The Naked City | |
---|---|
Directed by | Jules Dassin |
Screenplay by | Albert Maltz Malvin Wald |
Story by | Malvin Wald |
Produced by | Mark Hellinger |
Starring | Barry Fitzgerald Howard Duff Dorothy Hart Don Taylor |
Narrated by | Mark Hellinger |
Cinematography | William H. Daniels |
Edited by | Paul Weatherwax |
Music by | Miklós Rózsa Frank Skinner |
Production company | Mark Hellinger Productions |
Distributed by | Universal-International |
Release date |
|
Running time | 96 minutes |
Country | United States |
Language | English |
Box office | $2.4 million [1] |
The Naked City (a.k.a. Naked City) is a 1948 American crime procedural produced by Mark Hellinger, directed by Jules Dassin, written by Albert Maltz and Malvin Wald. Starring Barry Fitzgerald, with Howard Duff, Dorothy Hart and Don Taylor in support, the film depicts the police investigation that follows the murder of a young model. It was shot almost entirely on location in New York City.
Naked City received two Academy Awards, one for cinematography for William H. Daniels and another for film editing to Paul Weatherwax. [2] In 2007, the highly influential film [3] was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [4]
In the late hours of a hot New York summer night two men chloroform ex-model Jean Dexter, then drown her in her bathtub. When one of them gets conscience-stricken while drunk, the other kills him and throws his body into the East River.
Experienced detective Lt. Dan Muldoon and novice Det. Jimmy Halloran are assigned to the case. At the scene the medical examiner determines the “accidental” death had actually been murder. A pair of men’s pajamas yields only the name “Philip Henderson” from her housekeeper, who drops a bombshell that Dexter’s hoard of expensive jewelry is missing. A bottle of sleeping pills leads Halloran to the doctor who prescribed them, Lawrence Stoneman. Ruth Morrison, a model friend of Jean’s, is also located and questioned.
Back at the police station, Muldoon interrogates Frank Niles, Jean's ex-boyfriend, who lies about everything. He claims only a business relationship with Jean and denies knowing Ruth, although the pair are actually engaged. He lies himself into becoming the prime murder suspect, but has an airtight alibi. Later, Muldoon deduces from the bruises on Jean's neck that she was killed by at least two men.
The detectives learn that Niles has just sold an expensive cigarette case stolen from Stoneman, then purchased a one-way airline ticket to Mexico City. They also discover that one of Jean's rings was stolen from the home of a Mrs. Hylton. At the matron’s Park Avenue apartment the police learn that the ring actually belonged to her socialite daughter, who, to their surprise, turns out to be Ruth Morrison.
Finding that Ruth's engagement ring was stolen in a different robbery, Muldoon and Halloran take Ruth to Niles' apartment. There they interrupt someone attempting to chloroform him, who shoots his way down the fire escape and disappears onto a nearby elevated train. When questioned about the stolen jewelry, Niles claims he had gotten everything as gifts from Jean, raising eyebrows all round. Realizing she is engaged to both a pathological liar and a criminal, Ruth slaps him hysterically. Niles is then arrested for the jewel thefts, but remains mum about his attacker.
The body of small-time jewel thief Peter Backalis is fished out of the East River; he’d been murdered within hours of Jean, and Halloran believes the two killings are connected. Muldoon, although skeptical, lets Halloran pursue the lead and assigns two veteran detectives already on the case to help out. Through considerable legwork they learn that Backalis' last known accomplice had been Willie Garzah, a former wrestler who plays the harmonica. While Halloran and his team canvass the Lower East Side with an old publicity photograph of him, Muldoon demands Niles identify Jean's mystery boyfriend. He reveals that "Henderson" is the same Dr. Stoneman, a married society physician.
At Stoneman's office Muldoon uses Niles to trap the doctor into implicating himself, who confesses that he became obsessed with Jean only to learn that she and Niles were using him in order to rob his wealthy friends. Niles then admits to planning the thefts, but says Backalis and Garzah did the jobs; denied a larger cut, they killed Jean.
On his own, Halloran locates Garzah and unsuccessfully tries to take him into custody. Lulled, the green detective is rabbit punched unconscious by the thug, who then attempts to dissolve into the crowded city. As police descend upon the neighborhood and Halloran joins the search, Garzah panics and draws attention to himself by shooting a blind man's guide dog. He races onto the Williamsburg Bridge, but as police approach from both directions starts climbing one of the towers. Shot, wounded, and bloodied by the dog, he still refuses to surrender; gunfire is exchanged, he is hit, and plummets to his death.
The following morning a trashman sweeps a gutter of yesterday’s newspapers, and with them the Jean Dexter case. A concluding voiceover states, "There are eight million stories in the naked city. This has been one of them."
The visual style of The Naked City was inspired by New York photographer Weegee, who published a book of photographs of New York life titled Naked City (1945). [5] Weegee was hired as a visual consultant on the film, and is credited with helping to craft its imagery. [6] But film historian William Park has argued that, despite Weegee's work on the film and its title coming from Weegee's earlier work, the film owes its visual style more to Italian neorealism rather than Weegee's photographic work. [7]
The musical scoring process was contentious. Hellinger allowed Dassin to assign a former M-G-M colleague, the arranger George Bassman, to compose the music. Hellinger found this so unsatisfactory that, on the night before he died, he begged his own first choice, Miklós Rózsa, to step in. Rózsa concentrated on the climactic chase and epilogue, while Frank Skinner scored the early scenes. Rózsa later compiled a "Mark Hellinger Suite" of music from his three Hellinger pictures (including The Killers and Brute Force ). The Naked City epilogue, "Song of a Great City", was Rózsa's tribute to the producer. [8]
The movie features the uncredited film debuts of Kathleen Freeman, Bruce Gordon, James Gregory, Nehemiah Persoff, and John Randolph in small roles. Randolph, along with Paul Ford, who also had a small part, was appearing at the time on the New York stage in Command Decision . John Marley, Arthur O'Connell, David Opatoshu, and Celia Adler had small, uncredited roles.
