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Surf movies fall into three distinct genres:
The earliest-known, footage of people surfing, an actuality film , was lensed by Robert Kates Bonine (Born:14 September 1861, Altoona, PA; Died: 11 September 1923, Honolulu, HI;), beginning 31 May 1906, and at least until 12 August 1906, for Thomas A. Edison, distributed in 1907, called Hawaiian Islands, composed of over thirty segments, of which three segments, Panoramic View - Waikiki Beach Honolulu, Surf Board Riders - Waikiki Honolulu, and Surf Scenes - Waikiki Honolulu, depict people surfing. [1]
The surfing documentary film was pioneered by Bud Browne (e.g. Hawaiian Holiday) in the early 1950s, and later popularized by Bruce Brown (e.g. The Endless Summer ) in the late 1950s and early 1960s. They were later advanced by Greg MacGillivray and Jim Freeman (e.g. Five Summer Stories ) in the 1970s and beyond (MacGillivray and Freeman later went on to film IMAX movies such as To Fly! and Speed). The genre itself has been defined by surfers traveling with their friends and documenting the experience on film. In the era of Bruce Brown, Greg Noll, Bud Browne, John Severson and others, films were projected for fans in music halls, civic centers, high school gyms, coffee houses, and high school auditoriums.
During the 1980s, the market for surf films surged with the release of more affordable video cameras. By the 1990s, the surfing market became saturated with low and medium budget surf films, many with sound tracks that reflected the surf music. VHS and DVDs made the surf film viewing experience an "at home" affair, and the era of joining friends or taking a girl to "surf movie night" at the local high school soon waned. Furthermore, large surf brands began sponsoring surf films to promote clothing and product sales. Titles like Sonny Miller's, The Search for Rip Curl redefined the genre with exotic locales, big budgets and name surfers, such as Tom Curren.
In the late 1990s to the present, there has been a revival of the "independent surf film." Artists, like The Malloys, Jack Johnson (musician) and Jason Baffa have reinvented the genre by shooting self-financed 16mm motion picture film and utilizing indy music bands like G. Love, Alexi Murdoch, Mojave 3, White Buffalo and Donavon Frankenreiter, creating what the surf media has called, "modern classics."[ citation needed ] Some venues still screen surfing films on the big screen.[ citation needed ]
Examples of surfing documentaries include:
The second type of surf movie would be the campy entertainment feature, also termed "beach party films" or "surfploitation flicks" by true surfers, having little to do with the authentic sport and culture of surfing and representing movies that attempted to cash in on the growing popularity of surfing among youth in the early 1960s. Examples of Beach Party films include:
Surfing is occasionally portrayed more realistically within fictional storylines, or used as a backdrop, or side theme.
Duke Paoa Kahinu Mokoe Hulikohola Kahanamoku was a Hawaiian competition swimmer who popularized the sport of surfing. A Native Hawaiian, he was born to a minor noble family less than three years before the overthrow of the Hawaiian Kingdom. He lived to see the territory's admission as a state, and became a United States citizen. He was a five-time Olympic medalist in swimming, winning medals in 1912, 1920 and 1924.
Oahu, also known as "The Gathering Place", is the third-largest of the Hawaiian Islands. It is home to roughly one million people—over two-thirds of the population of the U.S. state of Hawaii. The island of O’ahu and the Northwestern Hawaiian Islands constitute the City and County of Honolulu. The state capital, Honolulu, is on Oʻahu's southeast coast. Oʻahu had a population of 1,016,508 according to the 2020 U.S. Census, up from 953,207 in 2010.
Waikiki is a neighborhood of Honolulu on the south shore of the island of Oʻahu in the U.S. state of Hawaii.
The Endless Summer is a 1966 American surf documentary film directed, produced, edited and narrated by Bruce Brown. The film follows surfers Mike Hynson and Robert August on a surfing trip around the world. Despite the balmy mediterranean climate of their native California, cold ocean currents make local beaches inhospitable during the winter, without later, modern wetsuits. They travel to the coasts of Australia, New Zealand, Tahiti, Hawaii, Senegal (Dakar), Ghana, Nigeria and South Africa in a quest for new surf spots while introducing locals to the sport along the way.
Edward Ryon Makuahanai Aikau was a Hawaiian lifeguard and surfer. As the first lifeguard at Waimea Bay on the island of Oahu, he saved over 500 people and became famous for surfing the big Hawaiian surf, winning several awards including the 1977 Duke Kahanamoku Invitational Surfing Championship. The Eddie Aikau Big Wave Invitational is named in his honor. He was also a crew member on the Polynesian voyaging canoe Hōkūleʻa.
