Gambang kromong is a traditional orchestra of Betawi people which is a blend of gamelan, Western music and Chinese-style pentatonic base tones. Gambang kromong is closely associated with the Chinese Betawi community, especially the Chinese Peranakan. It was popular in the 1930s.
Gambang kromong orchestral instruments consists of: gambang kayu (a xylophone-like instrument), kromong (a set of 5 toned bonang), two Chinese rebab-like instruments called ohyan and gihyan with its resonator made out of a small coconut shell, a diatonic pitched flute that is blown crosswise, kenong and gendang drums. Western instruments such as trumpets, guitars, violins, and saxophones may also be included. [1]
Nie Hoe Kong, Kapitein der Chinezen, a musician and Dutch-appointed leader of the Chinese community in mid-18th-century Batavia, is considered one of the early figures who developed the Gambang kromong. [1]
In its first appearance in Batavia, the orchestra was called gambang. Later in the beginning of the 20th century, they began to use additional instruments, the bonang or kromong, so it is called gambang kromong. During that period, almost every part of Batavia had a gambang kromong orchestra. [1]
Gambang Kromong reached its peak of popularity around 1937. One of the popular groups was Gambang Kromong Ngo Hong Lao, whose players were all ethnic Chinese people. The instruments used in the orchestral group were considered to be the most extensive. For the wealthy Chinese, it was a custom to liven up a party by calling a gambang kromong orchestra, usually accompanying a song. Gambang kromong was also performed during the Cap Go Meh festival, sometimes with plays. [1]
Gambang kromong used the Chinese scale instead of the local slendro typical in Javanese, Sundanese, or Balinese gamelan. The set appears in the xylophone-like instrument gambang, used in the orchestra. [1]
In addition to accompanying songs, Gambang Kromong usually accompanies social dances such as the Cokek dance, a newly created performance dance as well as in Lenong theatre. [1]
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes, a bowed string instrument called a rebab, and a zither-like instrument called a siter, used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as sindhen for females or gerong for males.
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A kongahyan is an Indonesian musical instrument played by drawing a bow across one or more strings. Kongahyans are similar to the rebab, which can be found in Java, Bali and Sunda Islands. This musical instrument is played for shows on those islands. The kongahyan is smaller than two other Indonesian instruments, the tehyan and sukong.
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Tanjidor is a traditional Betawi musical ensemble developed in Jakarta, Indonesia. This musical ensemble took the form of a modest orchestra and was developed in the 19th century, pioneered by Augustijn Michiels better known as Major Jantje in the Citrap or Citeureup area on the outskirt of Batavia.
Gambang may refer to: