Two Evil Eyes | |
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Directed by | |
Screenplay by |
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Based on | "The Facts in the Case of M. Valdemar" "The Black Cat" by Edgar Allan Poe |
Produced by | Achille Manzotti |
Starring | |
Cinematography |
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Edited by | Pasquale Buba |
Music by | Pino Donaggio |
Production companies |
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Distributed by |
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Release dates |
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Running time | 120 minutes |
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Language | English |
Budget | $9 million |
Box office | $349,618 [1] |
Two Evil Eyes (Italian: Due occhi diabolici) is a 1990 anthology horror film written and directed by George A. Romero and Dario Argento. An international co-production of Italy and the United States, Two Evil Eyes is split into two separate tales, both based largely on the works of Edgar Allan Poe: "The Facts in the Case of M. Valdemar", directed by Romero and starring Adrienne Barbeau; and "The Black Cat", directed by Argento and starring Harvey Keitel, which blends a number of Poe references into a new narrative. Both of the tales were filmed and take place in contemporary Pittsburgh.
Prior to Two Evil Eyes, Romero and Argento had worked together on Dawn of the Dead (1978).
40-year-old Jessica Valdemar visits Steven Pike, her elderly husband's lawyer, with some paperwork for Mr. Pike's approval. Pike sees that Jessica's 65-year-old husband, Ernest Valdemar, who is dying from a terminal illness, is liquidating a number of his assets for cash and suspects Jessica of having undue influence on him. Pike talks to Ernest Valdemar over the phone, who confirms the decision. Pike reluctantly agrees to let Jessica have access to the money, but warns her that if anything were to happen to Valdemar within the next three weeks before the transfer of his estate over to Jessica is finalized, she will be investigated by the authorities.
Jessica returns home to Valdemar's mansion where she meets with Dr. Robert Hoffman. Hoffman and Jessica have been conspiring to cheat Ernest out of his estate by hypnotizing him and having him do what they wish from his deathbed. Robert wants to elope with Jessica after they acquire Ernest's $3 million assets. Later, Ernest dies while under hypnosis. Wanting to keep his death secret for the time being, Robert and Jessica hide his body in the basement freezer. During the night, Jessica hears moaning coming from the basement, but cannot wake up Robert, who has put himself under a hypnotic-induced slumber.
The next morning, Jessica and Robert hear the moaning from the basement. They open the freezer, and Valdemar's voice claims that his soul is alive and trapped in a dark void between the living and the dead. Valdemar tells them that he sees "others" looking at him. Jessica withdraws $300,000 from a bank and stores it in a safe, an action Robert sees. Valdemar's undead corpse tells Robert that the "others" are vengeful spirits that want to use him to enter our world. Valdemar tells Robert to wake him up from his hypnotic state. In a panic, Jessica shoots Valdemar's corpse and wants to bury the body and leave town with the money they have. While Robert heads outside to dig a hole to bury the body, Jessica goes back into the cellar only to find Valdemar's body walking towards her, saying that he is controlled by "the others". Robert returns inside and sees Jessica and Valdemar struggling on the balcony, where the undead walking cadaver shoots Jessica in the head and she falls off the balcony, dead.
Robert attempts to wake Valdemar from his hypnosis, but Valdemar tells Robert that it is too late, for without his body as a conduit, "the others" cannot return to their realm. "They're with you now!" exclaims Valdemar, who finally falls dead. Robert then steals all the cash that Jessica had stored in the safe and flees the house. Robert goes back to his apartment, where he puts himself under a hypnotic sleep. Shortly after, the ghostly "others" enter his apartment and kill him by shoving the hypnotic digital counter into his chest. The ghosts then form themselves into a mist and enter Robert's dead body.
Several days later, the police led by Detective Grogan arrive at Robert's apartment to answer complaints about a "strange smell" and constant moaning coming from the apartment. Grogan finds the apartment ransacked. The decomposed body of Robert, under the control of "the others", appears and attacks Grogan, while telling him that there is nobody to wake him up and that he is trapped forever.
Crime scene photographer Rod Usher enters a building decorated with the abject remains of dismantled corpses. A naked woman lies bound to a table, sliced in two by a huge pendulum-like blade. Rod is frequently called upon the local authorities—led by Detective LeGrand—to document crime scenes in the area.
After arriving at his house, Rod works in his darkroom developing the photos when his work is interrupted by the appearance of a black cat, which has apparently been adopted by his live-in girlfriend Annabel. Annabel is a violinist who gives private lessons to local high school students who show up at the house after their school classes.
Over the next several days, an antipathy grows between Rod and the cat, a situation worsened by Annabel's excessive protection of it. Driven to distraction by the cat's apparent hatred of him, Rod eventually strangles it during a photo shoot he has set up, with the cat being the subject. Rod then uses the photos of him strangling the cat in his newest photography book, Metropolitan Horrors. As Annabel begins to realize what has happened to her pet, the couple argues violently, and Rod has a nightmare in which he is executed by medieval persons for murdering the cat.