Gidget is a 1959 American CinemaScope comedy film. The picture stars Sandra Dee, Cliff Robertson, James Darren, Arthur O'Connell, and the Four Preps. in a story about a teenager's initiation into the California surf culture and her romance with a young surfer.
Donald Lee Stroud is an American actor, musician, and surfer. Stroud has appeared in over 100 films and 200 television shows.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
Surf culture includes the people, language, fashion, and lifestyle surrounding the sport of surfing. The history of surfing began with the ancient Polynesians. That initial culture directly influenced modern surfing, which began to flourish and evolve in the early 20th century, with its popularity peaking during the 1950s and 1960s. It has affected music, fashion, literature, film, art, and youth jargon in popular culture. The number of surfers throughout the world continues to increase as the culture spreads.
Riding Giants is a 2004 documentary film produced by Agi Orsi and directed and narrated by Stacy Peralta, a famous skater/surfer. The movie traces the origins of surfing and specifically focuses on the art of big wave riding. Some of the featured surfers are Greg Noll, Laird Hamilton, and Jeff Clark, and surfing pioneers such as Mickey Munoz.
Sunset Beach is on the North Shore of Oahu in Hawaii and known for big wave surfing during the winter season. The original Hawaiian name for this place is Paumalū. It is a two-mile stretch of mostly beige sand located at 59-104 Kamehameha Highway in Pupukea, 39 miles driving distance from Waikiki. Lifeguards are usually present.
Rochelle Ballard is an American professional surfer and a veteran of the Association of Surfing Professionals (ASP) World Championship Tour. She co-founded International Women's Surfing (IWS) and has appeared in several movies and television shows, most notably, Blue Crush,Step Into Liquid, and Beyond the Break.
The riding of waves has likely existed since humans began swimming in the ocean. In this sense, bodysurfing is the oldest type of wave-catching. Archaeological evidence suggests that ancient cultures of Peru surfed on reed watercraft for fishing and recreation up to five thousand years ago. Standing up on what is now called a surfboard is a relatively recent innovation developed by the Polynesians. The influences for modern surfing can be directly traced to the surfers of pre-contact Hawaii.
Albert "Rabbit" Kekai was an American professional surfer and one of the original innovators of modern surfing. He was a dominant master of the sport in the 1930s, 1940s, and 1950s, and was also a winner of the Peruvian and Makaha International titles.
Wilfred Nalani "Moe" Keale was an American musician of Hawaiian music, a ukulele virtuoso, and an actor. He was the uncle and major musical influence of Israel Kamakawiwoʻole.
Save Our Surf (SOS) was a community environmental organization that protested off-shore development, the destruction of local surfing spots and the suburbanization of Oʻahu's coastlines.
Ride the Wild Surf is a 1964 American romantic drama film. It was filmed in 1963 and distributed in 1964. Unlike the beach party movies of the era, this was a departure from the typical Hollywood approach to surfing as it was a drama, not a comedy. It is known for its exceptional big wave surf footage – a common sight in surf movies of the time, but a rarity in Hollywood films. Likewise, the film has only one pop song – the titular Jan and Dean track, which is heard once, at the end of the film.
Surfing in the United States is a popular hobby in coastal areas, and more recently due to the invention of wave pools, inland regions of the country. It contributes to a lifestyle and culture in which millions participate and which millions more have an interest. USA surfing is the governing body for the sport of surfing in the United States, with surf leagues such as the World Surf League available in the country. Surfing can be traced back to 17th Century Hawaii and has evolved over time into the professional sport it is today, with surfing being included for the first time in the 2020 Summer Olympics in Tokyo.
Women's surfing is thought to date back to the 17th century. One of the earliest records of women surfing is of princess Keleanohoana’api’api, also known as Kalea or the Maui Surf Riding Princess. It is rumored that Kalea was the trailblazer of surfing and could surf better than both men and women. A few centuries later in the mid-late 1800s, Thrum’s Hawaiian Annual reported that women in ancient Hawaii surfed in equal numbers and frequently better than men. Over the last 50 years, women's surfing has grown in popularity.
Hawaiian Islands (Thomas A. Edison, 1906): Chapters & Starting Times
via youtube; duration: 43:04
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