M. Butterfly | |
---|---|
Directed by | David Cronenberg |
Screenplay by | David Henry Hwang |
Based on | M. Butterfly by David Henry Hwang |
Produced by | Gabriella Martinelli |
Starring | |
Cinematography | Peter Suschitzky |
Edited by | Ronald Sanders |
Music by | Howard Shore |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 101 minutes |
Country | United States |
Language | English |
Budget | $17–18 million |
Box office | $1,498,795 |
M. Butterfly is a 1993 American romantic drama film directed by David Cronenberg and written by David Henry Hwang based on his 1988 play. The film stars Jeremy Irons and John Lone, with Ian Richardson, Barbara Sukowa, and Annabel Leventon. The story is loosely based on true events which involved French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu.
René Gallimard is a French diplomat assigned to Beijing, China in the 1960s. He becomes infatuated with a Peking opera performer, Song Liling, who spies on him for the government of the People's Republic of China. Their affair lasts for 20 years, and they subsequently marry, with Gallimard all the while apparently unaware, or willfully ignorant, of the fact that in Peking opera Dan roles were traditionally performed by men.
David Henry Hwang's play M. Butterfly , based on the relationship between Bernard Boursicot and Shi Pei Pu, opened on Broadway in 1988, and was critically and financially successful. David Geffen, the play's producer, retained the film rights through his company. He worked with Warner Bros. on the film and it was given a budget of $17–18 million. [1] [2]
Cronenberg stated that "Ironically, if there was ever a film of mine that you could call a sellout, it was M. Butterfly". He read the film script written by Hwang before seeing his for the first time. Geffen initially wanted Peter Weir to direct the film, but Weir declined. [3] [4] [1] It was the most expensive film directed by Cronenberg until A History of Violence . [5]
Cronenberg had parts of the script, such as Americans in Vietnam and bombing scenes, removed as he was not interested in it. The first draft of the script featured Gallimard watching the Madama Butterfly opera with his mother as a child. [6] The ending scene between Gallimard and Liling in the police van was created by Cronenberg as he "just knew that it wouldn't play in prison the way it was in the play" as he felt Liling being allowed in Gallimard's cell and stripping would be unbelievable. [7]
Cronenberg auditioned over sixty men for the role of Liling before selecting John Lone. [8] The costume design was done by Cronenberg's sister Denise 5,979 costumes were used in the film. Hairstyling was done by Aldo Signoretti. [9] Randy Balsmeyer and Mimi Everett designed the title sequence, which features CGI created using Softimage 3D, and purchased around $30,000 worth of antique kimonos for it. It was their first title sequence to be fully computer generated. [10]
The film was mostly filmed in Toronto and was also shot in Beijing, Budapest, and Paris [11] [12] from August to December 1992. It was Cronenberg's first film to be shot outside of Canada. Geffen and Warner Bros. were impressed by the first trailer and the grand scale despite its small budget according to Cronenberg as "for 17 million dollars we got a fucking 50 million dollar epic". [13] Cronenberg was unable to accept the Genie Awards he won for Naked Lunch in person as he was filming in Hungary. [14]
M. Butterfly premiered as the gala opening film at the 1993 Toronto International Film Festival on September 9, 1993. [15] [16] Cronenberg was the first director to have two of their films shown as the festival's opening film, with Dead Ringers opening the festival in 1988. [17] It was released on LaserDisc on March 30, 1994. [18]
The film was a commercial failure [15] and grossed $1,498,795 in the domestic box office. [19] It earned $57,280 in its domestic opening weekend. [20] Cronenberg stated that he was disappointed by the film's reception and felt that it was overshadowed by The Crying Game . [21] He said that the films paralleled each other as both were transsexual, transracial, and transcultural. [22]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 39%, based on 23 reviews, and an average rating of 5.60/10. The website's critics consensus reads: "David Cronenberg reins in his provocative sensibility and handles delicate material with restraint, yielding a disappointing adaptation that flattens M. Butterfly into a tedious soap opera." [23] On Metacritic, the film has a weighted average score of 43 out of 100, based on 19 critics, indicating "mixed or average reviews". [24]
Marshall Fine gave the film two stars wrote that "it's hard to know where Hwang and Cronenberg went wrong in translating this film from stage to screen" and "it lacks the power, the ambition and the drama of the play". [25] Craig MacInnis, writing in the Toronto Star , wrote that "Against all odds, M. Butterfly is a boring film", [26] Robert Feldberg, writing in The Record , wrote that it was "remarkably boring" in his 1½ star review, [27] and Kenneth Turan, in the Los Angeles Times , wrote that the "Dazzling and multicolored" play was "turned into a drab moth of a film". [28] Gene Siskel gave the film 2½ stars stating that it was a "disappointing treatment of the hit play" and that it failed "because it is impossible to believe that Irons' character can't figure out that this womanly figure is really a man". [29]
Jami Bernard praised Irons and Lone's acting in her 3½ star review. [30] Eleanor O'Sullivan, writing a 2½ star review in Asbury Park Press , criticized Irons as being miscast and that Gallimard should have had a previous gay relationship as it would have "given real force to his resolution to believe the man he loves is a woman". [31] Rene Rodriguez, writing in the Miami Herald , also criticized the performances in his two star review stating that Irons "doesn't seem to be all here" compared to his "terrific dual performance" in Dead Ringers and Lone was not believable as a woman. [32]
Noel Taylor, writing in the Ottawa Citizen , gave the film four stars. [33] Jay Boyar wrote that there was "not a single unearned tear in this M. Butterfly" in his four star review in the Orlando Sentinel . [34] Roger Ebert gave the film 2½ stars and a thumbs up, but criticized that it "does not take hold the way the stage play did" and the two ending scenes "fly so recklessly in the face of plausibility that we're distracted". [35]
David Paul Cronenberg is a Canadian film director, screenwriter, producer and actor. He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Naked Lunch is a 1991 surrealist science fiction drama film written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs's 1959 novel Naked Lunch, and an international co-production of Canada, Britain, and Japan.
