William Goldenberg | |
|---|---|
| Born | November 2, 1959 United States |
| Occupation | Film editor |
William Goldenberg (born November 2, 1959) is an American film editor. He has more than twenty film and television credits since 1992. He won the Academy Award for Best Film Editing for the film Argo (2012), and has been nominated for The Insider (1999), Seabiscuit (2003), Zero Dark Thirty (2012) and The Imitation Game (2014). He has also received nominations for nine other editing-related awards. [1]
Goldenberg has had extended, notable collaborations with directors Michael Mann and Ben Affleck.
Goldenberg has been elected to membership in the American Cinema Editors. [2]
 | This section of a biography of a living person needs additional citations for verification .(December 2016) |
Editor
Director
| Year | Title | Notes |
|---|---|---|
| 2024 | Unstoppable |
Other credits
| Year | Title | Notes |
|---|---|---|
| 2024 | The Greatest Love Story Never Told | Special thanks |
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Steven Rosenblum is an American film editor with over twenty feature film credits dating from 1987. He has had an extended, notable collaboration with the director Edward Zwick, and has edited all of his films since Glory (1989).
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Peter Zinner was an Austrian-American film editor. Following nearly fifteen years of uncredited work as an assistant sound editor, Zinner received credits on more than fifty films from 1959 to 2006. His most influential films are likely The Godfather and The Godfather Part II, both of which appear on a 2012 listing of the 75 best edited films of all time compiled by the Motion Picture Editors Guild.
Dylan Tichenor, A.C.E. is an American film editor. He is the recipient of several accolades, including a Critics' Choice Movie Award, a Hollywood Film Award and a Satellite Award, and has been nominated for a Primetime Emmy Award, two Academy Awards, two BAFTA Awards and four Eddie Awards.
Timothy S. Squyres is an American film editor with about 30 film credits. Squyres has had an extended collaboration with the Taiwanese director Ang Lee. His latest collaboration with Jonathan Demme on the film A Master Builder opened in New York during June 2014 and was based on the 19th century play by Henrik Ibsen.
Daniel P. Hanley, A.C.E. is an American film editor with more than 30 feature film credits. Hanley and his editing partner Mike Hill have had a notable collaboration with the director Ron Howard, having edited all of Howard's films since Night Shift (1982). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013).
William Hornbeck was an American film editor and film industry executive. In a 1977 poll of film editors, he had been called "the best film editor the industry has produced." He was nominated four times for the Academy Award for Best Film Editing, and won the award for A Place in the Sun (1951). Other important credits include It's a Wonderful Life (1946), Giant (1956), and I Want to Live! (1958). He edited films from notable directors including Zoltan Korda, Frank Capra, and George Stevens. Universal Pictures almost brought him on board to completely re-edit George Lucas' American Graffiti.
Andrew Steven Mondshein is an American film editor and director with more than 25 motion picture credits. He was widely recognized for his editing of the film The Sixth Sense ; he was nominated for the Academy Award, the BAFTA Award, the ACE Eddie, and he won the Satellite Award.
David Rosenbloom is an American film and television editor with more than 20 film credits, as well as many television editing and directing credits. He was nominated for the Academy Award for Best Film Editing and the American Cinema Editors "Eddie" for The Insider (1999).
Barbara "Bobby" McLean was an American film editor with 62 film credits.
Fredric Steinkamp was an American film editor with more than 40 film credits. He had a longstanding, notable collaboration with director Sydney Pollack, editing nearly all of Pollack's films from They Shoot Horses, Don't They? (1969) through Sabrina (1995).
William Steinkamp is an American film editor with more than 20 film credits. He had a longstanding, notable collaboration with director Sydney Pollack, editing nearly all of Pollack's films from Tootsie (1982) through the director's last film, The Interpreter (2005).
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
The Critics' Choice Movie Award for Best Editing is one of the Critics' Choice Movie Awards given to people working in the film industry by the Critics Choice Association. It was first given out in 2010.
Pamela Martin is an American film and television editor with more than twenty-eight feature film credits since the 1990s. She is best known for her works on The Fighter, directed by David O. Russell, earning an Academy Award nomination for Best Film Editing, and King Richard, directed by Reinaldo Marcus Green, being nominated at the Satellite Award for Best Editing and earning her second Academy Award nomination for Best Film Editing.
Kevin Tent is an American film editor and director. Tent has been elected to membership in the American Cinema Editors (ACE) and serves as President of the board. He is best known for his longstanding collaboration with Alexander Payne, having edited every feature film Payne has directed as of 2023. For his work on Payne's films, Tent has been nominated for two Academy Awards for Best Editing for his works in The Descendants and The Holdovers. Tent also won an ACE Eddie award for first film and received three other ACE Eddie Award nominations for Election, Sideways and About Schmidt. In addition to his career in editing, Tent also co-directed two films, Ultra Warrior (1990) and Blackbelt II (1993), and directed the 2017 film Crash Pad.
Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
The 63rd American Cinema Editors Eddie Awards, which were presented on Saturday, February 16, 2013 at the Beverly Hilton Hotel, honored the best editors in films and television.
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