Wheeler Winston Dixon is an American filmmaker and scholar. He is an expert on film history, theory and criticism. His scholarship has particular emphasis on François Truffaut, Jean-Luc Godard, American experimental cinema and horror films. He has written extensively on numerous aspects of film, including his books A Short History of Film and A History of Horror. From 1999 through the end of 2014, he was co-editor, along with Gwendolyn Audrey Foster, of the Quarterly Review of Film and Video. He is regarded as a top reviewer of films. In addition, he is notable as an experimental American filmmaker with films made over several decades, and the Museum of Modern Art exhibited his works in 2003. He taught at Rutgers University, The New School in New York, the University of Amsterdam in the Netherlands, and as of May 2020, is the James E. Ryan professor emeritus of film studies at the University of Nebraska in Lincoln.
Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies. From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video. In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.
Film Quarterly, a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. Film Quarterly brings timely critical and intersectional approaches to criticism and analyses of visual culture.
Répertoire International de Littérature Musicale, commonly known by its acronym RILM, is a nonprofit organization that offers digital collections and advanced tools for locating research on all topics related to music. Its mission is "to make this knowledge accessible to research and performance communities worldwide….to include the music scholarship of all countries, in all languages, and across all disciplinary and cultural boundaries, thereby fostering research in the arts, humanities, sciences, and social sciences." Central to RILM's work and mission is the international bibliography of scholarship relating to all facets of music research.
Spiritus: A Journal of Christian Spirituality is a biannual peer-reviewed academic journal published by Johns Hopkins University Press. It was established in 1993 as the Christian Spirituality Bulletin: Journal of the Society for the Study of Christian Spirituality and obtained its current title in 2001. It is the official publication of the Society for the Study of Christian Spirituality and covers research on Christian spirituality while fostering creative dialogue with non-Christian traditions. As such, it explores the relationship between spirituality and cultural analysis using the disciplines of history, philosophy, theology, and psychology, among others. The journal includes original articles, reviews, and translations. Readership includes academics as well as a general audience. The editor-in-chief is Steven Chase.
Warren Sonbert was an American experimental filmmaker whose work of nearly three decades began in New York in the mid-1960s, and continued in San Francisco throughout the second half of his life. Known for the exuberant imagery of films such as Carriage Trade and especially for their intricate and innovative editing, he has been described as "the supreme Romantic diarist of the cinema" as well as "both a probing and playful artist and a keen intellect reveling in the interplay between all the creative arts."
El ojo de la cerradura is a 1964 Argentine film.
The Quarterly Journal of Speech(QJS) is a quarterly peer-reviewed academic journal published by Taylor & Francis on behalf of the National Communication Association. QJS publishes original scholarship and book reviews that take a rhetorical approach to diverse texts, discourses, and cultural practices through which public beliefs, norms, identities, institutions, affects, and actions are constituted, empowered, enacted, and circulated. Rhetorical scholarship traverses and mobilizes many different intellectual, archival, disciplinary, and political vectors, traditions, and methods, and QJS seeks to honor and engage such differences.
Amy Taubin is an American author and film critic. She is a contributing editor for two prominent film magazines, the British Sight & Sound and the American Film Comment. She has also written regularly for The Village Voice, The Millennium Film Journal, and Artforum, and used to be curator of video and film at the non-profit experimental performance space The Kitchen.
Senses of Cinema is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, Senses of Cinema publishes work by film critics from all over the world, including critical essays, career overviews of the works of key directors, and coverage of many international festivals.
Fever is a 1981 Polish drama film directed by Agnieszka Holland. It is based on a story of writer Andrzej Strug. It was entered into the 31st Berlin International Film Festival where Barbara Grabowska won the Silver Bear for Best Actress.
Modern Language Quarterly (MLQ), established in 1940, is a quarterly, literary history journal, produced (housed) at the University of Washington and published by Duke University Press. The current editor is Jeffrey Todd Knight. Marshall Brown was the editor from 1993 to 2021.
Religious Studies is a peer-reviewed academic journal published by Cambridge University Press. It addresses problems of the philosophy of religion in the context of a variety of religious traditions. Issues were published approximately biannually from the journal's founding in 1965 until 1969, and have been quarterly since 1970.
Communication Monographs is a quarterly peer-reviewed academic journal covering research on human communication. The journal is published by Taylor & Francis on behalf of the National Communication Association. Communication Monographs publishes original scholarship that contributes to the understanding of human communication.
Adoption & Fostering is a quarterly peer-reviewed academic journal covering research on adoption and foster care. It was established in 1977 and is published by SAGE Publications on behalf of Coram BAAF. Miranda Davies is its Managing Editor.
Queen's Quarterly is a Canadian quarterly peer-reviewed academic journal of cultural studies that was established in 1893 by, among others, George Munro Grant, Sanford Fleming, and John Watson, all of Queen's University in Kingston, Ontario. The journal publishes articles, essays, reviews, short stories and poetry. It is abstracted and indexed in the Arts & Humanities Citation Index, Current Contents, MLA International Bibliography, and Abstracts of English Studies.
The International Journal of Sociology is a bimonthly peer-reviewed academic journal that covers the field of sociology. It was established 1971 and is published by Taylor and Francis. The journal's editor-in-chief is Markus Hadler.
Elisabeth and the Fool is a 1934 German drama film directed by Thea von Harbou and starring Hertha Thiele, Theodor Loos and Rudolf Klein-Rogge. The film was the directing debut of Harbou, who was known for her screenplays for directors such as Fritz Lang and F. W. Murnau. Filming began on 12 October 1933 in Meersburg and the Lake Constance area. The film's sets were designed by the art directors Kurt Dürnhöfer and Walter Reimann. The film premiered on 24 January 1934.
Annals of Library and Information Studies is a quarterly journal in library and information studies publishing original papers, survey reports, reviews, short communications, and letters pertaining to library science, information science and computer applications in these fields. It is an open access academic journal, published since 1954 by the CSIR-National Institute of Science Communication and Information Resources (CSIR-NISCAIR), formerly the Indian National Scientific Documentation Centre.
Paradise is a 1932 Italian comedy film directed by Guido Brignone and starring Nino Besozzi, Sandra Ravel and Lamberto Picasso. It was part of a group of "White Telephone" films made during the decade. It was produced by Cines, the largest Italian film studio at the time.
