Work on Day of the Dead began shortly after the release of the previous film in the series, Dawn of the Dead (1978), but was halted when Romero began work on other projects. It was developed as part of a three-film deal with that film's distributor, United Film Distribution Company (UFDC); Romero elected to make the two other projects outlined in the deal, Knightriders (1981) and Creepshow (1982), first. Although the filmmaker was given final cut privilege, the screenplay was rewritten multiple times due to UFDC's concerns that Romero's ambitious original vision ― which he described as "the Gone with the Wind of zombie films" ― would need to be shot with the intention of receiving an R rating from the Motion Picture Association of America to ensure its commercial viability; Romero elected to make the film on a lower budget and release it without a rating. Day of the Dead was filmed in fall 1984, with above-ground scenes in the cities of Fort Myers and Sanibel and underground scenes near Wampum, Pennsylvania. Tom Savini returned to provide the film's special make-up effects; he was assisted by a team of artists that included Greg Nicotero and Howard Berger, who later became known for their work on the television series The Walking Dead.[6]
Day of the Dead premiered at Hicksville, New York on June 30, 1985, and grossed $34 million worldwide against a budget of approximately $4 million. Although the make-up effects were praised, the film initially did not match the critical and commercial success of its predecessors; the series did not see another installment until the 2005 release of Land of the Dead. Reception of the film has improved with time, and Romero deemed it to be his personal favorite film in the original Dead trilogy. Like its predecessors, Day of the Dead has garnered a cult following and inspired numerous parodies and homages.
Seven Years after the events in Dawn of the Dead, the zombie apocalypse has ravaged the entire world. The societal structures that used to safeguard civilization have mostly vanished, leaving the scattered remnants of human survivors vastly outnumbered by the zombie populations. A handful of scientists and soldiers live within a secure underground missile bunker in the Everglades. The scientists are trying to find a solution to the zombie pandemic; the soldiers have been assigned to protect them. Dr. Sarah Bowman, her lover and soldier Private Miguel Salazar, radio operator Bill McDermott, and helicopter pilot John fly from their underground base to Fort Myers in an attempt to locate additional survivors. They find only a large horde of the undead and return to the base, where they are told that the military detachment's officer-in-charge Major Cooper has died. Sarah becomes concerned over Miguel's worsening mental state, but he lashes out at her until she stops trying to help him.
Dr. Logan, the lead scientist (nicknamed "Frankenstein" by the soldiers because of his grisly surgical dissections of the zombies), believes that the undead plague victims can be made docile and domesticated through training and conditioning. He keeps a collection of captive undead for use as test subjects in a large underground corral in the compound. Sarah vehemently opposes Logan's conditioning research; instead, she wants to search for a possible cure for the virus. Sarah discovers that Logan has been experimenting on the corpses of the dead soldiers, including Major Cooper. Fearful that the other soldiers will turn on them, Sarah reluctantly keeps this a secret.
The soldiers range from decent and workmanlike to mean-spirited and confrontational, especially the unstable Captain Rhodes. Rhodes vehemently objects to the dangers involved in capturing and maintaining zombie specimens, and tension between soldiers and scientists worsens in the face of dwindling supplies, the loss of communication with other survivors, and slow, uncertain progress in the research. During a meeting, Rhodes declares that he is establishing martial law under his command in the compound. He only grants the scientists "some" time to prove results and declares that he will execute anyone who interferes with his leadership. He also threatens to abandon the scientists and leave the compound, cutting off their protection from the undead hordes, though he cannot rebut Logan's sarcastic asides that the soldiers have nowhere to run to and no way to stop the zombies on their own.
Disturbed by Rhodes' threats, Sarah discusses the situation with John and Bill, who reside in an RV at the far end of the tunnels and bluntly tell her they don't believe in anything she and the scientists are trying to accomplish. John professes his conviction that the zombie plague is a form of divine retribution against mankind, and suggests that the three of them should take the helicopter, abandon the soldiers, and fly to a desert island somewhere where they could live off the land and start a new life. Logan hopes to secure Rhodes' goodwill by showing him the results of his research. He is especially proud of "Bub", a docile zombie who remembers some parts of his past life and engages in rudimentary human behavior. Rhodes, however, is not impressed and loses more patience with the scientists.
