He Who Must Die | |
---|---|
Directed by | Jules Dassin |
Written by | Ben Barzman Jules Dassin |
Produced by | Henri Bérard |
Starring | Jean Servais Carl Möhner Grégoire Aslan |
Cinematography | Gilbert Chain Jacques Natteau |
Edited by | Roger Dwyre Pierre Gillette |
Production companies | Indusfilms Prima Film Cinétel Filmsonor |
Distributed by | Cinédis |
Release date |
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Running time | 122 minutes |
Countries | France Italy |
Language | French |
He Who Must Die (French : Celui qui doit mourir) is a 1957 French-Italian film directed by Jules Dassin. It is based on the novel Christ Recrucified (also published as The Greek Passion) by Nikos Kazantzakis. It was entered into the 1957 Cannes Film Festival. [1]
In a Turkish-occupied Greek village shortly after World War I, villagers put on a Passion Play, with ordinary people taking the roles of Jesus, Peter, Judas, etc. Staging the play leads to them rebelling against their Turkish rulers in a way that mirrors Jesus's story. [2]
The film received a generally positive response. It was favorably reviewed in Time and The New Yorker , and received awards in communist eastern Europe (Dassin was well known for his left-wing views), and even some liberal Catholics praised it. [2] Bosley Crowther for The New York Times described it as "brutally realistic", praising the "daring sort of candor and relentless driving" in the way it works out the logic of the plot, and he also praised all of the cast. [3]
Maria Amalia "Melina" Mercouri was a Greek actress, singer, activist, and politician. She came from a political family that was prominent over multiple generations. She received an Academy Award nomination and won a Cannes Film Festival Best Actress Award for her performance in the film Never on Sunday (1960). Mercouri was also nominated for one Tony Award, three Golden Globes and two BAFTA Awards in her acting career. In 1987 she was awarded a special prize in the first edition of the Europe Theatre Prize.
Jesus of Montreal is a 1989 Canadian comedy drama film written and directed by Denys Arcand, and starring Lothaire Bluteau, Catherine Wilkening and Johanne-Marie Tremblay. The film tells the story of a group of actors in Montreal who perform a passion play in a Quebec church, combining religious belief with unconventional theories on a historical Jesus. As the church turns against the main actor and author of the play, his life increasingly mirrors the story of Jesus, and the film adapts numerous stories from the New Testament.
Forbidden Games is a 1952 French war drama film directed by René Clément and based on François Boyer's novel Les Jeux Interdits.
Contempt is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, and Giorgia Moll.
The Red Balloon is a 1956 French fantasy comedy-drama featurette written, produced, and directed by Albert Lamorisse. The thirty-four-minute short, which follows the adventures of a young boy who one day finds a sentient, mute, red balloon, was filmed in the Ménilmontant neighborhood of Paris.
"The Bachelor Party" is a 1953 television play by Paddy Chayefsky which was adapted by Chayefsky for a 1957 film. The play premiered to critical acclaim.
Rififi is a 1955 French crime film adaptation of Auguste Le Breton's novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony "le Stéphanois", Carl Möhner as Jo "le Suédois", Robert Manuel as Mario Farrati, and Jules Dassin as César "le Milanais". The foursome band together to commit an almost impossible theft, the burglary of an exclusive jewelry shop in the Rue de la Paix. The centerpiece of the film is an intricate half-hour heist scene depicting the crime in detail, shot in near silence, without dialogue or music. The fictional burglary has been mimicked by criminals in actual crimes around the world.
Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his reviews were criticized as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
Little Boy Lost is a 1953 American drama film directed by George Seaton and starring Bing Crosby, Claude Dauphin, and Christian Fourcade. Based on the novel Little Boy Lost by Marghanita Laski, the film is about a war correspondent stationed in Paris during World War II and once married to a young Frenchwoman who was murdered by the Nazis. Following the war, he returns to France trying to find his son, whom he lost during a bombing raid but has been told is living in an orphanage in Paris.
Jean Servais was a Belgian film and stage actor. He acted in many 20th century French cinema productions, from the 1930s through the early 1970s.
The Trial of Joan of Arc is a 1962 French historical drama film written and directed by Robert Bresson. Florence Delay stars as Joan of Arc, a French military leader, who is undergoing a trial on the charge of heresy in 1431, during the Hundred Years' War.
The Hole is a 1960 French crime film directed by Jacques Becker. It is an adaptation of José Giovanni's 1957 book The Break. It was called The Night Watch when first released in the United States, but is released under its French title today. The film is based on a true event concerning five prison inmates in La Santé Prison in France in 1947. Becker, who died just weeks after shooting had wrapped, cast mostly non-actors for the main roles, including one man who was actually involved in the 1947 escape attempt, and who introduces the film. It was entered into the 1960 Cannes Film Festival.
The Fiancés is a 1963 Italian drama film written and directed by Ermanno Olmi. It tells the story of a young Milanese worker who moves to Sicily for a job, leaving behind his long-time fiancée. The film was shown in competition at the 1963 Cannes Film Festival.
Rhapsody in Blue, subtitled The story of George Gershwin is a 1945 American biographical film about composer and musician George Gershwin, released by Warner Brothers. Robert Alda stars as Gershwin. Joan Leslie, Alexis Smith, Hazel Scott, and Anne Brown also star, while Irving Rapper directs. The film was released in the United States on September 22, 1945.
Yoyo, also referred to as Yo Yo, is a 1965 French comedy film directed by and starring Pierre Étaix. The story follows the son of a millionaire from the 1920s to the 1960s. After losing his fortune in the stock-exchange crash, he teams up with an equestrienne and becomes a circus clown. The film was entered into the 1965 Cannes Film Festival.
The End of the Affair is a 1955 British-American drama romance film directed by Edward Dmytryk, based on Graham Greene's 1951 novel of the same name. The film stars Deborah Kerr, Van Johnson, John Mills and Peter Cushing. It was filmed largely on location in London, particularly in and around Chester Terrace. The film was entered into the 1955 Cannes Film Festival.
Cry, the Beloved Country is a 1951 British drama film directed by Zoltán Korda and starring Sidney Poitier, Charles Carson and Canada Lee, in his last film role. The film is based on the novel of the same name written by Alan Paton.
A Dream of Passion is a 1978 Greek drama film directed by Jules Dassin. The story follows Melina Mercouri as Maya, an actress playing Medea, who seeks out Brenda Collins, portrayed by Ellen Burstyn, a woman who is in jail for murdering her own children to punish her husband for his infidelity.
The 10th Cannes Film Festival was held from 2 to 17 May 1957.
The Ape Woman is a 1964 Italian-French satirical drama film directed by Marco Ferreri. The film was inspired by the real-life story of Julia Pastrana, a 19th-century woman who was exploited as a freak show attraction.