A one-shot film (also one-take film, single-take film, continuous shot feature film) is a full-length movie filmed in one long take by a single camera, or manufactured to give the impression it was. [1]
In a 2019 article, discussing the award-winning film 1917 (2019), Eric Grode of The New York Times wrote that very long takes were becoming popular in more mainstream films "as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above", also citing the Academy Award-winner from several years prior, Birdman (2014). [2]
Grode notes that before such films as 1917 and Birdman, the idea of experimenting with long uninterrupted takes had a history of over 80 years, with Alfred Hitchcock being a pioneer. Aside from early experiments like Young and Innocent and Notorious , the most famous early example of a film that extensively uses long takes is the 1948 Rope , which was shot in mainly seven-to-ten–minute continuous takes (the physical limit of film stock at the time) that appear as four long takes of around 15 to 20 minutes each, close to the maximum length allowed by the cinema projectors of the time. [3] Reportedly, James Stewart, star of Rope, did not like the long takes and apparently muttered on set that the cameras were more important than the actors. [2] Hitchcock intended to shoot the film as if it were a play, and timed five of the ten segments to allow for hidden edits behind furniture; elaborate camera and actor choreography was used. He wrote Rope this way because he felt "if time passed between cuts, the suspense of whether the body was still in the trunk would be lost". [4]
Grode also examines the 1958 film Touch of Evil as an example, though only its three-minute opening sequence is shot in real time. However, the use of a real time ticking bomb through the single shot is seen as a standard. [2]
Although animated films are not included in a list of one-shot films, The Wolf House (2018) is a deconstructed example of (stop-motion) animated film that presented in a form of single, unbroken shot sequence. [5] [6] [7]
Year | Title | Length | Director | Nationality | Ref. |
---|---|---|---|---|---|
1982 | Macbeth | 57 min. (longest shot) [a] | Béla Tarr | Hungary | [8] |
1998 | Big Monday | 74 min. | Michael Rehfield | United States | [9] |
2000 | Timecode | 97 min. | Mike Figgis | United States | [10] |
2002 | Russian Ark | 96 min. | Alexander Sokurov | Russia | [11] |
2003 | Sábado | 65 min. | Matías Bize | Chile | [12] |
2007 | Alternation | 11 min | Mehdi Fard Ghaderi | Iran | [13] |
2007 | PVC-1 | 85 min. | Spiros Stathoulopoulos | Colombia | [14] |
2008 | Still Orangutans' | 81 min. | Gustavo Spolidero | Brazil | [15] |
2011 | Reversing Circles | 21 min. | Mehdi Fard Ghaderi | Iran | [16] |
2013 | Rati Chakravyuh | 102 min. | Ashish Avikunthak | India | [17] |
2013 | Fish & Cat | 134 min. | Shahram Mokri | Iran | [18] |
2013 | El triste olor de la carne | 87 min. | Cristóbal Arteaga | Spain | [19] |
2013 | Ana Arabia | 85 min. | Amos Gitai | Israel | [20] |
2013 | Somebody Marry Me | 98 min. | John Asher | United States | [21] |
2013 | Daikuko | 98 min. | Mitani Koki | Japan | [22] |
2014 | Agadam | 123 min. | Mohamad Issack | India | [23] |
2015 | Victoria | 140 min. | Sebastian Schipper | Germany | [24] |
2015 | Anino sa likod ng buwan | 120 min. | Jun Lana | Philippines | [25] |
2015 | The Story Of A Rainy Night | 24 min | Mehdi Fard Ghaderi | Iran | [26] |
2015 | Daksha | 142 min. | S. Narayan | India | [27] |
2016 | Paint Drying | 607 min. | Charlie Shackleton | United Kingdom | [28] |
2016 | Eight | 81 min. | Peter Blackburn | Australia | [29] |
2016 | Immortality | 145 min. | Mehdi Fard Ghaderi | Iran | [30] |
2016 | King Dave | 99 min. | Podz | Canada | [31] |
2017 | Fourplay | 77 min. | Dean Ronalds | United States | [32] |
