This article needs additional citations for verification .(December 2010) |
My Life with the Thrill Kill Kult | |
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Origin | Chicago, Illinois, U.S. |
Genres | Industrial rock, industrial dance |
Years active | 1987–present |
Labels | Interscope/Atlantic, Red Ant, Rykodisc, SleazeBox, Wax Trax!/TVT |
Members | Groovie Mann Buzz McCoy Mimi Star Arena Rock Justin Bennett |
Past members | Jacky Blacque Shawn Christopher Davey Dasher Sekret Dame DeZyre Brett Frana Dick Fury Kitty Killdare Linda LeSabre Lydia Lunch Curse Mackey Bruce Manning Otto Matix Ruth McArdle Sinderella Pussy Arena Rock Pepper Somerset Brian St. Clair Skip Towne Thomas Thorn William Tucker Charles Levi Westin Halvorson Xtina X Alex Uberman |
Website | mylifewiththethrillkillkult |
My Life with the Thrill Kill Kult (often shortened to Thrill Kill Kult or TKK) is an American electronic industrial rock band originally based in Chicago and founded by Groovie Mann (born Frankie Nardiello) and Buzz McCoy (born Marston Daley). They became known in the 1980s as pioneers of the industrial music genre – although by the early 1990s they had changed to a more disco-oriented sound – and as a frequent target of censorship groups, including the PMRC, which objected to the band's humorous and satirical references to Satan, Jesus and sex in their song lyrics and stage shows. [1]
During the early 1990s, Thrill Kill Kult had several hits on the U.S. dance club and alternative charts. [2] They also contributed songs to several movie soundtracks and appeared in the 1994 film The Crow . The band has continued to record and tour with a rotating lineup in addition to core members Mann and McCoy. In 2017, the band celebrated its 30th anniversary. [3]
Nardiello and Daley met in spring 1987 while touring together with the band Ministry. Soon after, Nardiello and Daley began to conceive an art film to be called My Life with the Thrill Kill Kult – a headline taken from a British tabloid Nardiello had noted a few years prior when he lived in London. The film was never completed, but the music they had recorded for its soundtrack appealed to Wax Trax! Records, who released the completed songs as a three-track EP.
Dubbing themselves Groovie Mann (Nardiello) and Buzz McCoy (Daley), they launched My Life With the Thrill Kill Kult. When the first EP sold well, a full-length album, I See Good Spirits and I See Bad Spirits , followed in 1988. Both attracted attention from college radio stations and dancefloors, as well as religious groups who balked at the overtly occult imagery in both the music and the artwork of the releases. The group continued to stoke controversy with each subsequent release, which included a remix EP entitled Nervous Xians, and they became even more popular with release of the 12-inch single "Kooler Than Jesus".
Thrill Kill Kult's second album, Confessions of a Knife... , became one of the best-selling releases on Wax Trax!, and continued to goad parental groups with song titles like "A Daisy Chain 4 Satan" and "Rivers of Blood, Years of Darkness".
Along with labelmates Ministry, KMFDM, and Front 242, Thrill Kill Kult helped develop the industrial music genre, but they themselves continued to evolve, creating a sound that was not easily identified or categorized. It was electronic club music with heavy beats, reminiscent of both disco and funk, yet amplified to a sometimes abrasive level. Thrill Kill Kult reflected a shift where dance records could be ominous and aggressive, and they laced their music with riffs and references that would seem more at home in a heavy metal group. One of their most distinctive characteristics is their use of spoken-word samples lifted from B-movies and old television shows.
At the onset of their career, the band's music was known as having a "satanic" theme, although used in a satirical sense. The occult element of the band has moved to the background in recent years, as they have focused more on their sleazy disco sound although still laden with satire. The 1991 album Sexplosion! marked TKK's leap toward more psychedelic house beats and their later grind house lounge sound. Later albums expanded upon these sounds and explored new directions as well, such as the 1995 Interscope release Hit & Run Holiday, which combined the Kult's signature electronic sound with a psychedelic surf rock/go-go theme reminiscent of 1960s garage rock and more modern acts like The B-52's.