One day, when Annabel finally spots his book in a shop window, with the strangled cat on the front cover, she immediately makes plans to leave Rod. Meanwhile, Rod is drinking heavily at a local bar. He becomes unnerved when the barmaid, Eleonora, gives him a stray black cat, identical to Annabel's cat. Rod notices that the feline has an identical white marking on its chest. Rod brings the cat home and sets about to kill it again, but Annabel rescues it, prompting Rod to kill her with a meat cleaver. When his suspicious next-door neighbor and landlord, Mr. Pym, arrives at his door, Rod assures him that nothing is wrong.
Rod conceals Annabel's remains behind a wall in the house and invents a story to explain Annabel's disappearance to her music students, Betty and Christian, when they show up the next day for their violin lessons. Christian, who doubts Rod's story, confides in Mr. and Mrs. Pym about his suspicions that Rod might have killed Annabel. When a friend of Annabel's in New York keeps phoning the house to ask about her whereabouts, Rod disconnected the phone. When the black cat appears from behind the wall, Rod kills it with a saw and disposes of it in a dumpster.
The next day, Detective LeGrand arrives with his partner to question Rod about Annabel's whereabouts. After looking around the house, the detectives leave, but return when a mewing sound is heard through one of the walls. Rod is handcuffed and the fake wall he put up is torn down, revealing that the cat had given birth in Annabel's tomb and its offspring are now feasting on the remains of their mistress. Rod grabs a pick-axe from LeGrand's partner and kills both policemen. Rod tries to make his escape when his neighbors arrive at the front door after hearing the commotion. Rod attempts to climb out a second floor window by using a rope tied around a tree in his backyard. However, he gets tangled in the rope and slips, the rope tightening around his neck, hanging him.
"The Facts in the Case of Mr. Valdemar"
| "The Black Cat"
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Two Evil Eyes was originally intended to be an anthology film consisting of four segments based on Edgar Allan Poe stories, each by a different director. [5] John Carpenter and Stephen King were considered to direct two of the segments, but Carpenter had scheduling issues, and King was uninterested in serving as a director again after his experience directing the 1986 film Maximum Overdrive . [5]
Romero collaborator Tom Savini provided the special make-up and gore effects for Two Evil Eyes. [6] [7] Savini also appears briefly in "The Black Cat" episode as "the Monomaniac", [4] a killer who rips out his victim's teeth. [7]
Two Evil Eyes was Julie Benz's first acting role and the first feature film she starred in. Benz appears as a teenage violin student in a few scenes in "The Black Cat" episode. Benz's voice was dubbed in the Italian-language version of the film by Dario Argento's daughter, Asia.
Two Evil Eyes holds a rating of 63% on Rotten Tomatoes based on 19 reviews, with an average rating of 5.4/10. [8]
In the book Art of Darkness: The Cinema of Dario Argento, a reviewer wrote of the film that, "Romero was a bizarre choice of director for an adaptation of Poe," and that Romero's segment lacked "any of the director's own trademarks: his striking use of space and editing, the moments of bleak surrealism and dark irony." [9] Though he commended Tom Savini's effects work, Gallant concluded that "the twin halves of Two Evil Eyes make utterly inappropriate bedfellows, coming from two directors whose styles, even at their best, would make an incongruous combination." [9]
"The Black Cat" is a short story by the American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them. His favorite, a pet black cat, bites him one night and the narrator punishes it by cutting its eye out and then hanging it from a tree. The home burns down but one remaining wall shows a burned outline of a cat hanging from a noose. He soon finds another black cat, similar to the first except for a white mark on its chest, but he develops a hatred for it as well. He attempts to kill the cat with an axe but his wife stops him; instead, the narrator murders his wife. He conceals the body behind a brick wall in his basement. The police soon come and, after the narrator's tapping on the wall is met with a shrieking sound, they find not only the wife's corpse but also the black cat that had been accidentally walled in with the body and alerted them with its cry.
Dawn of the Dead is a 1978 zombie horror film written, directed, and edited by George A. Romero, and produced by Richard P. Rubinstein. An American-Italian international co-production, it is the second film in Romero's series of zombie films, and though it contains no characters or settings from the preceding film Night of the Living Dead (1968), it shows the larger-scale effects of a zombie apocalypse on society. In the film, a phenomenon of unidentified origin has caused the reanimation of the dead, who prey on human flesh. David Emge, Ken Foree, Scott Reiniger, and Gaylen Ross star as survivors of the outbreak who barricade themselves inside a suburban shopping mall amid mass hysteria.
Dario Argento is an Italian film director, screenwriter and producer. His influential work in the horror and giallo genres during the 1970s and 1980s has led him to being referred to as the "Master of the Thrill" and the "Master of Horror".
George Andrew Romero Jr. was an American-Canadian film director, writer, editor and actor. His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture. Other films in the series include Dawn of the Dead (1978) and Day of the Dead (1985).
Land of the Dead is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead. It was released in 2005, with a budget of $15–19 million, the highest in Romero's Dead series, and has grossed $46 million.