2017 | The Wedding Party | 119 min. | Thane Economou | United States | [33] |
2017 | One Shot-Fear Without Cut | 140 min. | Haroon Rashid | India | [34] |
2017 | One Cut of the Dead | 37 min. (longest shot) | Shin'ichirō Ueda | Japan | [35] |
2017 | Watch The Sunset | 83 min. | Tristan Barr & Michael Gosden | Australia | [36] |
2017 | Lost in London | 103 min. | Woody Harrelson | United Kingdom | [37] |
2018 | Heegondhu Dina | 106.11 min | Vikram Yoganand | India | [38] |
2018 | The Silent Pasture of Sparrows | 20 min. | Qmars Mootab | United States | [39] |
2018 | Utøya: July 22 | 90 min. | Erik Poppe | Norway | [40] |
2018 | Blind Spot | 98 min. | Tuva Novotny | Norway | [41] |
2018 | Jaalo | 101 min | Araaj Keshav Giri | Nepal | [42] |
2018 | Tatort: Die Musik stirbt zuletzt | 88 min. | Dani Levy | Switzerland | [43] [44] |
2018 | A Boy. A Girl. A Dream: Love on Election Night | 89 min. | Qasim Basir | United States | [45] |
2019 | El Amor No Puede Esperar (Love Can't Wait) | 76 min. | Juan Carlos Carrasco | Mexico | [46] |
2019 | Last Call | 77 min. | Gavin Michael Booth | Canada | [47] |
2019 | Shonibar Bikel | 83 min | Mostofa Sarwar Farooki | Bangladesh | [48] |
2020 | Limbo | 89 min. | Tim Dünschede | Germany | [49] |
2020 | City lights | 102 min. | Malte Wirtz | Germany | [50] [51] |
2020 | Let's Scare Julie | 83 min. | Jud Cremata | United States | [52] [53] |
2021 | Santhoshathinte Onnam Rahasyam | 85 min. | Don Palathara | India | [54] |
2021 | Rendez-Vous | 105 min. | Pablo Olmos Arrayales | Mexico | [55] |
2021 | Roaring 20's | 85 min. | Elisabeth Vogler | France | [56] |
2021 | Boiling Point | 94 min. | Philip Barantini | United Kingdom | [57] |
2021 | Causalidad | 115 min. | Who (Marcelo Politano) | Argentina | [58] |
2022 | Iravin Nizhal | 98 min | R. Parthiban | India | [59] |
2022 | Yuddha Kaandam | 90 min | Bose Venkat | India | [60] |
2023 | Tales from the Neighborhood Café | 41 min. | Al Hallak | United States | [61] |
2023 | The Night Inside | 23 min | Antonio Cuesta | Spain | [62] |
2023 | Failure! | 87 min. | Alex Kahuam | Mexico - United States | [63] |
2024 | MadS | 88 min. | David Moreau | France | [64] |
2024 | Assemblage | 92 min. | Sofiene Mamdi | France | [65] |
2024 | An Order From the Sky † | 72 min. | Karthi Radhakrishnan | India | [66] |
Year | Title | Length | Director | Nationality | Notes | Ref. |
---|---|---|---|---|---|---|
1964 | Empire | 485 min. | Andy Warhol | United States | [67] | |
2002 | Irréversible | 92 min. | Gaspar Noe | France | An experimental film combines with one-shot and reverse order. | [68] [69] |
2010 | The Silent House | 86 min. | Gustavo Hernández | Uruguay | [70] | |
2011 | Silent House | 87 min. | Chris Kentis, Laura Lau | United States | [71] | |
2014 | Birdman | 119 minutes | Alejandro González Iñárritu | United States | [2] | |
2019 | 1917 | 118 min. | Sam Mendes | United Kingdom | Actually edited to appear as two shots, with the camera cutting to black as the protagonist gets knocked out half-way. | [72] |
2020 | Beyond the Infinite Two Minutes | 70 min. | Junta Yamaguchi | Japan | [73] | |
2021 | One Shot | 97 min. | James Nunn | United Kingdom | [74] | |
2022 | Soft and Quiet | 92 min. | Beth de Araujo | United States | [75] | |
2022 | Medusa Deluxe | 100 min. | Thomas Hardiman | United Kingdom | [76] | |
2023 | Shttl | 114 min. | Ady Walter | Ukraine | [77] | |
2024 | One More Shot | 102 min. | James Nunn | United Kingdom | [78] |
Kim Jee-woon is a South Korean film director, screenwriter, and producer. He was a theater actor and director before debuting with his self-written and directed film, The Quiet Family in 1998. Kim has worked with increasing levels of success in cinema, showing accomplished acting and a detailed stylization in his films. He is currently one of the most recognized screenwriters/directors in the Korean film industry.
Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting.
Legendary Entertainment, LLC is an American mass media and film production company based in Burbank, California, founded by Thomas Tull. The company has often collaborated with the major studios, including Warner Bros. Pictures, Universal Pictures, Sony Pictures and Paramount Pictures, as well as streaming services such as Netflix and Hulu. Since 2016, Legendary became a subsidiary of the Chinese conglomerate Wanda Group, with American equity firm Apollo buying a minority stake in 2022. In 2024, Legendary bought out Wanda's stake, making the former and Apollo equal partners.
Joachim Rønning is a Norwegian film director, producer, and writer best known for the Academy Award and Golden Globe nominated Kon-Tiki and the Disney action-adventure films Pirates of the Caribbean: Dead Men Tell No Tales starring Johnny Depp and Maleficent: Mistress of Evil starring Angelina Jolie. Rønning's films have grossed more than 1.3 billion dollars at the box office. Rønning's most recent work is directing Disney's Young Woman and the Sea starring Daisy Ridley.
Sean Baker is an American filmmaker. He is best known for directing independent feature films about the lives of marginalized people, especially immigrants and sex workers. His films include Take Out (2004), Starlet (2012), Tangerine (2015), The Florida Project (2017), Red Rocket (2021), and Anora (2024), the last of which won him the Palme d'Or at the 2024 Cannes Film Festival and two Golden Globe nominations for Best Director and Best Screenplay. He is also known for co-creating the Fox/IFC puppet sitcom Greg the Bunny (2002–2006) and its spin-offs.
The Twilight Saga is a series of romance fantasy films based on the book series Twilight by Stephenie Meyer. The series has grossed over $3.36 billion worldwide. The first installment, Twilight, was released on November 21, 2008. The second installment, New Moon, followed on November 20, 2009. The third installment, Eclipse, was released on June 30, 2010. The fourth installment, Breaking Dawn – Part 1, was released on November 18, 2011, while the fifth and final installment, Breaking Dawn – Part 2, was released on November 16, 2012.
Timothy Woodward Jr. is an American film and TV director, actor and producer.
Vertigo Entertainment is an American film and television production company based in Los Angeles, founded in 2001 by Roy Lee and Doug Davison.
XYZ Films is an American independent film production and sales company founded in 2008 by Aram Tertzakian, Nate Bolotin and Nick Spicer, and is based in Los Angeles. It focuses on international genre films, including The Raid: Redemption, The Raid 2, and On the Job. According to an article from Variety, XYZ Films has licensed more than 200 films since 2009. It has produced a handful of Netflix original films, including Apostle (2018), The Night Comes For Us (2018), and I Don't Feel at Home in this World Anymore (2017), among others.
Jessica Ann Rothenberg, known professionally as Jessica Rothe, is an American actress. After appearing in independent films and on stage, her breakthrough came with playing Tree Gelbman in the comedy slasher film Happy Death Day (2017) and its 2019 sequel, which established her as a scream queen.
KRG Studios is an Indian film production and distribution company based in Bengaluru, India. It primarily deals with the production and distribution of Kannada-language and non-Kannada films across Karnataka.
Ray Gallardo is an American film director and cinematographer who directed the films At the Frontera (2018) and Callejero (2015) and was the cinematographer for the films Friend of the World (2020),The Fifth of November (2018) and Touch (2022).
Catherine Caylee Cowan is an American actress. She is best known for her roles in Sunrise in Heaven (2019), Willy's Wonderland (2021), Spinning Gold (2022), and Frank and Penelope (2022).