Mann and McCoy recruited Thomas Thorn (a.k.a. Buck Ryder) to play keyboards and administer samples on the band's first tour. Brian Gillespie (a.k.a. Skip Town) from The Five and later Concussion Ensemble played a classic Slingerland Silver Sparkle drum set with sample triggers. The live act also featured female backup singers referred to as "The Bomb Gang Girlz", [4] among the first of whom were Jacky Blaque, Rhonda Bond and Kitty Killdare.
Thorn soon departed amicably from the live act to form his own band, The Electric Hellfire Club (which embraced the overtly Satanic themes that My Life With the Thrill Kill Kult had only flirted with).
My Life With the Thrill Kill Kult kept adding a revolving cast of characters to their stage show that, over the years, has included No Wave chanteuse Lydia Lunch, bassist Charles Levi, guitarist William Tucker, Chris "Curse" Mackey from the bands Evil Mothers and Grim Faeries, Lady Galore from Lords of Acid (who appeared in TKK as Cherrie Blue), and a great number of artists, sound technicians, musicians, and filmmakers. Creatively, however, the core of the band has always been Mann and McCoy, both on record and in the live act.
The "Sexplosion!" tour in 1991 achieved a particularly edgy reputation. In addition to its staging, which featured a bar and bartender onstage with the band, the show also featured a male/female duo known as Ten and Avaluscious White, who appeared onstage dressed in a number of different guises. At one point, Ten was dressed as Jesus strapped to a cross and featuring a large black dildo or alternately a large sausage between his legs, while Avaluscious White dress as a demon girl simulated oral sex on him. This created controversy and protest in a number of American locations, adding to the band's notoriety.[ citation needed ]
In the summer of 2010, the band once again hit the road with Lords of Acid, with whom they toured on the Sextacy Ball Tour in 1995. [5] The 2010 tour was originally titled Sextacy Ball 2, but was changed to the Sextreme Ball for legal reasons.
In 2012, My Life with the Thrill Kill Kult announced their 25-year anniversary tour covering over 30 dates in the US tour featuring direct support by Left Spine Down. [6] [7]
Thrill Kill Kult left Wax Trax! Records after their third album, Sexplosion!, surpassed Confessions to become the biggest seller on the imprint, and major label Interscope Records took notice. [8] TKK signed to Interscope, which re-released Sexplosion! and garnered the band their most familiar alternative radio hit, "Sex on Wheelz". [9] Their following two albums, 13 Above the Night and Hit & Run Holiday, were recorded for Interscope until they parted with the label in 1996. The band's subsequent album, A Crime for All Seasons, was released on Red Ant Records.
In 2001 the album The Reincarnation of Luna appeared on their own Sleazebox Records imprint, distributed by Invisible Records. The band released a companion piece to Luna called Golden Pillz: The Luna Remixes, as well as a live album called Elektrik Inferno. Rykodisc became the band's next and most current home after putting out the rarities compilation Dirty Little Secrets. Rykodisc eventually released My Life with the Thrill Kill Kult's entire back catalog, as well as a new "best-of" compilation, a non-stop megamix album featuring mash-ups of tracks from different eras called (Diamonds & Daggerz), and a long-unreleased project entitled Gay, Black & Married.
In 2009, the band's own SleazeBox Records joined forces with Italy's Rustblade label and have together released TKK's most recent CDs Blood + Dope + Sin + Gold (2008), Death Threat (2009) and Sinister Whisperz (2011).
Thrill Kill Kult has contributed songs to soundtracks of several movies, including Cool World (1992), Totally Fucked Up (1993), The Crow (1994), The Flintstones (1994), Showgirls (1995), Baseketball (1998), The Amityville Legacy (2016) and Nemesis 5: The New Model (2018). They were used in dialog for The Doom Generation (1995) and Sexy Evil Genius (2013). They also appeared in The Crow performing in the nightclub shootout scene.
Both Mann and McCoy have worked on various side projects and with other bands and musicians.
McCoy has also remixed tracks for bands such as Radio Iodine, KMFDM, Evil Mothers, Pigface, Voodou, and Professional Murder Music.
As an original Wax Trax! artist, Buzz McCoy returned to Chicago February 23, 2007, to DJ Classic Wax Trax! rarities and remixes from his personal collection at famed TKK hangout, Berlin Chicago.
