Alan Baumgarten | |
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Born | February 1, 1957 |
Other names | Alan E. Baumgarten |
Occupation | Film editor |
Years active | 1981–present |
Alan Baumgarten (born February 1, 1957) is an American film editor. He frequently collaborates with directors Jay Roach and Ruben Fleischer having edited four of their feature films. He has been nominated twice for the Academy Award for Best Film Editing, for American Hustle (2013), together with co-editors Jay Cassidy and Crispin Struthers, and The Trial of the Chicago 7 (2020). [1] [2]
Thelma Schoonmaker is an Algerian-born American film editor, best known for her collaboration over five decades with director Martin Scorsese. She is the recipient of numerous accolades, including three Academy Awards, two BAFTA Film Awards, and four ACE Eddie Awards. She has been honored with the British Film Institute Fellowship in 1997, the Golden Lion for Lifetime Achievement in 2014, and the BAFTA Fellowship in 2019.
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Tariq Anwar is an Indian-born British-American film editor whose credits include Center Stage, The Good Shepherd, Sylvia, Oppenheimer, and American Beauty, for which he was nominated for an Academy Award and won two BAFTA Awards. He has also been nominated for an Academy Award in 2011 for editing The King's Speech. He is now based in the United States and the United Kingdom. With Shirley Hills, he is the father of actress Gabrielle Anwar.
Robert Clifford Jones was an American film editor, screenwriter, and educator. He received an Academy Award for the screenplay of the film Coming Home (1978). As an editor, Jones had notable collaborations with the directors Arthur Hiller and Hal Ashby. Jones was nominated three times for the Academy Award for Best Film Editing: It's a Mad, Mad, Mad, Mad World (1963), Guess Who's Coming to Dinner (1967), and Bound for Glory (1976).
Alan Robert Murray was an American sound editor.
Maryann BrandonA.C.E., is an American television and film editor. She is a frequent collaborator with J. J. Abrams.
Jay Cassidy is an American film editor with dozens of credits since 1978.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Jay Rabinowitz is an American film editor and commercial editor. He is certified by the American Cinema Editors.
Joe Walker is a British film editor working in Los Angeles. In 2022, he won the Academy Award for Best Film Editing for his work on Dune, having been nominated twice before for 12 Years a Slave and Arrival. For the American Cinema Editors Award for Best Edited Feature Film – Dramatic he has received a string of five nominations over eight years and in 2016 he won, for Arrival. He took the European Film Award for Best Editor for Shame in 2012 and Satellite Award for Best Editing for Sicario in 2016.
Mark Sanger is a British film editor.
Jay Friedkin is a film editor who was nominated at the 1995 Academy Awards for Best Film Editing for his work on Babe. He shared the nomination with Marcus D'Arcy.
Mark Stoeckinger is an American sound editor. He has over 80 film credits. In addition to 3 Oscar nominations, he has been nominated for the Motion Picture Sound Editors a total of 10 times, winning once with Gladiator.
Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
Nathaniel Sanders is an American film editor. He is best known for his collaborations with Destin Daniel Cretton and Barry Jenkins. He won Independent Spirit Awards for both Short Term 12 (2013) and Moonlight (2016), as well as being nominated for an Academy Award for the latter.
The 64th American Cinema Editors Eddie Awards, which were presented on February 7, 2014, at the Beverly Hilton Hotel, honored the best editors in films and television.
The 66th American Cinema Editors Eddie Awards were presented on January 29, 2016 at the Beverly Hilton Hotel, honoring the best editors in films and television.
Affonso Gonçalves is a Brazilian-American film editor. He is best known for editing many critically acclaimed films such as Winter's Bone (2010), Beasts of the Southern Wild (2012), Only Lovers Left Alive (2013), Carol (2015), Paterson (2016), and Wonderstruck (2017).
The 71st American Cinema Editors Eddie Awards were presented on April 17, 2021, virtually, honoring the best editors in film and television of 2020. The nominees were announced on March 11, 2021.
Alan Edward Bell is an American film editor. He has edited such films as Little Manhattan, 500 Days of Summer, The Amazing Spider-Man, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay – Part 1, The Hunger Games: Mockingjay – Part 2, and Red Sparrow.