During a zombie roundup procedure, a zombie escapes its harness when Miguel loses his focus, resulting in the deaths of soldiers Miller and Johnson. Miguel snaps and attempts to kill the creature, but another zombie bites him on the arm. With John and Bill's help, Sarah amputates and cauterizes Miguel's arm to stop the infection. Rhodes calls off the experiments and demands that all captive zombies be destroyed, as well as denying any further help from him and his remaining men.
Sarah and Bill later go to the operating theater to gather medical supplies for Miguel, where they find that Logan has been experimenting on Miller and Johnson's remains. After discovering evidence that Logan has drifted into insanity due to his failure to civilize the zombies' baser instincts, Bill decides that they should leave in the helicopter immediately. Rhodes finds out that Logan has been feeding the flesh of his dead soldiers to Bub as positive reinforcement for his behavior. Furious, Rhodes kills Logan and seizes the remaining scientists and non-military personnel, stripping them of their weapons. Rhodes attempts to force John to fly him and his remaining soldiers away from the base, which John refuses to do. In response, Rhodes kills Logan's assistant Dr. Fisher, locks Sarah and Bill inside the zombie corral, and orders Private Steel to beat John into submission.
Back in the laboratory, Bub uses his newly developed intelligence to free himself from his chain restraints and later discovers Logan's corpse. In a display of human emotion, he mourns the loss of his instructor, then picks up a pistol and goes in search of revenge. Meanwhile Miguel, whose self-control has finally snapped, heads off to the surface. While the soldiers try to go after him, John knocks out Rhodes and Torrez, steals their guns, and goes into the zombie corral to rescue Sarah and Bill.
Outside, a suicidal Miguel opens the perimeter fence, letting in hundreds of zombies, which surround him on the missile elevator platform. As they begin tearing at him, he activates the elevator control box, lowering the ravenous zombies into the complex. As the undead swarm the bunker, Rhodes leaves his men behind to be killed. Chased by Bub, he desperately attempts to escape, but runs into a mass of zombies and is shot in the stomach by Bub, who mockingly salutes Rhodes as he is torn apart. John, Sarah, and Bill make it to the chopper and escape to a tropical island.
Cast
Lori Cardille as Dr. Sarah Bowman, a scientist researching the cause of the zombie outbreak
Terry Alexander as John "Flyboy", the group's helicopter pilot
Jarlath Conroy as Bill McDermott, the group's alcoholic radio operator
Sherman Howard as "Bub", a friendly captured zombie taught by Logan to engage passively in human behavior (credited as "Howard Sherman")
Joseph Pilato as Captain Henry Rhodes, an increasingly mentally unhinged soldier and the self-appointed leader of the military group
Michael J. Tomaso as Mailbox 22 football player zombie
Mike Ancas as head-ripper zombie
Production
Development
Romero originally intended the film to be "the Gone with the Wind of zombie films".[7] Following budget disputes and the artistic need to release the film unrated, the budget of the film was cut in half, dropping from $7 million to $3.5 million.[7] This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to a shorter page count. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 155-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the "second version, second draft" in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
The film was given a very limited release.[7] This is chronicled in the documentary The Many Days of 'Day of the Dead' on the two-disc Anchor Bay special edition DVD of the film.[7] Some of the original concepts and characters remain, but the film differs greatly from Romero's original script,[8] as stated by actress Lori Cardille:
He could've made me this sexy little twit bouncing around with a gun:- much more the sexual element. But he made her intelligent and strong. In fact, whenever I would try and make her a little more emotional, he would not allow me to do that.[7]
Casting
Joseph Pilato was cast as Rhodes, the film's antagonist. As stated by Pilato "He pretty much just gave it to me. I don't know if he auditioned other people, but it was very quick. I came in and it was like, 'You got it!'".[9] Pilato had acted in two prior films directed by Romero, the first being Pilato's debut Dawn of the Dead and the second being Knightriders; in between those films he played his first lead role in a film entitled Effects (1979).[9] In an interview, Pilato was asked if Romero "had him in mind", Pilato stated that one of the reasons why he got the role was because of the budget being scaled down from 7 to 3.5 million.[9]
The role of Dr. Matthew "Frankenstein" Logan was played by Richard Liberty. In a 2000 interview, Liberty said that he received a call from Christine Forrest, Romero's then-wife and casting director for Day of the Dead, wherein he was both offered the role and told that George Romero specifically wrote the role for Liberty.[10] Liberty had previously worked with Romero on the 1973 film The Crazies.
