| Rental Family | |
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| Theatrical release poster | |
| Directed by | Hikari |
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| Cinematography | Takurō Ishizaka |
| Edited by | Alan Baumgarten Thomas A. Krueger |
| Music by | |
Production companies |
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| Distributed by | Searchlight Pictures |
Release dates |
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Running time | 110 minutes [1] |
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| Box office | $19.6 million [2] [3] |
Rental Family is a 2025 comedy-drama film directed by Hikari, who co-wrote it with Stephen Blahut. It stars Brendan Fraser as an American actor based in Japan who begins working for a rental family agency, where he plays roles in the lives of strangers. The supporting cast includes Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman, and Akira Emoto.
An international co-production between the United States and Japan, Rental Family premiered at the 2025 Toronto International Film Festival on September 6 and was released in the United States by Searchlight Pictures on November 21, 2025. It received positive reviews from critics, who singled out Fraser's performance. The National Board of Review included it on its list of the year's top 10 films. [4]
American actor Phillip Vanderploeg lives in Tokyo and constantly searches for work following his success in a toothpaste commercial seven years earlier. He is stuck taking minor roles until he is hired by Rental Family, a company owned by Shinji that provides actors to play stand-in family members and friends for strangers. Initially reluctant due to its seemingly absurd premise, Phillip, desperate for funds, takes the job as the company's "token white guy".
Phillip's first job is to act as the fiancé of Yoshie, a lesbian who is already married and wants to perform a traditional wedding for her parents before she and her wife secretly leave for Canada. Phillip nearly bails as he has issues with being untruthful, but his co-worker Aiko convinces him to commit and he finds the experience rewarding.
Between other clients, Phillip takes on two long-term jobs. In one he must act as the estranged father of a young half-Japanese girl named Mia, whose single mother Hitomi needs help getting her enrolled in a private school and believes it would be better if even Mia herself was led to believe Phillip is her actual father. In the other, he plays a journalist profiling retired actor Kikuo Hasegawa, who has dementia and is kept under constant surveillance by his daughter Masami.
Philip's life is generally lonely. He spends his time drinking at home looking into the neighbours' homes, and occasionally spending time with Lola, a prostitute he regularly sees who seems to have a bond with him. Phillip begins to form strong bonds with Kikuo and Mia, who initially resents her "father" for abandoning her but eventually warms up to him. He increasingly spends more time with her, and takes her to a cat Festival. While at the festival, Philip reveals to Mia that he has no close family left alive, except for her.
Philip here finds Lola working at the festival market as a palmreader, who reads Mia's palm. He learns from his agent Sonia, that he has landed a highly coveted role. However, it would require him to relocate to Korea: to her surprise, he declines it for Mia's sake. Hitomi warns Phillip against getting too close to Mia and is offended when he speaks critically of her already mapping out Mia's whole life for her.
At Masami's insistence, Phillip reluctantly declines Kikuo's request to take him to his abandoned childhood home in Amakusa. He also learns that some of Aiko's jobs involve her pretending to be a mistress apologizing to the wives of unfaithful husbands, often resulting in her being physically assaulted. Phillip is reluctant to lose the connections he has made, but Shinji asserts that parting ways with clients is a brutal but inevitable part of the job.
Following the successful school interview, Phillip is forced to tell Mia that he must return to the United States. His time with her inspires him to take Kikuo to Amakusa. Kikuo finds a time capsule containing pictures of himself with his first wife, who died of an illness shortly after he left her behind to pursue his acting career in Tokyo; he breaks down upon seeing the photos and tearfully thanks Phillip for bringing him.
Shinji calls Phillip and berates him for "kidnapping" Kikuo, but Phillip accuses him of using Rental Family to soullessly fill empty holes rather than make genuine connections. At home, Shinji dismisses his "wife" and teenage "son," revealing them to be rented actors. Kikuo collapses from exhaustion and is rushed to the hospital by Phillip, who is arrested and detained for Kikuo's supposed abduction.
Mia discovers Phillip's true identity when her friend recognizes him on television. She is initially upset with her mother for lying to her, but soon forgives her. During another session where Aiko acts as a man's mistress, she breaks character, informs the man's wife of the truth, and leaves.
Aiko and her co-worker Kota later pretend to be lawyers interviewing Kikuo in an effort to exonerate Phillip. Shinji also arrives, posing as a police detective. They and Kikuo convince Masami not to press charges against Phillip. Some time later, Kikuo dies in his sleep. Aiko, Shinji, Kota, and Phillip attend his funeral.
Phillip visits Mia, who was accepted into the school, and reintroduces himself to her with his real name. The two continue to spend time together as friends. Phillip continues working at Rental Family, which discontinues its practice of the "apology services" that led to Aiko's abuse.
