Rabid | |
---|---|
Directed by | David Cronenberg |
Written by | David Cronenberg |
Produced by | John Dunning |
Starring | |
Cinematography | René Verzier |
Edited by | Jean LaFleur |
Production companies | |
Distributed by | |
Release date |
|
Running time | 91 minutes |
Countries | Canada United States [3] |
Language | English |
Budget | CAD$500,000 |
Box office | $1 million (Canada)[ clarification needed ] [4] or $2.2 million [5] |
Rabid is a 1977 independent body horror film written and directed by David Cronenberg. An international co-production of Canada and the United States, the film stars Marilyn Chambers in the lead role, supported by Frank Moore, Joe Silver, and Howard Ryshpan. Chambers plays a woman who, after being injured in a motorcycle accident and undergoing a surgical operation, develops an orifice under one of her armpits that hides a phallic/clitoral stinger she uses to feed on people's blood. Those she bites become infected, and then feed upon others, spreading the disease exponentially. The result is massive chaos, starting in the Quebec countryside, and ending up in Montreal. Rabid made $1 million[ clarification needed ] in Canada, making it one of the highest-grossing Canadian films of all time. [4] A remake of the same name, directed by Jen and Sylvia Soska, was released in 2019.
Rose Miller and her boyfriend, Hart Reed, are involved in a motorcycle accident in the Quebec countryside after encountering a van in the middle of the road. Hart suffers a broken hand, a separated shoulder and a concussion, while Rose is severely injured and burned. They are taken to the Keloid Clinic for Plastic Surgery, where Dr. Dan Keloid performs an experimental procedure on Rose, using morphogenetically neutral grafts to replace her damaged skin and organs. Hart is released after a month, but Rose remains in a coma.
Rose suddenly awakens one night screaming and pierces fellow patient Lloyd Walsh's skin. The doctors are puzzled as Lloyd has no memory of the incident and his blood fails to clot. Unknown to them, Rose's procedure has caused her to mutate, allowing her to survive only on human blood. A red stinger-like organ emerges under her armpit, which she uses to feed on her victims. One night, Rose leaves the clinic and attempts to feed on a cow but becomes sick. A farmer attacks her, but she retaliates by feeding on him and then calls Hart to pick her up. The next day, the farmer transforms into a zombie-like creature and attacks a waitress at a roadside diner. Meanwhile, Lloyd leaves the clinic but, during a taxi ride, begins foaming at the mouth and attacks the driver, resulting in a fatal crash.
At the clinic, Dr. Keloid becomes infected by Rose's stinger, causing chaos as he attacks a nurse during an operation. Rose escapes and hitchhikes to Montreal, where she infects a truck driver. Hart, along with Dr. Keloid's business partner Murray Cypher, teams up with police chief Claude LePointe and public health officials to discuss the escalating epidemic. Hart witnesses an infected police officer before the officer is shot. He calls Rose's friend, Mindy, and asks her to keep Rose at her apartment if she shows up. Rose arrives in Montreal and stays with Mindy. While Mindy watches a news broadcast about a rabies-like epidemic spreading in the city, Rose goes to an adult movie theater and infects a patron. Later, Mindy encounters an infected woman attacking passengers on the subway. Meanwhile, LePointe and his team are attacked by infected workmen. With the outbreak worsening and rabies treatments failing, Dr. Royce Gentry advises a shoot-to-kill policy to prevent further infections. Martial law is declared and the Canadian Army sets up roadblocks, while NBC-suited soldiers help dispose of bodies.
Murray and Hart arrive at Murray's home, where Murray finds his baby dead and is attacked by his infected wife. Hart drives into the abandoned city to search for Rose. An infected person jumps onto his car but is shot by soldiers, who disinfect Hart's vehicle before allowing him to continue. Mindy watches a news report indicating the infection may have originated at the Keloid Clinic. Rose returns to Mindy's apartment and feeds on her. Hart finds Rose in the act and pleads with her to seek treatment, but she denies responsibility for the epidemic. Rose infects a man in the apartment lobby and locks herself in a room with him, planning to test whether he becomes infected. As Hart desperately tries to convince her to leave, the man turns rabid and attacks Rose. The next morning, Rose's body is found in an alley by NBC-suited soldiers, who dispose of her corpse in a garbage truck.