Members of the rock band NRBQ cameo in the film in zombie makeup.[11]
Filming
Filming took place in the fall of 1984 at locations in Pennsylvania and Florida. All above-ground scenes were filmed at several locations around Florida, where Romero was living at the time. The opening scene was filmed in the downtown area of Fort Myers, Florida.[12] The fenced in compound with the helicopter landing pad was shot at a location called Bowman's Beach Helistop in Sanibel. Underground scenes were filmed in a former mine shaft located near Wampum, Pennsylvania, converted into a long-term storage facility for important documents. Though the mine maintained a constant temperature of about 50°F (10°C), its high humidity played havoc with the crew's equipment and props. Mechanical and electrical failures were a constant problem throughout filming, and caused several of special effects leader Tom Savini's props to fail during the filming. Despite these failures, Savini was nominated and won the 1985 Saturn Award for Best Make-up. Lori Cardille, who plays Sarah Bowman, won the best actress award at the Sitges Film Festival in 1985. The remote location also complicated the transportation of crew members and equipment. Cast and crew would often sleep in the mine overnight to avoid the time-consuming travel to and from the shooting location. "Zombie" extras were recruited from among the citizens of Pittsburgh, with preference given to those who had worked on previous Romero films. Extras were paid $1.00 for their services, and given a hat that read "I was a Zombie in Day of the Dead".
Release and reception
Subsequent to its theatrical release, the film has grossed over 30 million dollars worldwide.[13]Day of the Dead would earn most of its gross revenue when the film was released internationally on VHS format, and later DVD and Blu-ray. This is in contrast to the film's poor box-office reception when it was released in cinemas.[14]
Based on 45 reviews collected retrospectively by Rotten Tomatoes, Day of the Dead has an 87% approval rating, with a weighted average of 7.1/10,[15] making it the lowest-rated film in Romero's original Dead trilogy,[16][17] with Night of the Living Dead having a 96% approval rating and Dawn of the Dead having a 93% approval rating.[16][17] The website's critical consensus states that "Day of the Dead may arguably be the least haunting entry in George A. Romero's undead trilogy, but it will give audiences' plenty to chew on with its shocking gore and scathing view of society". On Metacritic the film holds a score of 60 out of 100 based on reviews from 13 critics, indicating "mixed or average reviews".[18]
Day of the Dead had its world premiere on June 30, 1985,[1] and was given a limited release on July 3, 1985. The film saw its wide release on July 19, 1985.[19]Roger Ebert, who reacted favorably to other films of Romero's Dead series,[20][21][22] gave Day of the Dead one and a half stars; he praised the special effects but was put off by what he referred to as "over-acting" in the film, specifically that all of the actors screamed at each other for the entire film in a way that was not present in Romero's earlier films.[23]BBC reviewer Almar Haflidason stated "It benefits from a far larger budget than its predecessors, but suffers from a story as malnourished as the zombies that are chewing it up", Haflidason would go on to give the film three out of five stars.[24] As noted by The New York Times reviewer Janet Maslin "Yes, there are enough spilled guts and severed limbs to satisfy the bloodthirstiest fan. But these moments tend to be clustered together, and a lot of the film is devoted to windy argument."[25]AllMovie reviewer Keith Phipps stated that: "The last, to date at least, of George Romero's living dead films is in many respects the least interesting, although it's not for a lack of ambition."[26]Variety wrote that the film was the most unsatisfying of the original three films and that "The acting here is generally unimpressive and in the case of Sarah's romantic partner, Miguel (Antone DiLeo Jr), unintentionally risible."[27]Dave Kehr praised the film in his review for the Chicago Reader, writing that "this time the focus is less political than philosophical. Beginning from a position of absolute misanthropy, Romero asks what it means to be human, and the answers are funny, horrifying, and ultimately hopeful."[28]
