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Woodwind instrument | |
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Inventor(s) | Banjarese |
Developed | Indonesia |
Kuriding also known as the gurinding, uriding, turiding or kubing is a traditional musical instrument of the Banjar people originating from South Kalimantan, Indonesia. Although small in size, this instrument can produce a loud and melodious sound. Kurinding measures about 15 centimeters long and 1.5 centimeters wide. This musical instrument consists of two parts, namely the inside and the outside. The inside is the part that is attached to the mouth when it is sounded. While the outside is facing the outside.
Kurinding can be made from palm fronds, bamboo, or wood. Rectangular shape. Both ends are rounded, in addition to beautifying, the round shape at the end of the curd also serves as a safety so as not to hurt the mouth when played. On the Kurinding musical instrument there is a vibrating instrument, namely a rope made of palm fibers or tree wood strings. The vibrating tool is divided into two parts, namely the right side and the left side. At the right and left ends there are holes for putting a rope connected to a vibrating device.
This musical instrument is played by placing it on the lips while pulling the handle of the vibrating rope that will produce a sound. With a certain rhythm, the resulting sound will sound very beautiful and melodious. [1]
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note. Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist.
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
A reed is a thin strip of material that vibrates to produce a sound on a musical instrument. Most woodwind instrument reeds are made from Arundo donax or synthetic material. Tuned reeds are made of metal or synthetics. Musical instruments are classified according to the type and number of reeds.
In the study of musical instruments, organology, there are many different methods of classifying musical instruments. Most methods are specific to a particular cultural group and were developed to serve the requirements of that culture and its musical needs. Such classification schemes often break down when applied outside of their original context. For example, a classification based on instrument use may fail when applied to culture which has a different use, or even multiple uses, for the same instrument.
The music of Indonesia its cultural diversity, the local musical creativity, as well as subsequent foreign musical influences that shaped contemporary music maybe scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and artistic history and character. This results in hundreds of different forms of music, which often accompanies by dance and theatre.
The ghaṭam is a percussion instrument used in various repertoires across India. It's a variant played in Punjab and known as gharha as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the madga and pani mataqa.
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, pakhawaj is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia.
The davul, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum.
A morsing is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is in the category of plucked idiophones. It consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and is made to vibrate. This bent part is called the trigger.
A flue pipe is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure is driven through a flue and against a sharp lip called a labium, causing the column of air in the pipe to resonate at a frequency determined by the pipe length. Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs.
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched kantilan and the larger pemade. Each instrument consists of several tuned metal bars each placed over an individual resonator. The bars are hit with a wooden panggul, each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong kebyar gangsas, as with other metallophones in gong kebyar ensembles, are played in neighboring pairs with interlocking, rapid-tempo parts that elaborate on the melody of a piece of music ; these pairs are tuned to be dissonant and create certain wavelengths of sympathetic vibrations to create a shimmering tone that travels long distances. The gangsa is very similar to the old gendér and the saron.
Igbo music is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria. The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. Igbo music is generally lively, upbeat, and spontaneous which creates a variety of sounds that enables the Igbo people to incorporate music into almost all the facets of their daily lives. Some very popular Igbo music styles are Igbo highlife, Igbo bongo, Odumodu.
The saw sam sai is a traditional bowed string instrument of Thailand. It is in the saw family of Thai fiddles, which also includes the saw u and saw duang, but unlike the other two, has three strings, with a bow that is separate from the instrument.
Kendang or Gendang is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum.
Violin acoustics is an area of study within musical acoustics concerned with how the sound of a violin is created as the result of interactions between its many parts. These acoustic qualities are similar to those of other members of the violin family, such as the viola.
The khong wong yai is a circle with gongs used in the music of Thailand. It has 16 tuned bossed gongs in a rattan frame and is played with two beaters. The player sits in the center of the circle. It is used in the piphat ensemble to provide the skeletal melody the other instruments of the elaborate ensemble. The gongs are individually tuned with beeswax under the gongs. The khong wong yai can either be played with soft beaters or hard beaters.
A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.
Sundanese Music is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture.
Music of Minang is a traditional and living genre of Indonesian music that grows and develops in the Minangkabau culture area. Music whose origins are related to Malay Music is generally played by musical instruments such as Talempong, Saluang, Minang rebab, Serunai, Tmbourine, Aguang, Gandang, and Violin. Minang music is also played to accompany various dances such as the Pasambahan dance and the Piring dance.