A two shot (or, for short, two) is a type of shot in which the frame encompasses two people (the subjects). [1] The subjects do not have to be next to each other, and there are many common two shots which have one subject in the foreground and the other subject in the background.
Classic two shots are shot with a medium lens, head to knees or closer (the term two shot is shorthand for "medium two shot"), and show the characters so that both of their faces can be clearly seen. Common variations include two people in profile, one person in profile and the other 3/4 or full towards camera, two people looking towards camera either side by side or with one behind the other, one person with their back to the other while the other looks at them, either profile, 3/4, or full face, or the mirror two shot.
An "American two shot" shows the two heads facing each other in profile to the camera.
In a "two shot west," two characters will begin a conversation face-to-face, then one character will turn 180° away from the other character while the other character keeps looking at them, and they will continue with the conversation. This enables both characters to appear together in a single shot directly facing the audience. It is rather unrealistic, and is primarily seen in American soap operas. [2]
In a "full two shot," the two characters are shown from head to toe. A "wide two shot" is a master shot showing two people using a wider lens, including an overview of their surroundings. A "close two shot" is a close-up with two people's heads in the frame, shot with a long lens. This framing is often used for shots of two people kissing or in moments of great dramatic tension.
In classic movies, long takes were often used in which several types of shots were used without cutting. For instance, if two people are talking facing the camera in a medium shot and the foreground character turns their back to the camera, the shot turns into an "over the shoulder" or "OTS" shot. If that character then walks towards the character in the background with both characters in profile, the shot turns into a full two shot. If the camera moves closer, the shot becomes a medium two shot again, and so on.
Similarly, a three shot has three people featured prominently in the composition of the frame.
In contrast, the term "one shot" has another meaning: it is used to describe a whole film, sequence or scene captured in one continuous take, usually footage without actual or noticeable cuts.
Shots that frame only one actor are called single shots (or short singles).
In photography, filmmaking and video production, a wide shot is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using wide-angle lenses. However, due to sheer distance, establishing shots and extremely wide shots can use almost any camera type.
In a movie a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance.
Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on colour hues. The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay, or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from any human skin colour. No part of the subject being filmed or photographed may duplicate the colour used as the backing, or the part may be erroneously identified as part of the backing.
A dolly zoom is an in-camera effect that appears to undermine normal visual perception.
In photography and cinematography, a wide-angle lens is a lens covering a large angle of view. Conversely, its focal length is substantially smaller than that of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it.
Cinematography is the art of motion picture photography.
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots. Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face.
In photography and cinematography, perspective distortion is a warping or transformation of an object and its surrounding area that differs significantly from what the object would look like with a normal focal length, due to the relative scale of nearby and distant features. Perspective distortion is determined by the relative distances at which the image is captured and viewed, and is due to the angle of view of the image being either wider or narrower than the angle of view at which the image is viewed, hence the apparent relative distances differing from what is expected. Related to this concept is axial magnification – the perceived depth of objects at a given magnification.
Gregg Wesley Toland, A.S.C. was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home. He is also known for his work as a director of photography for Wuthering Heights (1939), The Westerner (1940), Ball of Fire (1941), The Outlaw (1943), Song of the South (1946) and The Bishop's Wife (1947).
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process:
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called "chroma key", "blue screen", "green screen" and other names. Today, most, though not all, compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use.
Fill flash is a photographic technique used to brighten deep shadow areas, typically outdoors on sunny days, though the technique is useful any time the background is significantly brighter than the subject of the photograph, particularly in backlit subjects. To use fill flash, the aperture and shutter speed are adjusted to correctly expose the background, and the flash is fired to lighten the foreground.
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus.
This article contains a list of cinematic techniques that are divided into categories and briefly described.
A front projection effect is an in-camera visual effects process in film production for combining foreground performance with pre-filmed background footage. In contrast to rear projection, which projects footage onto a screen from behind the performers, front projection projects the pre-filmed material over the performers and onto a highly reflective background surface.
Screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing and film grammar is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.
Portrait photography, or portraiture, is a type of photography aimed toward capturing the personality of a person or group of people by using effective lighting, backdrops, and poses. A portrait photograph may be artistic or clinical. Frequently, portraits are commissioned for special occasions, such as weddings, school events, or commercial purposes. Portraits can serve many purposes, ranging from usage on a personal web site to display in the lobby of a business.
The over-the-shoulder shot is a camera angle used in film and television, where the camera is placed above the back of the shoulder and head of a subject. This shot is most commonly used to present conversational back and forth between two subjects. With the camera placed behind one character, the shot then frames the sequence from the perspective of that character. The over-the-shoulder shot is then utilised in a shot-reverse-shot sequence where both subject's OTS perspectives are edited consecutively to create a back and forth interplay, capturing dialogue and reactions. This inclusion of the back of the shoulder allows audiences to understand the spatial relationships between two subjects, while still being able to capture a closer shot of each subject’s facial expression. In film and television, the filmmaker or cinematographer’s choice of an OTS shot’s camera height, the use of focus and lenses affect the way audiences interpret subjects and their relationships to others and space.
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed. Photographers can manipulate the positioning and the quality of a light source to create visual effects, potentially changing aspects of the photograph such as clarity, tone and saturation to create an accurate rendition of the scene.
This glossary of motion picture terms is a list of definitions of terms and concepts related to motion pictures, filmmaking, cinematography, and the film industry in general.
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