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The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary.
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.
Joel Daniel Coen and Ethan Jesse Coen, together known as the Coen brothers, are an American filmmaking duo. Their films span many genres and styles, which they frequently subvert or parody. Among their most acclaimed works are Blood Simple (1984), Raising Arizona (1987), Miller's Crossing (1990), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), O Brother, Where Art Thou? (2000), No Country for Old Men (2007), A Serious Man (2009), True Grit (2010) and Inside Llewyn Davis (2013).
Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Science fiction films This is a list of science fiction films organized chronologically. These films have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics. This includes silent film–era releases, serial films, and feature-length films. All of the films include core elements of science fiction, but can cross into other genres such as drama, mystery, action, horror, fantasy, and comedy.
Breaking Away is a 1979 American coming of age comedy-drama film produced and directed by Peter Yates and written by Steve Tesich. It follows a group of four male teenagers in Bloomington, Indiana, who have recently graduated from high school. The film stars Dennis Christopher, Dennis Quaid, Daniel Stern, Jackie Earle Haley, Barbara Barrie, Paul Dooley, and Robyn Douglass.
Comedy drama is a hybrid genre of works that combine elements of comedy and drama. In film, as well as scripted television series, serious dramatic subjects are dealt with realism and subtlety, while preserving a humorous tenor.
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.
James Allen Mangold is an American film director, producer and screenwriter. Noted for his versatility in tackling a range of genres, Mangold made his debut as a film director with Heavy (1995), and is best known for the films Cop Land (1997), Girl, Interrupted (1999), Identity (2003), Walk the Line (2005), 3:10 to Yuma (2007), and two films in the X-Men franchise with The Wolverine (2013) and Logan (2017), the latter of which earned him a nomination for the Academy Award for Best Adapted Screenplay. He then directed the sports drama film Ford v Ferrari (2019), which earned him a nomination for the Academy Award for Best Picture, and directed and co-wrote Indiana Jones and the Dial of Destiny (2023), the fifth and final installment in the Indiana Jones series.
Andrew Ayers Stanton is an American filmmaker and voice actor based at Pixar, which he joined in 1990. His film work includes co-writing and co-directing Pixar's A Bug's Life (1998), directing Finding Nemo (2003) and its sequel Finding Dory (2016), WALL-E (2008), and the live-action film, Disney's John Carter (2012), and co-writing all five and directing the upcoming latter in Toy Story films (1995–2026) and Monsters, Inc. (2001).
Scott Alexander and Larry Karaszewski are an American screenwriting duo, recognized for their unique approach to biopics. They introduced the term "anti-biopic" to describe their distinctive style of storytelling, which focuses on individuals who might not traditionally be considered worthy of a biographical film. Instead of highlighting conventional "great men," their work often centers on lesser-known figures within American pop culture. Their notable films in this genre include Ed Wood, The People vs. Larry Flynt, Man on the Moon, Big Eyes, Dolemite Is My Name, and the series The People v. O. J. Simpson: American Crime Story.
The following outline is provided as an overview of and topical guide to film:
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
Psychological drama, or psychodrama, is a subgenre of drama and psychological fiction literatures that generally focuses upon the emotional, mental, and psychological development of the protagonists and other characters within the narrative, which is highlighted by the drama. It is widely known as one of the main subgenres of psychological fiction; the subgenre is commonly used for films and television series.
In films and television series, Psychological horror generally differ from traditional horrors, where the source of the fear is typically something material, such as grotesque or horrifying creatures, monsters, serial killers, or aliens, as well as the splatter and slasher film genres, which derives its frightening effects from gore and graphic violence, in that tension in psychological horror is more frequently built through atmosphere, eerie sounds and exploitation of the viewer's and the character's psychological fears.
References
- ↑ Crosson, Seán (2013). Sport and Film. Abingdon, Oxon: Routledge. p. 60. ISBN 9780415569934.
- ↑ Firestein, David J. (2007). "Fields of Dreams: American Sports Movies". E Journal USA. 12.
- ↑ "Sports". The Script Lab. 2011-03-26. Retrieved 2022-11-02.
- ↑ Williams, Eric R. Screen adaptation : beyond the basics : techniques for adapting books, comics, and real-life stories into screenplays. Ayres, Tyler. New York. ISBN 978-1-315-66941-0. OCLC 986993829.
- ↑ "Subgenre - Sports Drama". AllMovie. Retrieved 2022-11-02.
- ↑ Mangubat, Lio (January 14, 2020). "The Spin List: These are the sports movies that have won Best Picture at the Oscars". The Spin.
- ↑ Conti • •, Kristen (27 March 2022). "Oscar-Worthy Sports Films Throughout History". NBC4 Washington. Retrieved 2022-11-02.