Cinépix requested another film from David Cronenberg following the success of Shivers . [6] Criticism from Robert Fulford about the Canadian Film Development Corporation's funding of Shivers made it more difficult for Cronenberg to gain funding for his films. [7] The CFDC funded the film through cross-collateralization with Convoy, which was never completed, to avoid a direct connection. [8] [9]
Initially titled Mosquitoes Cronenberg had difficulty writing the script due to the broader nature of the film's city setting compared to Shivers which took place in one apartment complex. At one point he told John Dunning that "John, I just woke up this morning and realized this is nuts. Do you know what this movie's about? This woman grows a cock thing in her armpit and sucks people's blood through it. It's ridiculous! I can't do this. It's not going to work". [6]
The film was shot from 1 November to 5 December 1976, on a budget of $530,000 (equivalent to $2,677,267in 2023), with $200,000 coming from the CFDC. [10] According to Cronenberg, at the time, the only CFDC films that had turned a profit were the two that he had made for the corporation, Shivers and Crimes of the Future . [11] Cronenberg's editing decisions to tighten and reduce the film's runtime produced criticism such as his removal of a scene, which he regretted cutting, explaining the development of the armpit orifice. [12]
Cronenberg wanted Sissy Spacek to play the lead character after seeing her performance in Badlands . However, Dunning rejected her citing her freckles and her Texan accent. Marilyn Chambers was suggested by Ivan Reitman. Reitman heard that Chambers was looking for a mainstream role and had existing name recognition. [13] Cronenberg agreed to cast her, even though he had not seen her best-known movie, Behind the Green Door . Cronenberg would later say that he had been impressed by Chambers and her work ethic during the filming of Rabid. [14] Spacek would star in the hit film Carrie ; Cronenberg included a poster for that movie in the background of a scene in Rabid. [11]
The film was distributed by Cinépix in Canada and released on 8 April 1977, in Montreal. [15] It was released theatrically in the United States by New World Pictures in 1977. [1] Rabid and Shivers were re-released as a double feature in Paris in December 1994. [16]
Rabid grossed $100,000 in the first ten days after opening in Montreal. [17] The film was one of the highest-grossing Canadian films of all time, making $1 million[ clarification needed ] in Canada. [4]
Variety called Rabid "an extremely violent, sometimes nauseating, picture". [18] Les Wedman of the Vancouver Sun described the movie's story as "dreadful" and criticized the film for "relying heavily on shocking special effects" as opposed to suspense. He opined that, with the exception of Joe Silver, "there isn't a decent performance in the movie." [19] Martin Malina, who reviewed the film alongside similar films Demon Seed and Audrey Rose in the same column of the Montreal Star , said that it "has some genuinely frightening moments but they are few, and the story progresses in fits and starts. The dialogue is witless, the exposition awkward, and the film spends far too much time travelling in cars between one gory scene and another.". [20] Clyde Gilmour of The Toronto Star noted of the film's box office success, but stated that he was "not sure what this proves, except possibly that Canadians, when they really try, can make nauseating movies as efficiently as Americans." [21]
Conversely, Time Out called the film "far better staged" than Shivers, and concluded, "None of the other recent apocalypse movies has shown so much political or cinematic sophistication." [22]
Rotten Tomatoes, a review aggregator, reports that 78% of 27 surveyed critics gave the film a positive review; the average rating is 6.3/10. [23]
Warner Home Video released Rabid on VHS in 1983. In 2000, it was released on DVD by New Concorde Home Entertainment. [24] E1 Entertainment put out a Special Edition DVD in 2004. [25] The film was rereleased on DVD and Blu-ray for Region B by Arrow Video on February 16, 2015. [26] Scream Factory released the movie on Blu-ray on November 22, 2016.
A remake of the film, directed by Jen and Sylvia Soska and starring Laura Vandervoort as Rose, was released on December 13, 2019. [27]
A novelization by Richard Lewis was published in 1978. [28] Faber and Faber released the screenplay in 2002 in a collection of the scripts for Cronenberg's first four feature films. [29]
David Paul Cronenberg is a Canadian film director, screenwriter, producer and actor. He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Naked Lunch is a 1991 surrealist science fiction drama film written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs's 1959 novel Naked Lunch, and an international co-production of Canada, Britain, and Japan.
Scanners is a 1981 Canadian science fiction horror film written and directed by David Cronenberg and starring Stephen Lack, Jennifer O'Neill, Michael Ironside, and Patrick McGoohan. In the film, "scanners" are psychics with unusual telepathic and telekinetic powers. ConSec, a purveyor of weaponry and security systems, searches out scanners to use them for its own purposes. The film's plot concerns the attempt by Darryl Revok (Ironside), a renegade scanner, to wage a war against ConSec. Another scanner, Cameron Vale (Lack), is dispatched by ConSec to stop Revok.
