Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Indonesia, Southern Philippines, Eastern Malaysia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.
The nose flute is a popular musical instrument played in Polynesia and the Pacific Rim countries. Other versions are found in Africa.
A suling or Seruling is an Indonesian bamboo ring flute. Originating from Sundanese music in West Java, Indonesia. It is popular in many other Southeast Asian countries including Brunei, Malaysia, Philippines, and Singapore. It is used in gamelan ensembles.
A slit drum or slit gong is a hollow percussion instrument. In spite of the name, it is not a true drum but an idiophone, usually carved or constructed from bamboo or wood into a box with one or more slits in the top. Most slit drums have one slit, though two and three slits occur. If the resultant tongues are different width or thicknesses, the drum will produce two different pitches. It is used throughout Africa, Southeast Asia, and Oceania. In Africa such drums, strategically situated for optimal acoustic transmission, have been used for long-distance communication.
Also called tagutok (Maranao), bantula or tagungtung (Bukidnon) and kuratung (Banuwaen).
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
The babandil is a single, narrow-rimmed Philippine gong used primarily as the “timekeeper” of the Maguindanao kulintang ensemble.
The dabakan is a single-headed Philippine drum, primarily used as a supportive instrument in the kulintang ensemble. Among the five main kulintang instruments, it is the only non-gong element of the Maguindanao ensemble.
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.”
The kubing is a type of Philippine jaw harp from bamboo found among the Maguindanaon and other Muslim and non-Muslim tribes in the Philippines and Indonesia. It is also called kobing (Maranao), kolibau (Tingguian), aru-ding (Tagbanwa), aroding (Palawan), kulaing (Yakan), karombi (Toraja), yori (Kailinese) or Kulibaw. Ones made of sugar palm-leaf are called karinta (Munanese), ore-ore mbondu or ore Ngkale (Butonese).
The luntang is a type of Philippine xylophone of the Maguindanaon people, strung vertically, with five horizontal logs hung in ascending order arranged by pitch. The Maguindanaon refer to this instrument as a luntang while the Yakan call it a kwintangan kayo. The cylindrical logs are beaten at the edge to create sounds and can be played either solo or with two people on either side. Among the Maguindanaon, the luntang is used only for self-entertainment purposes, to keep farmers awake while at the same time keeping the birds away from the fields. Commonly used for long distance communication some times ago by the Maguindanaon, the Yakan have taken its use a step further: using it for social interactions between sexes as well.
The palendag, also called Pulalu, Palandag (Bagobo), Pulala (Bukidnon) and Lumundeg (Banuwaen) is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). A lip-valley flute, it is considered the toughest of the three bamboo flutes to use because of the way one must shape one's lips against its tip to make a sound. The construction of the mouthpiece is such that the lower end is cut diagonally to accommodate the lower lip and the second diagonal cut is make for the blowing edge. Among the Bukidnon, a similar instrument with the same construction except that it is three-fourths the length of the palendag, is called the hulakteb
The kutiyapi, or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is the only stringed instrument among the Palawano people, and one of several among other groups such as the Maranao and Manobo. It is four to six feet long with nine frets made of hardened beeswax. The instrument is carved out of solid soft wood such as that from the jackfruit tree.
A Sodina is a woodwind instrument commonly played in Malagasy music and a member of the aerophone family of instruments. Similar in structure and sound to a flute, the sodina is usually made out of bamboo, lightwood, plastic, or reed and varies in size depending upon the region it is being played in.
Bamboo's natural hollow form makes it an obvious choice for many musical instruments.
The paldong is a traditional lip-valley flute of the Kalinga tribes in the Philippines. The paldong is made of bamboo. Its upper edge is cut away obliquely from the backside, and then cut away slightly from the frontside. The player's lower lip is placed against the cut away surface. The paldong is open at both ends, with a total of four finger holes; three in front, one at the back.
Sompoton or Sumpotan, is a mouth organ made from a gourd with bamboo pipes in northern Borneo. It originated in the state of Sabah and is played by indigenous men and women in Sabah, especially by the Kadazan-Dusun and Murut.
Samaon Sulaiman was a Filipino musician who is a recipient of the National Living Treasure award. The Maguindanaon is known for his mastery of the indigenous kutyapi instrument.
