Julia Wong | |
---|---|
Occupation | Film editor |
Years active | 1995–present |
Julia Wong is an American film editor best known for her diverse body of work on blockbusters like X-Men: The Last Stand (2006) and Hercules (2014); comedies like The Pink Panther 2 (2009), Extract (2009), Unpregnant (2020), and Hocus Pocus 2 (2022); thrillers like Child's Play (2019); and the musical remake of Valley Girl (2020).
In film school, she won the Eddie Award for Best Student Editing from American Cinema Editors (ACE). After two decades in film and television, Wong has become a member of ACE as well as the Academy of Motion Picture Arts and Sciences. She won a Satellite Award for Best Film Editing on X-Men: The Last Stand , which she co-edited with Mark Helfrich and Mark Goldblatt. And she has been a guest speaker on panels for ACE, the Motion Picture Editors Guild, and the Los Angeles Asian Pacific Film Festival (LAAPFF).
Year | Film | Director | Notes | Ref. |
---|---|---|---|---|
2004 | The Seat Filler | Nick Castle | ||
2005 | Santa's Slay | David Steiman | ||
2006 | End Game | Andy Cheng | ||
X-Men: The Last Stand | Brett Ratner | Second collaboration with Brett Ratner | ||
2007 | Good Luck Chuck | Mark Helfrich | ||
2009 | The Pink Panther 2 | Harald Zwart | ||
Extract | Mike Judge | |||
2011 | Red Riding Hood | Catherine Hardwicke | First collaboration with Catherine Hardwicke | |
2013 | Plush | Second collaboration with Catherine Hardwicke | ||
2014 | Hercules | Brett Ratner | Third collaboration with Brett Ratner | |
2016 | The Belko Experiment | Greg McLean | ||
2017 | The Last Word | Mark Pellington | ||
2018 | The Domestics | Mike P. Nelson | ||
2019 | Child's Play | Lars Klevberg | ||
2020 | Gretel & Hansel | Oz Perkins | ||
Valley Girl | Rachel Lee Goldenberg | First collaboration with Rachel Lee Goldenberg | ||
Unpregnant | Second collaboration with Rachel Lee Goldenberg | |||
2022 | Last Seen Alive | Brian Goodman | ||
Hocus Pocus 2 | Anne Fletcher |
Year | Film | Director | Role | Notes |
---|---|---|---|---|
1996 | Wedding Bell Blues | Dana Lustig | Assistant editor | |
1999 | Foolish | Dave Meyers | ||
Simon Sez | Kevin Alyn Elders | |||
2000 | Next Friday | Steve Carr | ||
Stranger than Fiction | Eric Bross | |||
2001 | On the Borderline | Michael Oblowitz | ||
Tangled | Jay Lowi | |||
Out Cold | The Malloys | First assistant editor | ||
2002 | Unfaithful | Adrian Lyne | Assistant editor | |
2003 | Honey | Bille Woodruff | Associate editor | |
2004 | After the Sunset | Brett Ratner | Additional editor | First collaboration with Brett Ratner |
2007 | Along the Way | Andrew Bowen | Assistant editor |
Year | Film | Director | Role |
---|---|---|---|
2015 | Barely Lethal | Kyle Newman | Thanks |
Year | Film | Director |
---|---|---|
2002 | The Fine Line Between Cute and Creepy | Robert D. Slane |
2004 | Mindgame | Jamie Neese |
Year | Film | Director |
---|---|---|
1995 | The Chick That Was Naked | Kurt Fitzpatrick |
Year | Film | Director |
---|---|---|
2011 | Rogue | Brett Ratner |
2015 | Ken Jeong Made Me Do It | Peter Segal |
Year | Film | Director | Role |
---|---|---|---|
1997 | Asteroid | Bradford May | Assistant editor |
1998 | When Husbands Cheat | Richard A. Colla | |
Gargantua | Bradford May |
Year | Title | Notes |
---|---|---|
2002 | The Pulse | 3 episodes |
2011 | CHAOS | 1 episode |
2014 | Reckless | 2 episodes |
2018 | Black Lightning | 1 episode |
2022 | Minx |
Year | Title | Role | Notes |
---|---|---|---|
1997 | Asteroid | Assistant editor | 2 episodes |
2000 | The Street | 7 episodes | |
2005 | Prison Break | Additional editor | 1 episode |
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
Mark Goldblatt is an Academy Award-nominated American film editor and film director and president emeritus of the American Cinema Editors.
