A semidocumentary is a form of book, film, or television program presenting a fictional story that incorporates many factual details or actual events, or which is presented in a manner similar to a documentary.
Stylistically, it has certain similarities to Italian Neorealism, such as the use of location shooting and employing non-actors in secondary roles. However, the viewer is not intended to mistake a semidocumentary for a real documentary; the fictional elements are too prominent. [1]
One of the first films of this kind was Henry Hathaway's The House on 92nd Street (1945). [2]
In the late 1940s, semidocumentary films were often associated with film noir thrillers, sharing a commitment to on-location shooting, gritty realism, and understated performances.
In the 1960s and 1970s, the semidocumentary style declined in feature films. The standard documentary had blurred the difference between itself and fiction so much that there was viewer confusion regarding what they were seeing. [1]
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
Alexander Crichlow Barker Jr., known as Lex Barker, was an American actor. He was known for playing Tarzan for RKO Pictures between 1949 and 1953, and portraying leading characters from Karl May's novels, notably as Old Shatterhand in a film series by the West German studio Constantin Film. At the height of his fame, he was one of the most popular actors in German-speaking cinema, and received Bambi Award and Bravo Otto nominations for the honor.
Fourteen Hours is a 1951 American drama directed by Henry Hathaway, which tells the story of a New York City police officer trying to stop a despondent man from jumping to his death from the 15th floor of a hotel.
Visions of Light is a 1992 documentary film directed by Arnold Glassman, Todd McCarthy and Stuart Samuels. The film is also known as Visions of Light: The Art of Cinematography.
Henry Hathaway was an American film director and producer. He is best known as a director of Westerns, especially starring Randolph Scott and John Wayne. He directed Gary Cooper in seven films.
John Alton, born Johann Jacob Altmann, in Sopron, Kingdom of Hungary, was an American cinematographer of Hungarian-German origin. Alton photographed some of the most famous films noir of the classic period and won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so in the cinematography category.
Marie Windsor was an American actress known for her femme fatale characters in the classic film noir features Force of Evil, The Narrow Margin and The Killing. Windsor's height created problems for her in scenes with all but the tallest actors. She was the female lead in so many B movies that she became dubbed the "Queen" of the genre.
Coleen Gray was an American actress. She was best known for her roles in the films Nightmare Alley (1947), Red River (1948), and Stanley Kubrick's The Killing (1956).
Pulp noir is a subgenre influenced by various "noir" genres, as well as pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.
Steven Geray was a Hungarian-born American film actor who appeared in over 100 films and dozens of television programs. Geray appeared in numerous famed A-pictures, including Alfred Hitchcock's Spellbound (1945) and To Catch a Thief (1955), Joseph L. Mankiewicz's All About Eve (1950), and Howard Hawks' Gentlemen Prefer Blondes (1953). However, it was in film noir that be became a fixture, being cast in over a dozen pictures in the genre. Among them were The Mask of Dimitrios (1944), Gilda (1946), The Unfaithful (1947), In a Lonely Place (1950), and The House on Telegraph Hill (1951).
Phil Karlson was an American film director. Karlson directed 99 River Street, Kansas City Confidential and Hell's Island, all with actor John Payne, in the early 1950s.
Sally Forrest, was an American film, stage and TV actress of the 1940s and 1950s. She studied dance from a young age and shortly out of high school was signed to a contract by Metro-Goldwyn-Mayer.
A Personal Journey with Martin Scorsese Through American Movies is a 1995 British documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
The Phenix City Story is a 1955 American film noir crime film directed by Phil Karlson for Allied Artists, written by Daniel Mainwaring and Crane Wilbur and starring John McIntire, Richard Kiley, and Kathryn Grant. It had an unusual "triple premiere" held on July 19, 1955 in Phenix City, Alabama, Columbus, Georgia, and Chicago, Illinois.
Dorothy ("Dot") Spencer was an American film editor with 75 feature film credits from a career that spanned more than 50 years. Nominated for the Academy Award for Best Film Editing on four occasions, she is remembered for editing three of director John Ford's best known movies, including Stagecoach (1939) and My Darling Clementine (1946), which film critic Roger Ebert called "Ford's greatest Western".
This is a selection of films and television appearances by British-American comedian and actor Bob Hope (1903-2003). Hope, a former boxer, began his acting career in 1925 in various vaudeville acts and stage performances
Robert B. Williams was an American character actor from the 1940s through the 1970s. During his 37-year career, he appeared in over 150 feature films, as well as numerous film shorts, television films, and television shows. He did not break into the film business until he was in his 30s.
The Film Noir Classic Collection is a DVD collection film noir series released by Warner Home Video. Volume 1 was first released in 2004. Two volumes, 2 and 3, were published in 2006. Volume 5 of the series was published on July 13, 2010.
Viola Mallory Lawrence is considered by many to be the first female film editor in Hollywood. She was nominated twice for the Academy Award for Best Film Editing: for Pal Joey (1957), with Jerome Thoms; and for Pepe (1960), with Al Clark.
Part semi-documentary, part social problem film, part film noir, Phil Karlson's The Phenix City Story (1955) is a one-of-a-kind window into a sordid and fascinating period in American crime history.