has caused it to be forbidden by some religions; for example, some branches of Christianity and Islam have prohibited dancing. Dance has formed a major element of worship in Hindu temples, with strictly formalized styles such as Bharatanatyam, which require skilled dancers and temple musicians. In the 20th century, sacred dance has been revived by choreographers such as Bernhard Wosien as a means of developing community spirit.
The Khalwati order is an Islamic Sufi brotherhood (tariqa). Along with the Naqshbandi, Qadiri, and Shadhili orders, it is among the most famous Sufi orders. The order takes its name from the Arabic word khalwa, meaning “method of withdrawal or isolation from the world for mystical purposes.”
Kudsi Erguner is a Turkish musician. He is considered a master of traditional Mevlevi Sufi music and is one of the best-known players of the Turkish ney flute.
Islamic cultures or Muslim cultures refers to the historic cultural practices that developed among the various peoples living in the Muslim world. These practices, while not always religious in nature, are generally influenced by aspects of Islam, particularly due to the religion serving as an effective conduit for the inter-mingling of people from different ethnic/national backgrounds in a way that enabled their cultures to come together on the basis of a common Muslim identity. The earliest forms of Muslim culture, from the Rashidun Caliphate to the Umayyad Caliphate and early Abbasid Caliphate, was predominantly based on the existing cultural practices of the Arabs, the Byzantines, and the Persians. However, as the Islamic empires expanded rapidly, Muslim culture was further influenced and assimilated much from the Iranic, South Asian, Caucasian, Turkic, Malay, Somali, Berber, and Indonesian cultures.
The Qadiriyya or the Qadiri order is a Sufi mystic order (tariqa) founded by followers of Shaiykh Syed Abdul Qadir Gilani Al-Hassani, who was a Hanbali scholar from Gilan, Iran.
Hadra is a collective supererogatory ritual performed by Sufi orders. It is often held on Thursday evenings after the night prayer, on Fridays after jumu'ah prayer or on Sunday evenings, and can also be celebrated on special Islamic festivals and at rites of passage. It may be held at home or in a mosque. The underlying term in Arabic literally means "Divine Presence" and the human experience of it is known as "Hudur".
Dynamic meditation is a form of meditation in which physical actions are involved. The term appeared in the early 1970s when Osho's descriptions of his "Rajneesh Dhyan Yoga," developed at meditation camps in the Indian mountains, were translated into English. His prototypical method is still named "Dynamic Meditation."
The Mevlâna Museum, in Konya, Turkey, started life as the dervish lodge (Tekke) of the Mevlevi order, better known as the whirling dervishes. It houses the mausoleum of Jalal ad-Din Muhammad Rumi, a Persian Sufi mystic.
Sufism has a history in India that has been evolving for over 1,000 years. The presence of Sufism has been a leading entity increasing the reaches of Islam throughout South Asia. Following the entrance of Islam in the early 8th century, Sufi mystic traditions became more visible during the 10th and 11th centuries of the Delhi Sultanate and after it to the rest of India. A conglomeration of four chronologically separate dynasties, the early Delhi Sultanate consisted of rulers from Turkic and Afghan lands. This Persian influence flooded South Asia with Islam, Sufi thought, syncretic values, literature, education, and entertainment that has created an enduring impact on the presence of Islam in India today. Sufi preachers, merchants and missionaries also settled in coastal Gujarat through maritime voyages and trade.
The Madrasa of Amir Sunqur Sa'di, also commonly known as the Mausoleum of (Sheikh) Hasan Sadaqa, is a medieval Mamluk-era madrasa structure and mausoleum in Cairo, Egypt. It was originally built between 1315 and 1321 CE by amir Sunqur Sa'di. Sunqur was forced to leave Egypt in his lifetime and was never buried there, but a sheikh known as Hasan Sadaqa was later buried in it and therefore the building is often known by his name. From the 17th century onward the complex was converted into Mevlevi Sufi lodge and is open today as the Mawlawiyya Museum or Museo Mevlevi.
Saʿdiyya (سعدية) or Jibawiyya (جباوية) is a Sufi tariqa and a family lineage of Syrian and Shafiʿi identity. It grew to prominence also in Ottoman Egypt, Turkey, and the Balkans and it is still active today. They are known for their distinctive rituals and their role in the social history of Damascus. Like many other tariqas, the Saʿdiyya is characterized by the practice of khawāriḳ al-ʿādāt such as healing, spectacles involving body piercing, and dawsa (trampling), for which they are best known; the sheikh would ride a horse over his dervishes, who were lying face down making a “living carpet” of men. They had a wide appeal among the middle and lower classes. The founder of Saʿdiyya was Saʿd al-Dīn al-Shaybānī al-Jibāwī, who took the tariqa from the Yūnisī and Rifaʽi lines, his dates remain uncertain, but he is thought to have died near Jibā, a few kilometers north of Damascus in 736/1335.
The wird is a regular litany and a mystical invocation practiced by murids, saliks and wasils in Islamic sufism.
Meditation has been shown to be relaxing for the brain, and I like a moving meditation, so I thought of Dervish whirling. Dervish whirling is an ancient technique. It's from the 13th century in Turkey.