Thomas Vincent Savini is an American prosthetic makeup artist, actor, stunt performer and film director. He is known for his makeup and special effects work on many films directed by George A. Romero, including Martin, Dawn of the Dead, Day of the Dead, Creepshow, and Monkey Shines; he also created the special effects and makeup for many cult classics like Friday the 13th, Maniac, The Burning, The Prowler, and The Texas Chainsaw Massacre 2.
"The Facts in the Case of M. Valdemar" is a short story by the American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also to a certain degree a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account. Poe admitted it to be a work of pure fiction in letters to his correspondents.
Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.
The Cat o' Nine Tails is a 1971 English-language Italian film directed by Dario Argento, adapted from a story by Dardano Sacchetti, Luigi Cozzi, and an uncredited Bryan Edgar Wallace. It stars Karl Malden, James Franciscus, and Catherine Spaak.
The Bird with the Crystal Plumage is a 1970 giallo film written and directed by Dario Argento, in his directorial debut. It stars Tony Musante as an American writer in Rome who witnesses a serial killer targeting young women, and tries to uncover the murderer's identity before he becomes their next victim. The cast also features Suzy Kendall, Enrico Maria Salerno, Eva Renzi, Umberto Raho and Mario Adorf.
Inferno is a 1980 Italian supernatural horror film written and directed by Dario Argento, and starring Irene Miracle, Leigh McCloskey, Eleonora Giorgi, Daria Nicolodi and Alida Valli. The plot follows a young man's investigation into the disappearance of his sister, who had been living in a New York City apartment building that also served as a home for a powerful, centuries-old witch. The cinematography was by Romano Albani, and Keith Emerson composed the film's musical score.
Tenebrae is a 1982 Italian giallo film written and directed by Dario Argento. The film stars Anthony Franciosa as American author Peter Neal, who – while in Rome promoting his latest murder-mystery novel – becomes embroiled in the search for a serial killer who may have been inspired to kill by his novel. John Saxon and Daria Nicolodi co-star as Neal's agent and assistant respectively, while Giuliano Gemma and Carola Stagnaro appear as detectives investigating the murders. John Steiner, Veronica Lario, and Mirella D'Angelo also feature in minor roles. The film has been described as exploring themes of dualism and sexual aberration, and has strong metafictional elements; some commentators consider Tenebrae to be a direct reaction by Argento to criticism of his previous work, most especially his depictions of murders of women.
Dracula 3D is a 2012 vampire horror film directed by Dario Argento from a screenplay he wrote with Enrique Cerezo, Stefano Piani, and Stefano Piani. It stars Thomas Kretschmann as Count Dracula, alongside Marta Gastini, Asia Argento, Unax Ugalde, Miriam Giovanelli, and Rutger Hauer.
Deep Red, also known as The Hatchet Murders, is a 1975 Italian giallo film directed by Dario Argento and co-written by Argento and Bernardino Zapponi. It stars David Hemmings as a musician who investigates a series of murders performed by a mysterious figure wearing black leather gloves. The cast also stars Daria Nicolodi, Gabriele Lavia, Macha Méril, and Clara Calamai. The film's score was composed and performed by Goblin, the first in a long-running collaboration with Argento.
Trauma is a 1993 Italian horror film directed by Dario Argento and starring Asia Argento, Christopher Rydell, Piper Laurie, and Frederic Forrest. Set in Minneapolis, Minnesota, it follows a troubled teenage girl who, with the help of a boyfriend, attempts to stop a serial killer who murdered her parents.
Opera is a 1987 Italian giallo directed and co-written by Dario Argento and starring Cristina Marsillach, Urbano Barberini, Daria Nicolodi, and Ian Charleson. The film's plot focuses on a young soprano (Marsillach) who becomes involved in a series of murders being committed inside an opera house by a masked assailant. The film features music composed and performed by Brian Eno, Claudio Simonetti, and Bill Wyman.
Franco Ferrini is an Italian screenwriter. His works often fall into the genres of horror or thriller. He was one of the interviewees represented in the book Spaghetti Nightmares.
Giallo is a 2009 Italian horror giallo film co-written and directed by Dario Argento and starring Adrien Brody, Emmanuelle Seigner and Elsa Pataky.
Dead On: The Life and Cinema of George A. Romero is a 2008 documentary film directed by the filmmaker Rusty Nails. The film is about the life and career of the horror film director George A. Romero. Clips from his films are combined with interviews with Romero, his collaborators, and his admirers to show the whole story of his life. The film premiered at the 2008 Melbourne International Film Festival.
Luigi Cozzi is an Italian film director and screenwriter. At a young age, Cozzi became a fan of science fiction and began his career as an overseas correspondent for Western film magazines. After directing his first film The Tunnel Under the World, Cozzi befriended director Dario Argento and began working with him in film and television as well as directing his own features including Hercules as well as continuing work with Argento. In the 2010s, he returned to directing with the film Blood on Méliès' Moon.