Day of the Dead would peak at 23 on the Billboard chart Top VHS Sales in 1986 a year after its initial release.[29]
The film grossed $5.8 million domestically.[7] It fared much better internationally, grossing $28.2 million outside of the United States.[13]Day of the Dead's total gross is a little over $34 million.[13] The film is also noted for its special effects work, notably Tom Savini's make-up, he was honored with his second Saturn Award in 1985 for Best Make-up, the first time being with Dawn of the Dead in 1980.[30]Jonathan Rosenbaum placed the film in his personal canon of 1,000 favorite films, one of two Romero films chosen by Rosenbaum (the other was Martin).[31] Romero himself cited Day of the Dead as his personal favorite of his original trilogy of zombie films.[32] On May 19, 2012, the film headlined the 12-hour film festival Hudson Horror Show V.[33]
Alex Stewart reviewed Day of the Dead for White Dwarf #83, and stated that "Organized around a tough performance by Lori Cardille as the determined research leader, the movie is as much a study of the several inhumanities of science and the military as it is a feast of gore and putrefaction. After all, disembowelling is only one way, the most literal, of taking people apart."[34]
Home video
The film was released on DVD on November 24, 1998 in the United States and on March 5, 2001 in the United Kingdom.[24][35] Both the theatrical and an unrated director's cut were released as special editions containing identical bonus features, and the DVD was released in the United Kingdom in a region 2 DVD.[24] The Blu-ray version of Day of the Dead was released on October 2, 2007.[36] This edition includes many special features, including two audio commentary tracks with writer-director George A. Romero, Tom Savini, production designer Cletus Anderson, and lead actress Lori Cardille.[36] There is also a second commentary with fellow filmmaker and self-proclaimed Romero fan, Roger Avary.[36] It also includes two documentaries; the first one is entitled The Many Days of 'Day of the Dead', which focuses on the original script and the budget, it also included information about shooting in the Gateway Commerce Center.[36] What is also mentioned is the casting details. The second documentary, entitled Day of the Dead: Behind the Scenes, focuses mostly on make-up effects.[36] On March 29, 2010, Arrow Video released a 25th Anniversary Edition on Blu-ray exclusive to the UK.[37]
Shout! Factory released the film under its Scream Factory label on September 17, 2013. The release is a Collector's Edition Blu-ray/DVD Combo Pack with all-new artwork and special features.
In popular culture
Near the end of the film version of Resident Evil (2002), the protagonist Alice walks outside of her quarantine into a ravaged city street jammed with traffic. The camera pans past a newspaper blowing in the wind stating "The Dead Walk!", a direct homage to George A. Romero's work on Day of the Dead.
"Just Voodoo It", an episode of Stroker & Hoop, featured the characters battling zombies using guns made by Double-Wide. They turn out to fire only sunlight, which he claims is because of zombies' vulnerability to sunlight, hinted at by the film being called Night of the Dead and not Day of the Dead. Coroner Rick yells at him "That was the sequel!"
The song "M1 A1" from the self-titled 2001 Gorillaz studio album samples the pulsing synthesizers and cries of "Hello! Is anyone there?" from the opening of the film.[38] The song "Hip Albatross", also by Gorillaz, features a clip of Terry Alexander's dialogue.[39] Furthermore, the artwork for the song "November Has Come" off of the Gorillaz' 2005 album Demon Days has a picture of a calendar pinned to a brick wall set to the month of October with all the dates marked off in red Xs (reminiscent of the opening scene in Day of the Dead).[38]
The song "Battlefield" from the 2004 Panzer AG studio album This Is My Battlefield samples Captain Rhodes asking Sarah in reference to Miguel's zombie bite: "You think he wants to walk around after he's dead? You think he wants to be one of these things?" The line "Sit down or so help me God I'll have you shot" appears once near the end of the song.
The deathcore band Through the Eyes of the Dead sampled a clip at the beginning of the song "Between the Gardens that Bathe in Blood", released on the EP The Scars of Ages (2004).
