This article possibly contains original research .(March 2016) |
Body horror , biological horror, organic horror or visceral horror is horror fiction in which the horror is principally derived from the unnatural graphic transformation, degeneration or destruction of the physical body. [1] Such works may deal with decay, disease, deformity, parasitism, mutation or mutilation. Other types of body horror include unnatural movements or the anatomically incorrect placement of limbs to create "monsters" from human body parts. David Cronenberg, Frank Henenlotter, Brian Yuzna, Stuart Gordon, Lloyd Kaufman, and Clive Barker are notable directors of this genre. The term body horror was coined with the "Body Horror" theme issue of the University of Glasgow film journal Screen (vol. 27, no. 1, January–February 1986), which contains several essays on the subject.
In his introduction to The Mammoth Book of Body Horror, the film director Stuart Gordon says that "Body Horror has been with us since long before there were movies". According to the summary of this anthology, the important writers of Body Horror are :
But others names could be quoted, according to Xavier Aldana Reyes in his book Body Gothic :
Novel | Year | Description |
---|---|---|
The Visible Man (2000 AD) | 1978–2012 | wherein a man suffers a nuclear waste accident, making his internal organs visible. |
Akira | 1982–90 | cyperpunk manga series by Katsuhiro Otomo, who also provided the script for the anime film of the same name, based on the manga |
Parasyte | 1988–95 | wherein human bodies are taken over by parasitic extraterrestrial organisms. |
The Invisibles | 1994–2000 | wherein the human converts of an invading interdimensional force are selected for "modification". |
Ed the Happy Clown | 1983–2006 | wherein the titular character endures having the tip of his penis replaced with the head of Ronald Reagan. |
Ruins | 1995 | wherein the Marvel universe goes horribly wrong, most notably Bruce Banner turning into a pile of tumors (and yet he's still alive). |
Black Hole | 1995–2005 | wherein a sexually transmitted disease gives teenagers in a small town grotesque mutations. |
Uzumaki | 1998–99 | wherein humans distort into spirals. |
Saya no Uta | 2003–13 | wherein the main character Fuminori has agnosia as known as "meat-vision". |
Extremis | 2005 | wherein a virus makes the body re-interpret itself as an open wound, thus forming a scab cocoon around the body. |
Animal Man | 2011–14 | The New 52 ongoing; Animal Man features many body horror elements including grotesque mutations, disease and decomposition of animals, plants and humans alike. |
Dorohedoro | 2000–18 | People are alive due to magic after decapitation, fungi grow from people's bodies, etc. |
Hino Horror | 1983–2004 | Later adapted into the Guinea Pig film series; features transformations and mutilation. |
Made in Abyss | 2012–present | A massive pit causes numerous ailments for returning explorers, depending on depth. Past a certain point, grotesque transformations/mutations or agonizing death are all but certain. |
Druuna | 1985–present | An infectious disease called "the Evil" lets peoples' bodies mutate into various forms which are not necessarily recognisable as humanoid. |
In recent years, the subjects of human experimentation, medical research, and infection have played large roles in video games whose plots are heavily influenced by themes common in body horror.
Video Game | Year | Description |
---|---|---|
Amnesia: The Dark Descent & Amnesia: A Machine for Pigs | 2010 & 2013 | The gatherer enemies are deformed human-like monsters; their eyelids are cut off and their bottom jaw is mutilated and stretched down and attached to their chests leaving their mouths permanently open. |
BioShock series | 2007–2014 | Both BioShock and BioShock 2 consist of enemies called Splicers, who were once normal humans that were heavily mutated and driven insane from a drug called ADAM, which they used to re-write their genetic codes to develop "psychic" powers such as telekinesis and pyrokinesis. The game also contains the iconic Big Daddy, which is a man whose skin has been removed, and whose organs have been grafted to the inside of a modified deep-sea diving suit. BioShock Infinite uses a similar premise, although in this case series of compounds called Vigors grant the player extraordinary abilities; however, unlike ADAM they are consumed orally rather than injected. In this game, the Big Daddy has been replaced by the Handyman, a human whose spinal cord, head, and heart have been connected to a steampunk robotic frame with minor effects like psychological trauma. |
Bloodborne | 2015 | |
Corpse Party series | 1996–2021 | |
Dead Space series | 2008–present | The primary enemies of the series are called Necromorphs, which are mutated humans with protruding appendages, open wounds, and rotting flesh. |
Fallout series | 1997–present | The fallout games take place in a post-apocalyptic wasteland, and as such, many of the enemies and species have physical deformities from the radiation. |
Half-Life series | 1998–2007 | Parasitic monsters known as Headcrabs attach themselves to heads of people and cause them to develop mutations such as elongated claws and gaping jaws in their chests. |