Producer Mark Hellinger, who also narrated the film, was only 44 when he died of a heart attack on December 21, 1947, after reviewing the final cut of the film at his home. [9]
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The film was a considerable hit at the box office. [10]
New York Times film critic Bosley Crowther, while having problems both with the script and Dassin’s direction, liked the location shooting and wrote, "Thanks to the actuality filming of much of its action in New York, a definite parochial fascination is liberally assured all the way and the seams in a none-too-good whodunnit are rather cleverly concealed. And thanks to a final, cops-and-robbers 'chase' through East Side Manhattan and on the Williamsburg Bridge, a generally talkative mystery story is whipped up to a roaring 'Hitchcock' end." [11]
In July 2018, the film was selected to be screened in the Venice Classics section at the 75th Venice International Film Festival. [12]
Wins
Nominations
Film noir is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionism cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
Joseph Ira Dassin was an American–French singer-songwriter. In his career spanning sixteen years (1964–1980), he enjoyed numerous successes in France and the French-speaking world, as well as singing in languages other than French. He had a career in Soviet Union, Finland, Greece, and Germany. In total, he sold nearly 25 million records worldwide. He was the son of film director Jules Dassin.
Miklós Rózsa was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. Best known for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute concert music throughout what he called his "double life".
Naked City was an avant-garde music group led by saxophonist and composer John Zorn. Active primarily in New York City from 1988 to 1993, Naked City was initiated by Zorn as a "composition workshop" to test the limits of composition in a traditional rock band lineup. Their music incorporated elements of jazz, surf, progressive rock, classical, heavy metal, grindcore, country, punk rock, and other genres.
Julius "Jules" Dassin was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild.
The Killers is a 1946 American film noir starring Burt Lancaster, Ava Gardner, Edmond O'Brien, and Sam Levene. Based in part on the 1927 short story of the same name by Ernest Hemingway, it focuses on an insurance detective's investigation into the execution by two professional killers of a former boxer who was unresistant to his own murder. Directed by Robert Siodmak, it featured an uncredited John Huston and Richard Brooks co-writing the screenplay, which was credited to Anthony Veiller. As in many film noir, it is mostly told in flashback.
Rififi is a 1955 French crime film adaptation of Auguste Le Breton's novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony "le Stéphanois", Carl Möhner as Jo "le Suédois", Robert Manuel as Mario Farrati, and Jules Dassin as César "le Milanais". The foursome band together to commit an almost impossible theft, the burglary of an exclusive jewelry shop in the Rue de la Paix. The centerpiece of the film is an intricate half-hour heist scene depicting the crime in detail, shot in near silence, without dialogue or music. The fictional burglary has been mimicked by criminals in actual crimes around the world.
Brute Force is a 1947 American crime film noir directed by Jules Dassin, from a screenplay by Richard Brooks with cinematography by William H. Daniels. It stars Burt Lancaster, Hume Cronyn, Charles Bickford and Yvonne De Carlo.
Howard Green Duff was an American actor.
Albert Maltz was an American playwright, fiction writer and screenwriter. He was one of the Hollywood Ten who were jailed in 1950 for their 1947 refusal to testify before the US Congress about their involvement with the Communist Party USA. They and many other US entertainment industry figures were subsequently blacklisted, which denied Maltz employment in the industry for many years.
Mark John Hellinger was an American journalist, theatre columnist and film producer.
Naked City is an American police procedural television series from Screen Gems that aired on ABC from 1958 to 1963. It was inspired by the 1948 motion picture The Naked City and mimics its dramatic "semi-documentary" format. As in the film, each episode concluded with a narrator intoning the iconic line: "There are eight million stories in the naked city. This has been one of them."
The Sleeping City is a 1950 American film noir crime film in semidocumentary style that was set in and filmed at New York's Bellevue Hospital. Directed by George Sherman, it stars Richard Conte and Coleen Gray.
Naked City: Justice with a Bullet is a 1998 criminal drama television film about two detectives who have to protect two girls who have been robbed of all their money and luggage. Kim Poirier has a cameo appearance in the film.
The Bullfighters is a feature film starring comedy duo Laurel and Hardy, the sixth and final film the duo made under 20th Century Fox as well as the last released in the United States.
Donald Ritchie Taylor was an American actor and film director. He co-starred in 1940s and 1950s classics, including the 1948 film noir The Naked City, Battleground, Father of the Bride, Father's Little Dividend and Stalag 17. He later turned to directing films such as Escape from the Planet of the Apes (1971), Tom Sawyer (1973), Echoes of a Summer (1976), and Damien - Omen II (1978).
Illya Darling is a musical with a book by Jules Dassin, music by Manos Hadjidakis, and lyrics by Joe Darion, based on Dassin's 1960 film Never on Sunday.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Anne Sargent was a film and stage actress from West Pittston, Pennsylvania, who performed in theater under the direction of Alfred Lunt, in 1948–1950. She is perhaps best known for her role as Mrs. Halloran in the 1948 motion picture The Naked City.