Maps to the Stars | |
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Directed by | David Cronenberg |
Written by | Bruce Wagner |
Produced by |
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Starring | |
Cinematography | Peter Suschitzky [1] |
Edited by | Ronald Sanders [1] |
Music by | Howard Shore [1] |
Production companies |
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Distributed by |
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Release dates | |
Running time | 112 minutes [4] [5] |
Countries |
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Language | English |
Budget | $13 million [6] |
Box office | $4.5 million [7] [8] |
Maps to the Stars is a 2014 internationally co-produced satirical comedy film directed by David Cronenberg, and starring Julianne Moore, Mia Wasikowska, John Cusack, Robert Pattinson, Olivia Williams, Sarah Gadon, and Evan Bird. [9] [10] [11] The screenplay was written by Bruce Wagner, who had written a novel entitled Dead Stars based on the Maps to the Stars script, after initial plans for making the film with Cronenberg fell through. [12] [13] [14] [15]
This is the second consecutive collaboration between Cronenberg and Pattinson (after Cosmopolis ) and marks the third collaboration between Cronenberg and Prospero Pictures, who previously collaborated on A Dangerous Method and Cosmopolis. [16] This is also the third Cronenberg film made with Canadian actress Sarah Gadon. It is the first Cronenberg film shot partially in the United States, although most of it was shot, like his other films, in his native city of Toronto, Ontario, Canada. [17]
The film concerns the plight of a child star and a washed up actress while commenting on the entertainment industry's relationship with Western civilization as a whole. [18] The film premiered in competition for the Palme d'Or at the 2014 Cannes Film Festival on May 19, 2014. [19] [20] [21] Moore won the festival's Best Actress Award. [22] [23] [24] Following its premiere at Cannes, the film had a theatrical release in France on May 21, 2014. [25]
Agatha Weiss arrives in Los Angeles and employs limousine driver Jerome to take her to the site of the former house of child star Benjie Weiss. Agatha has severe burns to her face and body, requiring her to take a copious amount of medication. Benjie visits a child suffering from non-Hodgkin lymphoma in the hospital; the girl later dies, and Benjie is confronted by her ghost. Benjie's father, Dr. Stafford Weiss, is a TV psychologist who is treating aging actress Havana Segrand for abuse she suffered at the hands of her deceased mother, also an actress. Havana's agent struggles to get Havana a role in a remake of her mother's film Stolen Waters. Havana routinely hallucinates about the deceased younger version of her mother.
Benjie and his mother, Cristina, negotiate a role for Benjie in a film as his comeback after drug rehabilitation. At the suggestion of Carrie Fisher, Havana hires Agatha, whom Carrie had met on Twitter, as a personal assistant. Agatha continues to see Jerome, and a romance forms, though Jerome appears resistant at first. Stafford learns through Havana that Agatha has returned to L.A. Agatha is Benjie's sister – however, she is shunned by her parents (Cristina and Stafford).
Using Havana's role in Stolen Waters to gain access to the production lot, Agatha visits Benjie on set. A schizophrenic, Agatha tells him that she has returned from a sanatorium to make amends for setting the fire that burned her and nearly killed him when he was seven. When Stafford learns Agatha visited Benjie, he finds her in her hotel room, gives her $10,000, and tells her to leave L.A. before she ruins everything.
Benjie breaks his sobriety, getting high on GHB, and carelessly shoots the dog of his only friend. Agatha visits her mother, Cristina, and reveals that before she set the fire she had discovered that her parents were brother and sister, making Agatha and Benjie children of incest. Cristina tells her they were separated as children and didn't know they were related. Stafford comes home, and when Agatha tells him she knows about their familial relations, Stafford violently beats her, until Cristina intervenes. During the altercation, Agatha steals Cristina's wedding ring. On set, Benjie is haunted by the girl from the hospital and, during an hallucination, he strangles his young co-star. The child survives, though Benjie is now to be replaced in the film.
Havana requests Jerome as a driver and seduces him in the backseat of his parked limo in the driveway of her home as Agatha watches from the window. Havana enters the house and berates Agatha for her poor performance at work and then verbally humiliates her when she finds that Agatha has stained her expensive couch with menstrual blood. Agatha beats Havana to death with one of her awards.
Benjie escapes the hospital and comes to Havana's house to find Agatha. Agatha tells him it all must end now. She shows him that she has their mother's wedding ring and instructs him to go get their father's ring.