Inside | 2016 | An indie puzzle platformer developed by Playdead. Inside tells the story about a young boy as he struggles against evil forces trying to take over the world. The boy infiltrates a massive facility where scientists perform mind-control and underwater experiments on human bodies. |
Lisa: The Painful | 2014 | |
The Last of Us Part II | 2020 | An action adventure/survival horror game set in a post apocalyptic world ravaged by a mutated fungus, transforming humans into hostile creatures with horrific body disfigurements. One such specimen consists of several infected humans fused together by the fungus called the Rat King. |
Outlast | 2013 | A first-person survival horror game in which an investigative journalist explores an asylum housing inmates displaying various degrees of bodily mutilation and/or mutation. |
Parasite Eve series | 1998–2010 | The Squaresoft (now known as Square Enix) video game based on the 1996 Japanese SF horror novel of the same title, was released in 1998. The premise of both the novel and "cinematic RPG" being that the mitochondria, organelles from early aerobic bacteria that formed a symbiotic partnership with cells of most present-day multicellular eukaryotes, e.g. humans, are able to retain their separate identity as independent organisms in the form of cellular parasites. A dispersed intelligence, known as Eve, was able to take over the consciousness of certain individuals to make them reproduce and form an ultimate organism that will bring the downfall of humanity and other creatures alike. She can also turn organisms into monstrous beings. |
Resident Evil series | 1996–present | A pharmaceutical company uses a mutagenic T-Virus in order to produce monsters to sell as weapons. The most basic were zombie versions of whatever organism was infected or giant versions of insects. There are also human/insect and human/reptilian hybrids, malformed super-soldiers called "Tyrants", and various other mutants. Later games introduce, for example, more viruses, parasites like Las Plagas (an ancient parasite which take over nervous systems), and a superfungus called a Mold. |
Scorn | 2022 | A first-person biopunk survival horror adventure game developed by Ebb Software. |
Soma | 2015 | A SF survival horror game developed by Frictional Games. |
Struggling | 2020 | In this game, the player controls Troy, a fleshy creature that resembles two cojoined heads with a pair of long arms, which are used to drag through levels. During the game the player faces other similarly bizarre creatures known as "abomination gods" which serve as the main bosses of the game. The game as a whole has a body horror theme but it goes with a more comical approach and has an atypical cartoon art style. |
The Thing | 2002 | A sequel to the 1982 film The Thing , player follows Captain Blake, a member of a U.S. Special Forces team sent to the Antarctic outpost featured in the film to determine what has happened to the research crew. The enemies encountered come in three main forms. "Scuttlers" are small Things formed from the limbs and appendages of infected personnel. "Walkers" are larger and much stronger than Scuttlers, and finally the Bosses are larger and much more powerful than Walkers. |
Zoochosis | 2024 | An upcoming first-person survival horror indie game in which the player assumes the role of a zookeeper tasked with creating vaccines and curing mutated animals. |
Traditional Game | Year | Description |
---|---|---|
Magic: The Gathering | 1993–present | The basis of Phyrexia, an antagonist faction composed of assimilatory biomechanical undead. The Scars of Mirrodin block in particular focuses on this theme, in which assimilation and infection are emphasised upon, and Phyrexia has branched into all colours of mana, introducing new forms of mutilation. In the Shadows Over Innistrad block, the gothic horror inspired setting of Innistrad undergoes a transformation; at first marked by subtle mutations in both the human and the already-monstrous living residents, it gruesomely distorts many of the plane's inhabitants in the image of the invading cosmic being, Emrakul. |
Warhammer | 1983–present | Mutation and bodily modification are emphasised upon in the Chaos factions. |
Kingdom Death: Monster | 2012–present | Monsters contain extensive incorporation of human body parts. |
Clive Barker is an English writer, filmmaker and visual artist. He came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works. His fiction has been adapted into films, notably the Hellraiser series, the first installment of which he also wrote and directed, and the Candyman series.
Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.
Hellraiser is a 1987 British supernatural horror film written and directed by Clive Barker in his directorial debut. Based on Barker's 1986 novella The Hellbound Heart, the film's plot concerns a mystical puzzle box that summons the Cenobites, a group of extra-dimensional, sadomasochistic beings who cannot differentiate between pain and pleasure. It stars Andrew Robinson, Clare Higgins, Ashley Laurence, and Doug Bradley as the leader of the Cenobites, identified in the sequels as "Pinhead".