The Brood is a 1979 Canadian psychological body horror film written and directed by David Cronenberg and starring Oliver Reed, Samantha Eggar, and Art Hindle. Its plot follows a man and his mentally ill ex-wife, who has been sequestered by a psychiatrist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
The Dead Zone is a 1983 American science-fiction thriller film directed by David Cronenberg. The screenplay, by Jeffrey Boam, is based on the 1979 novel of the same title by Stephen King. The film stars Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Martin Sheen, Anthony Zerbe, and Colleen Dewhurst. Walken plays a schoolteacher, Johnny Smith, who awakens from a coma to find he has psychic powers. The film received positive reviews. The novel also inspired a television series of the same name in the early 2000s, starring Anthony Michael Hall, the pilot episode of which borrowed some ideas and changes used in the 1983 film.
M. Butterfly is a 1993 American romantic drama film directed by David Cronenberg and written by David Henry Hwang based on his 1988 play. The film stars Jeremy Irons and John Lone, with Ian Richardson, Barbara Sukowa, and Annabel Leventon. The story is loosely based on true events which involved French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu.
Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grasp on reality.
The Fly is a 1986 American science fiction horror film directed and co-written by David Cronenberg. Produced by Brooksfilms and distributed by 20th Century Fox, the film stars Jeff Goldblum, Geena Davis, and John Getz. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. The score was composed by Howard Shore and the make-up effects were created by Chris Walas, along with makeup artist Stephan Dupuis.
Dead Ringers is a 1988 psychological thriller film starring Jeremy Irons in a dual role as identical twin gynecologists. David Cronenberg directed and co-wrote the screenplay with Norman Snider. Their script was based on the lives of Stewart and Cyril Marcus and on the novel Twins by Bari Wood and Jack Geasland, a "highly fictionalized" version of the Marcuses' story.
Shivers, also known as The Parasite Murders and They Came from Within, and, for Canadian distribution in French, Frissons, is a 1975 Canadian science fiction body horror film written and directed by David Cronenberg and starring Paul Hampton, Lynn Lowry, and Barbara Steele.
From the Drain is a 1967 Canadian short film directed by David Cronenberg.
Crash is a 1996 Canadian erotic thriller film written, produced and directed by David Cronenberg, based on J. G. Ballard's 1973 novel of the same name. Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
Crimes of the Future is a 1970 Canadian science fiction film written, shot, edited and directed by David Cronenberg. Like Cronenberg's previous feature, Stereo, Crimes of the Future was shot silent with a commentary added afterwards, spoken by the character Adrian Tripod.
Fast Company is a 1979 Canadian action film directed by David Cronenberg and starring William Smith, John Saxon, Claudia Jennings and Nicholas Campbell. It was written by Phil Savath, Courtney Smith, Alan Treen and Cronenberg. It was primarily filmed at Edmonton International Speedway, in addition to other locations in Edmonton, Alberta, and Western Canada.
Transfer is a 1966 short film written, shot, produced, edited and directed by David Cronenberg. It features Mort Ritts and Rafe Macpherson and has a runtime of 7 minutes.
Not a Love Story: A Film About Pornography is a Canadian documentary film about the pornography industry, directed by Bonnie Sherr Klein and released in 1981.
Rabid is a 2019 Canadian body horror film directed and co-written by Jen and Sylvia Soska and starring Laura Vandervoort, Ben Hollingsworth, and CM Punk. It is a remake of the 1977 film of the same name directed by David Cronenberg.
David Cronenberg is a Canadian film director, screenwriter, and actor. He is known as a principal originator of the genre commonly known as body horror, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Stereo is a 1969 Canadian science fiction film directed, written, produced, shot and edited by David Cronenberg in his feature film debut. Starring Ronald Mlodzik, who would go on to appear in later Cronenberg films Crimes of the Future, Shivers, and Rabid, the film was Cronenberg's first feature-length effort, following his two short films, Transfer (1966) and From the Drain (1967). The plot follows several young volunteers who participate in a parapsychological experiment.
Ronald Mlodzik is a Canadian character actor, Archdeacon and retired professor best known for his myriad appearances in the early films of body horror director David Cronenberg, including Stereo (1969), Crimes of the Future (1970), Secret Weapons (1972), Rabid (1977), and Shivers (1975), in which he played his most prominent role as Mr. Merrick, the building manager of the fictional Starliner Towers condominium complex. Mlodzik ceased to appear in any films or television post-1977.
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