The song "Confessions of a Knife (Theme Part 2)" from the 1990 studio album Confessions of a Knife... by My Life with the Thrill Kill Kult samples dialogue between Sarah and Captain Rhodes. Captain Rhodes: "I'll have you shot." Sarah: "Are you out of your mind?" Captain Rhodes: "No, ma'am. Are you?" Along with dialogue from Private Steel and laughter from Private Rickles that repeats later throughout the song. Steel: "Bang! You're dead!" followed by Rickles' laughter.
The song "The Only Good God Is a Dead God" from the 1992 studio album Psychological Warfare Technology Systems by Terror Against Terror samples Captain Rhodes' final screams "Choke on them... choke on them", with the sounds of the zombies eating him.
American punk band the Misfits recorded a song about the film entitled "Day of the Dead" for their 1997 studio album American Psycho.
In 2014, Sherman Howard's zombie character Bub appeared in a cameo in "Us", the fifteenth episode of the fourth season of the AMC series The Walking Dead,[40] as one of the walkers encountered by the characters Glenn and Tara in a railroad tunnel, an homage to not only the character but also to the underground setting of Day of the Dead.
The first episode of the third season of Stranger Things sees the main characters sneaking into their local cinema to watch an early screening of Day of the Dead.
Seattle-based musical duo the Little Black Bottles composed "Letter to Miguel", a tribute song to character Miguel Salazar, for their studio album Let Them Eat Red Velvet Cake.
In Call of Duty: Black Ops 4 (2018), the final DLC map for the Zombies mode is named "Tag der Toten" ('Day of the Dead' in German). It is a reimagining of the Call of Duty: Black Ops (2010) Zombies map, "Call of the Dead", in which Romero appeared as a boss zombie. In "Tag der Toten" his iconic glasses show up as a tribute.
The soundtrack was released on LP and cassette in the same year as the film (1985) by Saturn Records; it contained 6 tracks, all of which was composed and performed by John Harrison.[41] The vocals came from Sputzy Sparacino who was the lead singer of the Pittsburgh R&B/dance/cover band Modern Man and Delilah, who was known at the time for being the lead singer of the Pittsburgh R&B/gospel/dance band Samson & Delilah on the tracks "If Tomorrow Comes" and "The World Inside Your Eyes".[41] The album was re-issued in 2002 by Numenorean Music as a limited edition CD. The new edition was limited to 3,000 copies and contained the original album plus five additional tracks from the music and effects reel (the only surviving recording of the film score). It also included a 12-page booklet with information from Harrison and Romero regarding the score.[41]
No.
Title
Writer(s)
Length
1.
"The Dead Suite"
Harrison
19:41
2.
"Breakdown"
Harrison
3:52
3.
"Escape Invasion"
Harrison
3:58
4.
"The Dead Walk"
Harrison
Sparacino
Blazer
4:54
5.
"If Tomorrow Comes"
Harrison
Blazer
Sparacino
3:39
6.
"The World Inside Your Eyes"
Harrison
Blazer
Sparacino
Pearsall
3:31
7.
"Deadly Beginnings"
Harrison
3:31
8.
"Diner of the Living Dead"
Harrison
3:44
9.
"Dead Calm"
Harrison
6:54
10.
"Bub's 9th"
Beethoven
Harrison
5:59
11.
"Dead End"
Harrison
3:34
Waxwork Records later released the soundtrack on vinyl in 2013, making it the first album release with the complete film score.[42]
Prequel, remakes and television series
A unofficial prequel was released in 2005, entitled Day of the Dead 2: Contagium. Although it is, by definition, an official sequel as Taurus Entertainment Company holds the rights to the original film, no one from the original Day of the Dead had any involvement in the film.[43] The film also diverges from the continuity of the original in several respects.
A loose remake of the film, Day of the Dead, was released straight to DVD on April 8, 2008.[44] Little of the original plot exists, with only a few basic elements remaining; notably the underground army base near the end of the film, and some of the characters' names.[45] This marks the second time that Ving Rhames makes an appearance in a remake of a George A. Romero zombie film, following Dawn of the Dead (2004).
