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The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Thelma Schoonmaker is an American film editor, known for her over five decades of work with frequent director Martin Scorsese. She's received numerous accolades including three Academy Awards, two BAFTA Awards, as well as a Golden Lion in 2014 and the BAFTA Fellowship in 2019. She's received eight Academy Award for Best Film Editing nominations, the most in Academy history alongside frequent Steven Spielberg collaborator Michael Kahn.
Stephen Mirrione is an American film editor. He is best known for winning an Academy Award for his editing of the film Traffic (2000).
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 percent of all editors working on the top 250 films of 2004, and 80 percent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Stephen Elliott Rivkin is an American film editor best known for his editing work on the Pirates of the Caribbean film series as well as his work with director James Cameron as an editor on Avatar, for which he was nominated for an Academy Award. Rivkin has edited three films for director Norman Jewison as well as has worked extensively with director Gore Verbinski. Stephen Rivkin is an elected member of the American Cinema Editors and currently serves as the President of the organization. He was also associate producer on two films.
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Christopher Greenbury was an English film editor with more than thirty film credits dating from 1979's The Muppet Movie. With Tariq Anwar, he won the BAFTA Award for Best Editing for American Beauty (1999), which he was also nominated for an Academy Award for Best Film Editing. American Beauty is a serious drama, but in general Greenbury edited comedy films, including six directed by the Farrelly brothers commencing with 1994's Dumb and Dumber.
Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.
Terence Rawlings was a British film editor and sound editor with several BAFTA nominations and one Academy Award nomination. His credits as a sound editor date from 1962–1977, after which he was credited primarily as a film editor.
Jim Clark was a British film editor and film director. He has more than forty feature film credits between 1956 and 2008. Clark directed eight features and short films. Among his most recognized films are Midnight Cowboy, Marathon Man (1976), The Killing Fields (1984), and Vera Drake (2004). In 2011, Clark published Dream Repairman: Adventures in Film Editing, a memoir of his career.
Gerry Hambling was a British film editor whose work is credited on 49 films; he had also worked as a sound editor and a television editor. Hambling's editing of three films, The Commitments (1991), Mississippi Burning (1988), and Midnight Express (1978), has been honored by BAFTA Awards for Best Editing.
Conrad Buff IV is an American film editor with more than 25 film credits since 1985. Buff is known for winning an Academy Award for Best Film Editing and an ACE Eddie Award for Titanic (1997); the awards were shared with his co-editors James Cameron and Richard A. Harris. He won the 2000 Satellite Award for Best Editing for Thirteen Days.
Fredric Steinkamp was an American film editor with more than 40 film credits. He had a longstanding, notable collaboration with director Sydney Pollack, editing nearly all of Pollack's films from They Shoot Horses, Don't They? (1969) through Sabrina (1995).
John Bloom is a British film editor with nearly fifty film credits commencing with the 1960 film, The Impersonator. He is the brother of actress Claire Bloom.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Richard Franklin Chew is an American film editor, best known for his Academy Award-winning work on Star Wars (1977), alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest (1975), Risky Business (1983), Waiting to Exhale (1995), That Thing You Do! (1996), and I Am Sam (2001). His career over a variety of films spans more than four decades.
George Watters II is an American retired sound editor with more than 80 feature film credits. He has won the Academy Award for Best Sound Editing twice, for The Hunt for Red October (1990) and for Pearl Harbor (2001).
Walt Mulconery was an American film editor who was most known for his work on films such as The Karate Kid, Flashdance and the English version of The Adventures of Milo and Otis.
Ernst Ragnar Rolf, better known as Tom Rolf, was a Swedish-born American film editor who worked on at least 48 feature films in a career spanning over fifty years. Most notable among these films are Martin Scorsese's Taxi Driver, for which he was nominated for the 1976 BAFTA Award for Best Editing, and Philip Kaufman's The Right Stuff, for which he and his editing team won the 1983 Oscar for Best Film Editing. Other notable films he edited include WarGames, Jacob's Ladder, Heat and The Horse Whisperer.
