Ronald Sanders is a Canadian film editor and television producer.
Sanders won Genie Awards for his work on Eastern Promises (2007), [1] eXistenZ (2000), Crash (1996), and Dead Ringers (1989). He has collaborated extensively with director David Cronenberg; since 1979, he has edited most of Cronenberg's films.
Ronald Sanders is a member of the Canadian Cinema Editors. [2]
Year | Title |
---|---|
1979 | Fast Company [3] |
Title Shot [4] [5] | |
1981 | Scanners [6] [7] |
1983 | Videodrome [8] [9] |
The Dead Zone [10] [11] | |
1986 | The Fly [12] |
1988 | Dead Ringers [13] [14] |
1989 | Age-Old Friends [15] |
1990 | Perfectly Normal [16] [17] |
1991 | Naked Lunch [18] [19] |
1993 | M. Butterfly [20] [21] |
1995 | Johnny Mnemonic [22] [23] |
1996 | Crash [24] |
1997 | Keeping the Promise [25] |
Dead Silence | |
Joe Torre: Curveballs Along the Way [26] | |
1999 | eXistenZ [27] |
2000 | The Golden Spiders: A Nero Wolfe Mystery |
2001 | Dinner with Friends [28] |
2002 | Spider [29] [30] |
2004 | Zeyda and the Hitman |
2005 | A History of Violence [31] |
2007 | Eastern Promises [32] |
2009 | Coraline [33] |
2010 | The Bang Bang Club [34] |
2011 | Beat the World |
A Dangerous Method [35] | |
2012 | Cosmopolis [36] [37] |
2014 | Maps to the Stars [38] [39] |
2016 | Mean Dreams [40] [41] |
2018 | The Grizzlies [42] |
2020 | Falling [43] |
Year | Award | Film | Result | Ref(s) |
---|---|---|---|---|
1982 | Genie Award for Best Achievement in Film Editing | Scanners | Nominated | |
1984 | Genie Award for Best Achievement in Film Editing | Videodrome | Nominated | |
1989 | Genie Award for Best Achievement in Film Editing | Dead Ringers | Won | |
1991 | Genie Award for Best Achievement in Film Editing | Perfectly Normal | Nominated | |
1996 | Genie Award for Best Achievement in Editing | Crash | Won | |
1998 (spring) | Gemini Award for Best Picture Editing in a Dramatic Program or Series | Dead Silence | Nominated | |
2000 | Genie Award for Best Achievement in Editing | eXistenZ | Won | |
2003 | Directors Guild of Canada DGC Craft Award for Outstanding Achievement in Picture Editing - Long Form | Spider | Nominated | |
2003 | Directors Guild of Canada DGC Team Award for Outstanding Achievement in a Feature Film | Spider | Won | |
2005 | San Diego Film Critics Society Awards SDFCS Award for Best Editing | A History of Violence | Won | |
2006 | Online Film Critics Society Awards OFCS Award for Best Editing | A History of Violence | Nominated | [44] |
2006 | Directors Guild of Canada DGC Craft Award for Outstanding Picture Editing - Feature Film | A History of Violence | Won | |
2007 | Satellite Award for Best Film Editing | Eastern Promises | Nominated | [45] |
2008 | Genie Award for Best Achievement in Editing | Eastern Promises | Won | [1] |
Supernatural horror film is a film genre that revolves around supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the Devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence".
J. Kenneth Campbell is an American film, stage, and television actor who has been cast in over 80 roles. He was born in Flushing, New York. Campbell studied acting under theatrical fight director Patrick Crean, and was an acting instructor himself at the Stratford Shakespeare Festival.
A list of reference works on the horror genre of film.
Lee Richardson was an American character actor who frequently appeared in the films of Sidney Lumet.
Sue Dwiggins Worsley was an American writer and production assistant on many films and also TV shows. She also worked on the memoir of her husband, film director Wallace Worsley Jr. She worked largely in science fiction and horror genres, but also did production secretary work for Deliverance.
Murder by Phone is a 1982 science fiction slasher film directed by Michael Anderson. Its plot follows a series of murders committed by a disgruntled phone company employee who designs a device that kills victims when they answer their telephones.
The Masque of the Red Death was a 1989 film directed by Alan Birkinshaw, starring Frank Stallone, Brenda Vaccaro and Herbert Lom, produced by Avi Lerner and Harry Alan Towers for Menahem Golan's 21st Century Film Corporation, from a script by Michael J. Murray. It was one of two otherwise unrelated films with the same title released that year.