Mark Helfrich is an American film editor and director. He is an elected member of American Cinema Editors (ACE) and serves on the board as an associate director. Helfrich has edited over thirty films such as Stone Cold (1991), Showgirls (1995) with Mark Goldblatt. Helfrich is also the primary editor for director Brett Ratner's films, such as Money Talks (1997), Rush Hour (1998), The Family Man (2000), Rush Hour 2 (2001), Red Dragon (2002), and After the Sunset (2004), X-Men: The Last Stand (2006), Kites (2010) with Mark Goldblatt and Julia Wong. Helfrich directed Good Luck Chuck.
Lauren Diane Shuler Donner is an American film producer, who specializes in mainstream youth and family-oriented entertainment. She owned The Donners' Company with her late husband, director Richard Donner. Her films have grossed about $5.5 billion worldwide including major contributions from the X-Men film series.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Craig McKay is an American feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing Reds and The Silence of the Lambs, and an Emmy Award for editing the NBC miniseries Holocaust, he has edited more than forty films including Philadelphia, The Manchurian Candidate, Cop Land and Maid in Manhattan.
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Mary Sweeney is an American director, writer, film editor and film producer. She was briefly married to American film director David Lynch, whom she collaborated with for 20 years. Sweeney worked with Lynch on several films and television series, most notably the original Twin Peaks series (1990), Lost Highway (1997), The Straight Story (1999), and Mulholland Drive (2001). Sweeney is the Dino and Martha De Laurentiis Endowed Professor in the Writing Division of the School of Cinematic Arts at the University of Southern California. She was formerly the chair of the Film Independent board of directors.
Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.
Donn Cambern was an American film editor with more than three dozen feature film credits. His editing of Romancing the Stone (1984) was nominated for an Academy Award for Best Film Editing along with fellow editor Frank Morriss, and his editing of Easy Rider (1969) has been noted as particularly innovative and influential. He was awarded the American Cinema Editors Career Achievement Award in 2004.
Mathilde Bonnefoy is a French film editor and director who was nominated for an ACE Eddie Award for the editing of the film Run Lola Run (1998) and who won the award for editing the documentary Citizenfour (2014). She and her husband Dirk Wilutzky additionally served as producers of Citizenfour with its director Laura Poitras, and the three received the 2014 Academy Award for Best Documentary Feature.
Tatiana S. Riegel A.C.E., is an American film editor known for independent films such as Lars and the Real Girl, The Way Way Back and I, Tonya. She received an ACE Eddie award for "Best Edited Miniseries or Motion Picture for Non-Commercial Television".
Richard Halsey is an American film editor with more than 60 credits from 1970 onwards. An alumnus of Hollywood High School, he won an Academy Award for Best Film Editing at the 49th Academy Awards for editing Rocky with Scott Conrad, also being nominated for one BAFTA and one Emmy Award. He often works with his wife Colleen Halsey and they are credited together. Both have been elected to membership in American Cinema Editors (A.C.E.); Halsey has been a member since 1988. He is now living in the Hollywood Hills.
Dana E. Glauberman, ACE, is an American film and television editor. She is known for her work on films such as Juno, Up in the Air, Draft Day and Ghostbusters: Afterlife, as well as TV series such as The Mandalorian and Ahsoka.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Jay Rabinowitz is an American film editor and commercial editor. He is certified by the American Cinema Editors.
Ernst Ragnar Rolf, better known as Tom Rolf, was a Swedish-born American film editor who worked on at least 48 feature films in a career spanning over fifty years. Most notable among these films are Martin Scorsese's Taxi Driver, for which he was nominated for the 1976 BAFTA Award for Best Editing, and Philip Kaufman's The Right Stuff, for which he and his editing team won the 1983 Oscar for Best Film Editing. Other notable films he edited include WarGames, Jacob's Ladder, Heat and The Horse Whisperer.
Kim Roberts, A.C.E., is an American filmmaker who has worked primarily on documentaries as a film editor and writer. Roberts has a master's degree in documentary film production from Stanford University (1996). Her first credit as an editor was for Long Night's Journey into Day (2000), which was directed by Deborah Hoffmann and Frances Reid and that was nominated for the Academy Award for Best Documentary Feature. She was credited as both an editor and writer for Great Wall Across the Yangtze (2000), which was directed by Ellen Perry. Her work since then and several of her honors are sketched in the filmography below. Roberts was featured in a New York Times article on film editing in 2012. She has been selected for membership in the American Cinema Editors, which entitles editors to append "A.C.E." to their film credits.
The American Cinema Editors Award for Best Edited Miniseries or Motion Picture for Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.