Trick film

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Georges Méliès' The Infernal Cauldron , 1903

In the early history of cinema, trick films were short silent films designed to feature innovative special effects. [1]

Contents

History

The trick film genre was developed by Georges Méliès in some of his first cinematic experiments, [2] and his works remain the most classic examples of the genre. [3] Other early experimenters included the French showmen Émile and Vincent Isola, the British magicians David Devant and John Nevil Maskelyne, and the American cinematographers Billy Bitzer, James Stuart Blackton and Edwin S. Porter. [4]

In the first years of film, especially between 1898 and 1908, the trick film was one of the world's most popular film genres. [1] Before 1906, it was likely the second most prevalent genre in film, surpassed only by nonfiction actuality films. [5] Techniques explored in these trick films included slow motion and fast motion created by varying the camera cranking speed; the editing device called the substitution splice; and various in-camera effects, such as multiple exposure. [4]

"Trick novelties," as the British often called trick films, received a wide vogue in the United Kingdom, with Robert W. Paul and Cecil Hepworth among their practitioners. John Howard Martin, of the Cricks and Martin filmmaking duo, produced popular trick films as late as 1913, when he began doing solo work. However, British interest in trick films was generally on the wane by 1912, with even an elaborate production like Méliès's The Conquest of the Pole received relatively coolly. [6]

Elements of the trick film style survived in the sight gags of silent comedy films, such as Buster Keaton's Sherlock Jr. [7] The spectacular nature of trick films also lived on in other genres, including musical films, science fiction films, horror films, and swashbuckler films. [4]

Style

Trick films should not be confused with short silent films that feature conventional stage magic acts ("films of tricks," in the words of the film historian Matthew Solomon). Instead, trick films create illusions using film techniques. [8]

Trick films generally convey a sprightly humor, created not so much by jokes or comedic situations as by the energetic whimsy inherent in making impossible events seem to occur. [2] As the philosopher Noël Carroll has pointed out, the comedy in Méliès's trick film style is "a matter of joy borne of marvelous transformations and physically impossible events," "a comedy of metaphysical release that celebrates the possibility of substituting the laws of physics with the laws of the imagination." [2]

Examples

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<i>The Magic Sword</i> (1901 film) 1901 British film

The Magic Sword; or, A Medieval Mystery is a 1901 British silent fantasy trick film, directed by Walter R. Booth, featuring a mediaeval knight battling to save a damsel from an ogre and a witch. The film, "is impressively elaborate, with single shots containing multiple trick effects achieved through complex double exposures and superimpositions," and according to Michael Brooke of BFI Screenonline, "was so startling that it moved the legendary stage illusionist J.N. Maskelyne to describe The Magic Sword as the finest trick film made up to then."

An Hallucinated Alchemist, also known as The Alchemist's Hallucination, was an 1897 French silent trick film directed by Georges Méliés. This film is lost. The videos online are not this film, but actually of The Mysterious Retort (1906).

<i>The Christmas Dream</i> 1900 French film

The Christmas Dream is a 1900 French silent Christmas-themed trick film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 298–305 in its catalogues, where it was advertised as a féerie cinématographique à grand spectacle en 20 tableaux.

<i>The Twentieth Century Tramp; or, Happy Hooligan and His Airship</i> 1902 film by Edwin Stanton Porter

The Twentieth Century Tramp; or, Happy Hooligan and His Airship is an American silent short film produced and directed by Edwin S. Porter and released in 1902. This film is an adaptation of the cartoon Happy Hooligan played by J. Stuart Blackton who introduced the first film character based on a comic strip in a series of Happy Hooligan films.

Une indigestion, sold in the United States as Up-to-Date Surgery and in Britain as Sure Cure for Indigestion, and also known as Chirurgie fin de siècle, is a 1902 French short silent film by Georges Méliès.

References

  1. 1 2 Solomon 2006 , p. 596
  2. 1 2 3 Carroll 1996 , p.  146
  3. Kirby, Lynne (1997), Parallel Tracks: The Railroad and Silent Cinema, Durham: Duke University Press, ISBN   0822318393
  4. 1 2 3 Parkinson, David (2012), 100 Ideas That Changed Film, London: Laurence King Publishing, p. 19
  5. Gunning, Tom (2005), "The Cinema of Attractions: Early Film, Its Spectator, and the Avant-Garde", in Knopf, Robert (ed.), Theater and Film: A Comparative Anthology, New Haven: Yale University Press, p. 39, ISBN   0300128703
  6. Low, Rachael (1997), History of British Film, vol. 2, London: Routledge, p. 180, ISBN   9780415156479
  7. Carroll 1996 , p.  156
  8. Solomon 2006 , pp. 602–3

Citations