Stafford returns home to see Cristina on fire outside beside the pool. As she screams, engulfed in flames, he uses a piece of pool furniture to push her into the pool where she dies. Benjie arrives and finds his father by the pool in a catatonic state. He takes his father's wedding ring off his finger, then reunites with Agatha at the site of their previous home that Agatha had burned down. On the fireplace hearth, the siblings perform an impromptu wedding ceremony with their parents' wedding rings.
They take an extreme amount of Agatha's pills together so that they may die by suicide, before lying down to watch the stars.
Throughout the film, liberal quotings from Paul Éluard's poem "Liberté" meander "through each of the characters' lives," creating an underlying mantra for the film. [26]
This section may contain an excessive amount of intricate detail that may interest only a particular audience.(November 2017) |
Hollywood is a world that is seductive and repellent at the same time, and it is the combination of the two that makes it so potent.
—David Cronenberg, director of Maps to the Stars, on the film. [37]
Plans for the film hit financial difficulties and it was in development for around six years. During promotion of Cosmopolis in May 2012, at Cannes, David Cronenberg said that "It's not a 'go' picture. We have a script that I love that Bruce wrote; it's a very difficult film to get made as was Cosmopolis actually. Whether I can get this movie to happen, I tried it five years ago, I couldn't get it made, so I still might not be able to get it made." [38] He also added that "Maps to the Stars is very extreme. It's not obviously a very big commercial movie, and even as an independent film it's difficult. Maps to the Stars is completely different [from Cosmopolis], but it's very acerbic and satirical; it's a hard sell." [38]
Talking about the script, Cronenberg revealed that "It's kind of a satire on Hollywood. It's very typical of Bruce Wagner's writing. And it's sort of a condensed essence of Bruce. And while it's satirical, it's also very powerful, emotionally, and insightful and funny. [39] You could say it's a Hollywood film because the characters are agents, actors and managers, but it is not a satire like The Player ." [40] Producer Martin Katz described it as an "absurdist comedy about the entertainment business." [41]
Viggo Mortensen and Rachel Weisz were initially cast but left due to scheduling difficulties, [42] [43] and were later replaced by Cusack and Moore. [44] Moore bleached her hair blonde for the part of Havana, [45] said in an interview about the film that, "It's not only about celebrity culture, but the pursuit of fame at any cost." [46] It is the second collaboration between Pattinson and Cronenberg after Cosmopolis.
Production began in July 2013. [47] Cronenberg stated that "it would be the first time I've ever shot a foot of film in the United States. It's strange, just because of the way the co-production deals work, that even though I've had movies that are set in the U.S. like Cosmopolis or The Dead Zone , I've never shot in the United States. This would be the first time. And I'm really excited about it." [17] He further added that "Well, Maps to the Stars is an L.A. story and I really felt that is something I could not create on a set in Toronto, whereas the structure of Cosmopolis allows me to create New York on a soundstage in Toronto. [38]
Principal photography began on July 8, 2013, in Toronto, Ontario, Canada and continued until August 12, 2013. [48] [49] Most of the shooting took place in Toronto and many of the interior locations in the film were filmed at the Eastern Avenue site of Cinespace Studios. [50] [51] [52] On July 19, some scenes were shot in and around the diner at Queen street in Leslieville, Ontario. [53] [54]
Filming then moved to Los Angeles, California. Most of the shoot was outdoors, at some landmark sites. [55] [56] On August 17, filming took place downtown at Union Station, Los Angeles with Pattinson and Wasikowska [57] and on August 18 and 19, scenes were shot at Rodeo Drive and The Beverly Hilton in Beverly Hills, L.A. [57] [58] [59] [60] Scenes were also filmed at the Hollywood Walk of Fame, Hollywood Boulevard and Runyon Canyon near Mulholland Drive on August 20 [61] [62] [63] [64] [65] and at Park Way Beverly Hills L.A. on August 21. [66] [67] Cronenberg lit the Hollywood Sign for a scene on August 20, by using 4K HMI lights. He has said that "It's no different than shining a light from a helicopter." [68] Filming wrapped up on August 22, 2013, in L.A. [68] [69] [70]
Howard Shore composed the score for the film. He has collaborated with Cronenberg on all but one of his films since 1979. The album was released by Howe Records on September 9, 2014. [71] [72] [73] The first single featuring a track from the soundtrack album was released on May 21, 2014. [74] [75]
