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Michael Kahn is an American film editor known for his frequent collaboration with Steven Spielberg. His first collaboration with Spielberg was for his 1977 film, Close Encounters of the Third Kind. He has edited all of Spielberg's subsequent films except for E.T. the Extra-Terrestrial (1982), which was edited by Carol Littleton. Kahn has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998), which were all Spielberg-directed films.
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
James William Arthur "Jamie" Selkirk is a film editor and producer who has worked primarily in New Zealand. He is particularly noted for his work on The Lord of the Rings film trilogy, which he co-produced with Peter Jackson. He received the Academy Award for Best Film Editing for the last film of the trilogy, The Return of the King (2003).
Peter Honess is an English film editor with more than thirty film credits dating from 1973. Honess received the 1997 BAFTA Award for Best Editing for his work on L.A. Confidential.
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Joe Hutshing is an American film editor who grew up in San Diego, California and is best known for working multiple times with film director, Oliver Stone and well as with film director Cameron Crowe. Hutshing graduated from the University of Oregon in 1980.
Craig McKay is an American feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing Reds and The Silence of the Lambs, and an Emmy Award for editing the NBC miniseries Holocaust, he has edited more than forty films including Philadelphia, The Manchurian Candidate, Cop Land and Maid in Manhattan.
Dody Jane Dorn is an American film and sound editor. She is best known for working with director Christopher Nolan on several films including Memento (2000), for which she was nominated for an Academy Award.
Dennis Virkler was an American film editor with more than 40 credits dating from 1973.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Christopher Greenbury was an English film editor with more than thirty film credits dating from 1979's The Muppet Movie. With Tariq Anwar, he won the BAFTA Award for Best Editing for American Beauty (1999), which he was also nominated for an Academy Award for Best Film Editing. American Beauty is a serious drama, but in general Greenbury edited comedy films, including six directed by the Farrelly brothers commencing with 1994's Dumb and Dumber.
Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.
Paul Rubell is an American film editor. His career spans 25 years in both film and television.
Jill Elizabeth Bilcock is an Australian film editor, a member of the Australian Screen Editors (ASE) guild, as well as the American Cinema Editors (ACE) society, and has edited films such as Romeo + Juliet, Moulin Rouge! and Road to Perdition. She occasionally gives seminars at the Victorian College of the Arts in Melbourne, of which she is an alumna.
Daniel P. Hanley, A.C.E. is an American film editor with more than 30 feature film credits. Hanley and his editing partner Mike Hill have had a notable collaboration with the director Ron Howard, having edited all of Howard's films since Night Shift (1982). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013).
James Elmo Williams was an American film and television editor, producer, director and executive. His work on the film High Noon (1952) received the Academy Award for Best Film Editing. In 2006, Williams published Elmo Williams: A Hollywood Memoir.
Michael J. HillACE was an American film editor. He and his editing partner Dan Hanley had a longstanding, notable collaboration with director Ron Howard, having cut all of Howard's films from Night Shift (1982) to In the Heart of the Sea (2015). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013). Hill was a member of the American Cinema Editors (ACE).
Barry M. Malkin was an American film editor with about 30 film credits. He is noted for his extended collaboration with director Francis Ford Coppola, having edited most of Coppola's films from 1969 to 1997. In particular, Malkin worked with Coppola on four of the component and compilation films of the Godfather trilogy, though he did not edit the first film, The Godfather. Film critic Roger Ebert called the first two Godfather films a "cultural bedrock".
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
References
- ↑ "American Cinema Editors > Members", webpage archived by WebCite from this original URL on 2008-03-04.
- ↑ "Once Upon a Time in America (1984)". AFI Catalog of Feature Films . Retrieved 2024-09-23.
- ↑ "The 75 Best Edited Films". Editors Guild Magazine. 1 (3). May 2012. Archived from the original on 2015-03-17.