Scanners is a 1981 Canadian science fiction horror film written and directed by David Cronenberg and starring Stephen Lack, Jennifer O'Neill, Michael Ironside, and Patrick McGoohan. In the film, "scanners" are psychics with unusual telepathic and telekinetic powers. ConSec, a purveyor of weaponry and security systems, searches out scanners to use them for its own purposes. The film's plot concerns the attempt by Darryl Revok (Ironside), a renegade scanner, to wage a war against ConSec. Another scanner, Cameron Vale (Lack), is dispatched by ConSec to stop Revok.
Rabid is a 1977 independent body horror film written and directed by David Cronenberg. An international co-production of Canada and the United States, the film stars Marilyn Chambers in the lead role, supported by Frank Moore, Joe Silver, and Howard Ryshpan. Chambers plays a woman who, after being injured in a motorcycle accident and undergoing a surgical operation, develops an orifice under one of her armpits that hides a phallic/clitoral stinger she uses to feed on people's blood. Those she bites become infected, and then feed upon others, spreading the disease exponentially. The result is massive chaos, starting in the Quebec countryside, and ending up in Montreal. Rabid made $1 million in Canada, making it one of the highest-grossing Canadian films of all time. A remake of the same name, directed by Jen and Sylvia Soska, was released in 2019.
The Brood is a 1979 Canadian psychological body horror film written and directed by David Cronenberg and starring Oliver Reed, Samantha Eggar, and Art Hindle. Its plot follows a man and his mentally ill ex-wife, who has been sequestered by a psychiatrist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
The Dead Zone is a 1983 American science-fiction thriller film directed by David Cronenberg. The screenplay, by Jeffrey Boam, is based on the 1979 novel of the same title by Stephen King. The film stars Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Martin Sheen, Anthony Zerbe, and Colleen Dewhurst. Walken plays a schoolteacher, Johnny Smith, who awakens from a coma to find he has psychic powers. The film received positive reviews. The novel also inspired a television series of the same name in the early 2000s, starring Anthony Michael Hall, the pilot episode of which borrowed some ideas and changes used in the 1983 film.
Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grasp on reality.
The Fly is a 1986 American science fiction horror film directed and co-written by David Cronenberg. Produced by Brooksfilms and distributed by 20th Century Fox, the film stars Jeff Goldblum, Geena Davis, and John Getz. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. The score was composed by Howard Shore and the make-up effects were created by Chris Walas, along with makeup artist Stephan Dupuis.
Dead Ringers is a 1988 psychological thriller film starring Jeremy Irons in a dual role as identical twin gynecologists. David Cronenberg directed and co-wrote the screenplay with Norman Snider. Their script was based on the lives of Stewart and Cyril Marcus and on the novel Twins by Bari Wood and Jack Geasland, a "highly fictionalized" version of the Marcuses' story.
John Lone is a Chinese-American retired actor. He starred as Puyi in the Academy Award-winning film The Last Emperor (1987), for which he was nominated for a Golden Globe Award for Best Actor.
Shivers, also known as The Parasite Murders and They Came from Within, and, for Canadian distribution in French, Frissons, is a 1975 Canadian science fiction body horror film written and directed by David Cronenberg and starring Paul Hampton, Lynn Lowry, and Barbara Steele.
Denise Cronenberg was a Canadian costume designer.
Crash is a 1996 Canadian erotic thriller film written, produced and directed by David Cronenberg, based on J. G. Ballard's 1973 novel of the same name. Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
Crimes of the Future is a 1970 Canadian science fiction film written, shot, edited and directed by David Cronenberg. Like Cronenberg's previous feature, Stereo, Crimes of the Future was shot silent with a commentary added afterwards, spoken by the character Adrian Tripod.
Fast Company is a 1979 Canadian action film directed by David Cronenberg and starring William Smith, John Saxon, Claudia Jennings and Nicholas Campbell. It was written by Phil Savath, Courtney Smith, Alan Treen and Cronenberg. It was primarily filmed at Edmonton International Speedway, in addition to other locations in Edmonton, Alberta, and Western Canada.
Transfer is a 1966 short film written, shot, produced, edited and directed by David Cronenberg. It features Mort Ritts and Rafe Macpherson and has a runtime of 7 minutes.
M. Butterfly is a play by David Henry Hwang. The story, while entwined with that of the opera Madama Butterfly, is based most directly on the relationship between French diplomat Bernard Boursicot and Shi Pei Pu, a Beijing opera singer. The play premiered on Broadway in 1988 and won the 1988 Tony Award for Best Play. In addition to this, it was a Pulitzer Prize for Drama finalist in 1989.
Ernest Mathijs is a professor at the University of British Columbia, where he teaches film. He has published several books on cult films.
David Cronenberg is a Canadian film director, screenwriter, and actor. He is known as a principal originator of the genre commonly known as body horror, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Stereo is a 1969 Canadian science fiction film directed, written, produced, shot and edited by David Cronenberg in his feature film debut. Starring Ronald Mlodzik, who would go on to appear in later Cronenberg films Crimes of the Future, Shivers, and Rabid, the film was Cronenberg's first feature-length effort, following his two short films, Transfer (1966) and From the Drain (1967). The plot follows several young volunteers who participate in a parapsychological experiment.