On July 10, 2013, it was announced that there would be another remake of Day of the Dead, titled Day of the Dead: Bloodline. Christa Campbell and Lati Grobman, two of the producers behind Texas Chainsaw 3D (2013) have obtained the rights. Campbell, who had a small role in the first remake, said, "We want to keep it as close to the Romero version as possible. These are not going to be zombies climbing walls and doing back flips like in World War Z."[46] Directed by Hèctor Hernández Vicens, it began filming in June 2016. The film was released on December 29, 2017 in Vietnam and on January 5, 2018 in the United States, it was a critical failure.[47][48]
In February 2020, a television series based on the film was announced and will premiere on Syfy in 2021.[49] The series will follow six strangers in the first 24 hours of a zombie invasion and director Steven Kostanski confirmed the series will have a connection to the original 1985 film.[50]
Stef Hutchinson wrote the 24-page comic Day of the Dead: Desertion, which was exclusively released to celebrate the film's 25th anniversary and shows the origins of Bub, before becoming a zombie.[52]
Related Research Articles
Night of the Living Dead is a 1968 American independent horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea. The story follows seven people trapped in a farmhouse in rural Pennsylvania, under assault by reanimated corpses. Although the flesh-eating monsters that appear in the film are referred to as "ghouls", they are credited with popularizing the modern portrayal of zombies in popular culture.
Dawn of the Dead is a 1978 zombie horror film written, directed, and edited by George A. Romero, and produced by Richard P. Rubinstein. An American-Italian international co-production, it is the second film in Romero's series of zombie films, and though it contains no characters or settings from the preceding film Night of the Living Dead (1968), it shows the larger-scale effects of a zombie apocalypse on society. In the film, a phenomenon of unidentified origin has caused the reanimation of the dead, who prey on human flesh. David Emge, Ken Foree, Scott Reiniger, and Gaylen Ross star as survivors of the outbreak who barricade themselves inside a suburban shopping mall amid mass hysteria.
George Andrew Romero Jr. was an American-Canadian film director, writer, editor and actor. His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture. Other films in the series include Dawn of the Dead (1978) and Day of the Dead (1985).
Dawn of the Dead is a 2004 action horror film directed by Zack Snyder in his feature directorial debut, with a screenplay by James Gunn. A remake of George A. Romero's 1978 film of the same name, it stars an ensemble cast that includes Sarah Polley, Jake Weber, Ving Rhames, and Mekhi Phifer, with Scott Reiniger, Tom Savini, and Ken Foree from the original film appearing in cameos. Set in Milwaukee, the film follows a group of survivors who try to survive a zombie apocalypse holed up in a suburban shopping mall.
Survival of the Dead is a 2009 horror film written and directed by George A. Romero and starring Alan van Sprang, Kenneth Welsh and Kathleen Munroe. It is the sixth entry in Romero's Night of the Living Dead series. The story follows a group of AWOL National Guardsmen who briefly appeared in Diary of the Dead.
Land of the Dead is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead. It was released in 2005, with a budget of $15–19 million, the highest in Romero's Dead series, and has grossed $46 million.
Night of the Living Dead is a 1990 American horror film directed by Tom Savini and starring Tony Todd and Patricia Tallman. It is a remake of George A. Romero's 1968 film of the same title; Romero rewrote the original 1968 screenplay he had originally co-authored with John A. Russo.
Thomas Vincent Savini is an American prosthetic makeup artist, actor, stunt performer and film director. He is known for his makeup and special effects work on many films directed by George A. Romero, including Martin, Dawn of the Dead, Day of the Dead, Creepshow, and Monkey Shines; he also created the special effects and makeup for many cult classics like Friday the 13th, Maniac, The Burning, The Prowler, and The Texas Chainsaw Massacre 2.
Living Dead, also informally known as Of The Dead is a blanket term for the loosely connected horror franchise that originated from the 1968 film Night of the Living Dead. The film, written by George A. Romero and John A. Russo, primarily focuses on a group of people gathering at a farmhouse to survive from an onslaught of zombies in rural Pennsylvania. It is known to have inspired the modern interpretation of zombies as reanimated human corpses that feast on the flesh and/or brains of the living.