Bride of Frankenstein is a 1935 American science fiction horror film, and the first sequel to Universal Pictures' 1931 film Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale starring Boris Karloff as the Monster and Colin Clive as Dr. Frankenstein. The sequel features Elsa Lanchester in the dual role of Mary Shelley and the bride. Colin Clive reprises his role as Henry Frankenstein, and Ernest Thesiger plays the role of Doctor Septimus Pretorius. Oliver Peters Heggie plays the role of the old blind hermit.
The Fly is a 1986 American science fiction horror film directed and co-written by David Cronenberg. Produced by Brooksfilms and distributed by 20th Century Fox, the film stars Jeff Goldblum, Geena Davis, and John Getz. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. The score was composed by Howard Shore and the make-up effects were created by Chris Walas, along with makeup artist Stephan Dupuis.
Splatterpunk is a movement within horror fiction originating in the 1980s, distinguished by its graphic, often gory, depiction of violence, countercultural alignment and "hyperintensive horror with no limits." The term was coined in 1986 by David J. Schow at the Twelfth World Fantasy Convention in Providence, Rhode Island. Splatterpunk is regarded as a revolt against the "traditional, meekly suggestive horror story". Splatterpunk has been defined as a "literary genre characterised by graphically described scenes of an extremely gory nature."
Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.
Nightbreed is a 1990 American dark fantasy horror film written and directed by Clive Barker, based on his 1988 novella Cabal. It stars Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, and Doug Bradley. The film follows an unstable mental patient named Aaron Boone who is falsely led to believe by his doctor that he is a serial killer. Tracked down by the police, his doctor, and his girlfriend Lori, Boone eventually finds refuge in an abandoned cemetery called Midian among a tribe of monsters and outcasts known as the "Nightbreed" who hide from humanity.
Lawrence George Cohen was an American filmmaker. He originally emerged as the writer of blaxploitation films such as Black Caesar and Hell Up in Harlem, before becoming known as an author of horror and science fiction films — often containing police procedural and satirical elements — during the 1970s and 1980s. His directorial works include It's Alive (1974) and its sequels, God Told Me To (1976), The Stuff (1985) and A Return to Salem's Lot (1987).
Erotic horror, alternately called horror erotica or dark erotica, is a genre of fiction in which sensual or sexual imagery are blended with horrific overtones or story elements for the purpose of sexual titillation. Horror fiction of this type is most common in literature and film. Erotic horror films are a cornerstone of Spanish and French horror.
Lesbian vampirism is a trope in early gothic horror and 20th century exploitation film. The archetype of a lesbian vampire used the fantasy genre to circumvent the heavy censorship of lesbian characters in the realm of social realism.
Hellraiser is a British-American horror media franchise that consists of eleven films, as well as various comic books, and additional merchandise and media. Based on the novella The Hellbound Heart by English author Clive Barker, the franchise centers around the Cenobites which includes the primary antagonist named Pinhead.
LGBTQ themes in horror fiction refers to sexuality in horror fiction that can often focus on LGBTQ+ characters and themes within various forms of media. It may deal with characters who are coded as or who are openly LGBTQ+, or it may deal with themes or plots that are specific to gender and sexual minorities.
Splice is a 2009 science fiction horror film directed by Vincenzo Natali and starring Adrien Brody, Sarah Polley, and Delphine Chanéac. The story concerns experiments in genetic engineering being done by a young scientific couple, who attempt to introduce human DNA into their work of splicing animal genes resulting in the creation of a human–animal hybrid. Guillermo del Toro, Don Murphy, and Joel Silver are credited as executive producers of this film. Theatrically released on June 4, 2010, the film received generally positive reviews from critics but was commercially unsuccessful, and grossed just $27.1 million against a $30 million production budget.
Body horror, or biological horror, is a subgenre of horror fiction that intentionally showcases grotesque or psychologically disturbing violations of the human body or of another creature. These violations may manifest through aberrant sex, mutations, mutilation, zombification, gratuitous violence, disease, or unnatural movements of the body. Body horror was a description originally applied to an emerging subgenre of North American horror films, but has roots in early Gothic literature and has expanded to include other media.
Art horror or arthouse horror is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror.
Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film includes George A. Romero's Night of the Living Dead, Tobe Hooper's The Texas Chainsaw Massacre and John Carpenter's slasher film Halloween.