On April 14, 2014, the first preview trailer was released for sales and distribution. [76] [77] It was followed by the full-length official trailer of the film next day. [78] [79] [80] [81] The same month with the announcement of the film's premieres at the Cannes Film Festival, two images of Julianne Moore, Mia Wasikowska and Robert Pattinson from the film were released. [82] EOne revealed another trailer for the film on September 10, 2014, ahead of film's release in Spain and Canada. [83]
The film screened at 2014 New Zealand International Film Festival in the Legends section on July 25, 2014. [84] It screened in the Gala Presentations section of the 2014 Toronto International Film Festival on September 9, 2014 [85] and also screened at the 2014 New York Film Festival on September 27, 2014. [86] It was released in UK on September 26, 2014. [87] [88] It served as the closing film at the 2014 Tokyo International Film Festival on October 31, 2014, [89] and was theatrically released in Canada on the same day. [90] On November 8, 2014, it screened at Stockholm International Film Festival. [91] It was released in Australia on November 20, 2014. [92]
In September 2014, Focus World acquired the United States distribution rights of the film [93] and gave the film an award-qualifying limited release in L.A. from December 5 to 11, 2014, before its day-and-date release on February 27, 2015. [94]
The film was released on DVD and Blu-ray in France on September 24, 2014. [95] It was available on DVD in UK on November 24, 2014 [96] and was released on March 3, 2015, in Germany. [97] Universal Pictures Home Entertainment released the DVD and Blu-ray Disc of the film in United States on April 14, 2015. [98]
The film had a limited release in France in May 2014, and then released in different countries and has grossed worldwide total of $4 million. [7] [8]
The film generated mostly positive reviews, and performances from the cast were praised. Review aggregator Rotten Tomatoes reports that 62% of 165 critics have given the film a positive review, with a rating average of 6.3/10. The site's summary states: "Narratively unwieldy and tonally jumbled, Maps to the Stars still has enough bite to satisfy David Cronenberg fans in need of a coolly acidic fix." [99] On Metacritic, which assigns a weighted mean rating out of 100 reviews from film critics, the films holds an average score of 67, based on 39 reviews, indicating "generally favorable reviews". [100]
Dave Calhoun of Time Out stated that "This creepy portrait of Beverly Hills screw-ups is deeply silly, but it has just enough venomous bite." [101] The Daily Telegraph 's Robbie Collin gave the film five stars out of five and wrote that it "takes place in a kind of pharmaceutically heightened hyper-reality of its own: it's not so much a twisted dream of making it in show-business, as a writhing, hissing, Hollywood waking nightmare." He said that "Moore, in particular, is tremendous" and concluded that "Cronenberg has made a film that you want to unsee – and then see and unsee again." [31] [26] Oliver Lyttelton, in his review for The Playlist , graded the film B+ by saying that "The film is a sickly enjoyable wallow in the scandalous, fucked-up side of showbusiness, and a real return to form for the filmmaker." [102] Peter Bradshaw of The Guardian gave the film four out of five stars and called the film "A gripping and exquisitely horrible movie about contemporary Hollywood – positively vivisectional in its sadism and scorn." [36] Mark Kermode, also of The Guardian, compared the film to " Sunset Boulevard , with sprinklings of Chinatown , Beyond the Valley of the Dolls and Mommie Dearest thrown in for good measure." He called Moore "magnificently horrendous" with Wasikowska "provid[ing] ice-cool counterpoint", Williams "terrific" and Pattinson "nicely underplayed". [103] In his review for Slant Magazine , Budd Wilkins compared the film to David Lynch's Mulholland Drive (2001): "Maps to the Stars is a scabrous, etched-in-acid comedy that digs deeper into the perversions and pathologies undergirding the Dream Factory than anything since Mulholland Drive." [104]
However, Peter Debruge of Variety criticized the film as "part showbiz sendup, part ghost story, part dysfunctional-family drama, [it] instead comes across as so much jaded mumbo-jumbo." [105] Todd McCarthy of The Hollywood Reporter thought that the film "comes off like a prank more than a coherent take on 21st century Hollywood, even if there are crumbs of truth and wit scattered throughout it." [106] Lee Marshall of Screen International said that "The film doesn't quite get away with its attempt to reconcile satire with pathos, but it comes perilously close." [107]
The film was included in the list of "Canada's Top Ten" feature films of 2014, selected by a panel of filmmakers and industry professionals organized by TIFF. [108] [109]
In 2023, Barry Hertz of The Globe and Mail named the film as one of the 23 best Canadian comedy films ever made. [110]
David Paul Cronenberg is a Canadian film director, screenwriter, producer and actor. He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
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