Phillip returns to the Shinto shrine he once prayed at with Kikuo; having previously declined Kikuo's invitation to see what he was praying to. Now, he decides to look inside. Phillip sees his reflection in a mirror, causing him to smile.
The film has been in development since 2019. [5] In November 2023, Brendan Fraser was set to star in the film with Hikari directing from a script she co-wrote with Stephen Blahut. [6] In March 2024, Mari Yamamoto, Takehiro Hira, and Akira Emoto joined the cast. [7] [8] Principal photography began in Japan on March 12 and wrapped in late May. [7] [8]
An international co-production between the United States and Japan, Rental Family had its world premiere at the Toronto International Film Festival on September 6, 2025. [9] It was theatrically released in the United States by Searchlight Pictures on November 21. [10] [11] The film was screened at the Adelaide Film Festival in Australia on October 18, 2025. [12] On October 19, 2025, the film was shown within the 20th Rome Film Festival in the 'Grand Public' section, [13] while on November 3, 2025, it was showcased at the 38th Tokyo International Film Festival in the 'Gala Selection' section. [14] It was screened in the Icon section of the 2025 Stockholm International Film Festival on 5 November 2025. [15]
The film was expected to launch in the low digits, projected to make $2.6 million in its opening weekend. [16] [17] It made $3.3 million. [3]
On the review aggregator website Rotten Tomatoes , 87% of 174 critics' reviews are positive.The website's consensus reads: "A sweet-natured dramedy about faking human connection until you make it, Rental Family provides Brendan Fraser an ideal showcase for his sensitive star power while backing him up with a terrific ensemble." [18] Metacritic , which uses a weighted average , assigned the film a score of 65 out of 100, based on 33 critics, indicating "generally favorable" reviews. [19] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. [20]
Pete Hammond for Deadline calls the movie "sweet and lyrical" and "a gentle film, the kind of lower-key humane comedy we don’t see often these days." [21] Dieter Oßwald praises on the German arthouse portal Programmkino.de "the delightful ease with which the film, as both amusing and thought-provoking, explores identity, lies, and loneliness." Fraser seemingly presents himself effortlessly as a believable resilient character with enormous potential for empathy. "He delivers a truly Oscar-worthy performance in a heartwarming crowd-pleaser with depth." [22]
| Award | Date of ceremony | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| AARP Movies for Grownups Awards | January 10, 2026 | Best Intergenerational Film | Rental Family | Nominated | [23] |
| Artios Awards | February 26, 2026 | Feature Studio or Independent – Comedy | Kei Kawamura | Pending | [24] |
| Astra Film Awards | January 9, 2026 | Best Actor – Comedy or Musical | Brendan Fraser | Nominated | [25] |
| Best Original Screenplay | Hikari and Stephen Blahut | Nominated | |||
| Best Young Performer | Shannon Mahina Gorman | Nominated | |||
| Celebration of Asian Pacific Cinema and Television | November 14, 2025 | Director Award | Hikari | Won | [26] |
| Chicago International Film Festival | October 21, 2025 | Spotlight Award | Won | [27] | |
| Cinema for Peace Awards | 16 February 2026 | Cinema for Peace Dove for The Most Valuable Film of the Year | Rental Family | Pending | [28] [29] |
| Critics' Choice Movie Awards | January 4, 2026 | Best Young Actor/Actress | Shannon Mahina Gorman | Nominated | [30] |
| Hollywood Music in Media Awards | November 19, 2025 | Score – Independent Film | Jónsi and Alex Somers | Nominated | [31] |
| Middleburg Film Festival | October 20, 2025 | Narrative Feature Audience Award | Rental Family | Won [a] | [32] |
| National Board of Review | December 3, 2025 | Top 10 Films | Won [b] | [4] | |
| Savannah Film Festival | October 29, 2025 | Outstanding Achievement in Cinema Award | Brendan Fraser | Won | [33] |
| November 3, 2025 | Audience Award | Rental Family | Runner-up | [34] | |
| Seattle Film Critics Society | December 15, 2025 | Best Youth Performance | Shannon Mahina Gorman | Nominated | [35] |
| Society of Composers & Lyricists | February 6, 2026 | Outstanding Original Score for an Independent Film | Jónsi and Alex Somers | Pending | [36] |
| Virginia Film Festival | October 26, 2025 | Breakthrough Director Award | Hikari | Won | [37] |
| Washington D.C. Area Film Critics Association Awards | December 7, 2025 | Best Youth Performance | Shannon Mahina Gorman | Nominated | [38] |