Day of the Dead is a 2008 American horror film directed by Steve Miner and written by Jeffrey Reddick. It is a remake of George A. Romero's 1985 film of the same name, the third in Romero's Dead series. The film sees a virus outbreak that causes people to turn into violent zombie-like creatures, and stars Mena Suvari, Nick Cannon, Michael Welch, AnnaLynne McCord, Stark Sands, Matt Rippy, Pat Kilbane, Taylor Hoover, Christa Campbell, and Ving Rhames.
John A. Russo, sometimes credited as Jack Russo or John Russo, is an American screenwriter and film director most commonly associated with the 1968 horror classic film Night of the Living Dead, which he co-wrote with director George A. Romero. As a screenwriter, his credits include Night of the Living Dead, The Majorettes, Midnight, and Santa Claws. The latter two, he also directed. He has performed small roles as an actor, most notably the first ghoul who is stabbed in the head in Night of the Living Dead, as well as cameos in There's Always Vanilla and House of Frankenstein 1997. He was the publisher and managing editor of the magazine Scream Queens Illustrated, which featured popular stars of horror films and other genres.
Joseph Pilato was an American film and voice actor. He was perhaps best known for his performance as Captain Rhodes in the 1985 film Day of the Dead.
Diary of the Dead is a 2007 found footage horror film written and directed by George A. Romero. Although independently produced, it was distributed theatrically by The Weinstein Company and was released in cinemas on February 15, 2008 and on DVD by Dimension Extreme and Genius Products on May 20, 2008.
Zombie comedy, often called zom com or zomedy, is a film genre that aims to blend zombie horror motifs with slapstick comedy as well as morbid humor.
A zombie is a mythological undead corporeal revenant created through the reanimation of a corpse. In modern popular culture, zombies are most commonly found in horror genre works. The term comes from Haitian folklore, in which a zombie is a dead body reanimated through various methods, most commonly magical practices in religions like Vodou. Modern media depictions of the reanimation of the dead often do not involve magic but rather science fictional methods such as fungi, radiation, gases, diseases, plants, bacteria, viruses, etc.
Nightmare City is a 1980 Italian-Spanish science-fiction horror film directed by Umberto Lenzi. It stars Hugo Stiglitz as a TV news reporter who witnesses the collapse of order in a city overrun by irradiated blood-drinking ghouls. Victims rise from the dead to join the host, adding to the chaos.
Gregory Nicotero is an American special make-up effects creator, television producer, and director. His first major job in special effects makeup was on the George A. Romero film Day of the Dead (1985), under the tutelage of Romero and make-up effects veteran Tom Savini.
Night of the Living Dead is a zombie horror media franchise created by George A. Romero beginning with the 1968 film Night of the Living Dead, directed by Romero and cowritten with John A. Russo. The franchise predominantly centers on different groups of people attempting to survive during the outbreak and evolution of a zombie apocalypse. The latest installment of the series, Survival of the Dead, was released in 2009, with a sequel, Twilight of the Dead, in development. This would be the first film in the series not directed by George Romero, who died on July 16, 2017.
Gary Howard Klar was an American actor known for his role as Pvt. Steel in George A. Romero's cult classic zombie film Day of the Dead. He also appeared in Married to the Mob (1988), Big (1988), and Hackers (1995).
Numerous Night of the Living Dead remakes have adapted and reimagined the seminal 1968 horror film. It has been remade more than any other movie. The distributor mistakenly released it without a copyright and directly into the public domain. When changing the title from Night of the Flesh Eaters, The Walter Reade Organization also removed the only copyright notice in the film. This absence of copyright protection allowed filmmakers to adapt the original work without permission from the film's production company. A protracted court case found that the creators, Image Ten, did not hold the copyright, and the film's creators received little of its millions in revenue. Bill Hinzman, who played the cemetery zombie in the original film, directed Flesheater in 1988. Flesheater has similarities but is considered an homage rather than a direct remake. The first official remake in 1990 roughly followed the original film's script and involved members of the original crew. They were partly motivated by the missed revenue from the original film. The 1990 version was atypical for a Hollywood remake in having the support of the original film's director, George A. Romero, and other creators. Rumors of another studio planning to remake the public domain film without his involvement spurred Romero into action. In the following years, there were many unofficial remakes. The film has seen an official color remake, an unofficial 3D version, and many independent remakes.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
