Ernest Mathijs | |
---|---|
Born | 1968or1969(age 55–56) Belgium |
Occupation(s) | Professor, author |
Known for | Cult film studies |
Spouse | Emily Perkins |
Ernest Mathijs (born 1968 or 1969) [1] is a professor at the University of British Columbia, where he teaches film. He has published several books on cult films.
According to CTV News, his "specialties include movie audiences, the reception of alternative cinema and cult film." [2] Mathijs is primarily known for his books on cult films, such as The Cult Film Reader [3] [4] [5] and 100 Cult Films , [6] [7] [8] which he co-edited and co-wrote, respectively, with Xavier Mendik; Cult Cinema , [9] [10] which he co-wrote with Jamie Sexton; The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero [11] [12] [13] and John Fawcett's Ginger Snaps . [14] [15] With Sexton, he is the co-editor of the Cultographies series, which examines individual cult films in the form of short books. [16] [17] [18] [19]
Mathijs is married to Canadian actress Emily Perkins. He was born in Belgium. [1]
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages.
Giovanni Lombardo Radice was an Italian actor, screenwriter and theatre director. He was best known to film audiences for his roles in horror films, several of which became cult classics. He was sometimes credited under the stage name John Morghen.
The Rocky Horror Picture Show cult following is the cultural phenomenon surrounding the large fan base of enthusiastic participants of the movie The Rocky Horror Picture Show, generally credited as being the best-known cinematic "midnight movie".
SS Girls is an 1977 Italian Nazisploitation comedy film by director Bruno Mattei. The film is about a brothel where traitors of the Nazi high command are eradicated. To help the brothel out, a Nazi commander, involved in intelligence work, enlists the aid of scientists who train various prostitutes to sexually satisfy the desires of the Nazi high command and root out any traitors.
La monaca di Monza is a 1962 Italian film directed by Carmine Gallone. It stars Gabriele Ferzetti, Giovanna Ralli and Mario Feliciani. The film is about a young nobleman who seduces a nun, leading to the death of the man and the internment of the woman. The film is a drama but is laced with satire.
Filmax International is a Spanish motion picture production company and film distributor based in Barcelona, and one of Spain's largest integrated film and television groups. It produced the REC horror series, and owns the Nirvana Films and New World Films International distributors and the Fantastic Factory label, dedicated to create fantasy films in the horror, science fiction and action genres.
Execution Squad is a 1972 crime film directed by Steno and starring Enrico Maria Salerno. Set during Italy's tumultuous anni di piombo, the film obtained a great commercial success.
The Cine-Excess International Film Festival and Convention is a UK film festival about cult films that features a themed conference, open discussions, and screenings. It was founded by Xavier Mendik and has been held in several English cities. As of 2013, it takes place in Birmingham. It caters to mainstream audiences, academics, and film industry professionals.
Xavier Charles Mendik is an English documentary filmmaker, author, and festival director. He is an associate professor in film and director of graduate studies in the School of Media at Birmingham City University, and formerly at the University of Brighton. He also runs the Cult Film Archive and is the director of Cine-Excess International Film Festival.
The Cult Film Reader is a 2008 book edited by Ernest Mathijs and Xavier Mendik. It collects essays by Susan Sontag, Umberto Eco, and others, each on the topic of cult followings, cult films, and related topics. Director and producer Roger Corman wrote the introduction.
100 Cult Films is a 2011 book written by Ernest Mathijs and Xavier Mendik, who selected one hundred cult films to discuss.
The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero is a 2008 book by Ernest Mathijs about the films of director David Cronenberg. This book focuses on director David Cronenberg’s filmography, analyzing the alternative methods Cronenberg used to create and execute his films. This book focuses on the contemporary reception of Cronenberg’s works and dives into the personal experiences that have shaped Cronenberg’s film ideologies. It discusses Cronenberg’s films at length, diving into specific films to discuss technique, content, and impact. Mathijs had previously done his Ph.D. thesis on the reception of Cronenberg's films, and this book was based on that research. Mathijs had previously done his PhD thesis on the reception of Cronenberg's films, and this book was based on that research.
Martin Barker was a British scholar of media studies and cultural studies. He was an Emeritus Professor at Aberystwyth University, having previously taught at the University of the West of England and the University of Sussex. Over the course of his career he wrote or co-edited fifteen books. He was known for being one of the pioneers behind the concept of cultural racism, which he termed "new racism".
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