KMFDM is a multinational industrial rock band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project.
Money is the fifth studio album by German industrial band KMFDM, released in February 1992 by Wax Trax! Records. It was originally intended to be titled Apart, with each of the two core members, Sascha Konietzko and En Esch, recording half an album and combining their work. The album ended up using only Konietzko's half, along with additional songs. It received mixed reviews, but spawned a number of club hits. It went out of print in the late 1990s and was re-released in 2006.
Wax Trax! Records is an American independent record label based in Chicago. It began as a record shop in Denver, Colorado, opened by life partners Jim Nash and Dannie Flesher, who sold the store in 1978 and moved to Chicago. In November of that year, they opened a store under the same name in the Lincoln Park neighborhood. During the 1980s and 1990s, the accompanying record label became a strong presence on the industrial music scene as well as the punk rock scene in Chicago, and an outlet for European bands. The label was purchased by TVT Records in 1992 and was discontinued in 2001. In 2014, it was re-established by Julia Nash, daughter of co-founder Jim Nash.
Pigface is an American industrial rock supergroup formed in 1990 by Martin Atkins and William Rieflin.
I See Good Spirits and I See Bad Spirits is the first studio album by the band My Life With The Thrill Kill Kult. It was released in 1988 via Wax Trax!
Excessive Force is a musical side project started in 1991 by Sascha Konietzko of KMFDM and Buzz McCoy of My Life with the Thrill Kill Kult.
Black Box – Wax Trax! Records: The First 13 Years is a box set album compiling songs released on Wax Trax! Records between 1980 and 1993. Black Box commemorates Wax Trax!'s output as an independent record label prior to its purchase by TVT Records. In particular, Black Box celebrates Wax Trax!'s place as the seminal American industrial label, featuring acts such as Ministry, KMFDM, Meat Beat Manifesto, Coil, Laibach, and many others.
Dirty Little Secrets: Music to Strip by... is the first remix album by industrial music group My Life With The Thrill Kill Kult. The album is a collection of remixes, b-sides, and previously unreleased tracks reminiscent of their sound from the era of Sexplosion! and Hit & Run Holiday.
The American electronic industrial rock band My Life with the Thrill Kill Kult has released ten studio albums, one live album, three compilation albums, two video albums, six remix albums, three extended plays, and ten singles. In addition, their songs have been featured on three soundtrack albums and one promotional single for major Hollywood films.
Sexplosion! is the third studio album by industrial disco band My Life with the Thrill Kill Kult. It was originally released in 1991 on Wax Trax! Records. Described by lead vocalist Groovie Mann as their "sexy" album, Sexplosion! is one of the band's biggest commercial and critical successes.
13 Above the Night is the fourth studio album by industrial disco band My Life with the Thrill Kill Kult. It was originally released in 1993 on Interscope Records.
Hit & Run Holiday is the fifth studio album by industrial disco band My Life with the Thrill Kill Kult. It was originally released in 1995 on Interscope Records. The band describes it as a surf-punk meets Motown sound that tells the story of vixen Krystal Starlust and drifter Apollo.
A Crime for All Seasons is a 1997 studio album by industrial disco band My Life with the Thrill Kill Kult.
The Reincarnation of Luna is a 2001 studio album by industrial disco band My Life with the Thrill Kill Kult.
Gay, Black and Married is a 2005 studio album by industrial disco band My Life with the Thrill Kill Kult. The band describes it as an homage to the 1970s disco era.
The Filthiest Show in Town is a 2007 studio album by industrial disco band My Life with the Thrill Kill Kult.
Death Threat is a 2009 studio album by industrial disco band My Life with the Thrill Kill Kult.
Spooky Tricks is a 2014 studio album by industrial disco band My Life with the Thrill Kill Kult.
Diamonds & Daggerz is a 2004 remix album by industrial music group My Life with the Thrill Kill Kult. It contains both new and classic songs extensively reworked and remixed into one continuous mix. Several of the tracks are mash-up remixes of multiple songs.
The Joy Thieves is a musical supergroup, consisting of current, former, and touring members of bands such as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, Revolting Cocks, <PIG>, David Bowie, Machines of Loving Grace, Marilyn Manson, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life with the Thrill Kill Kult, Blue October, Pegboy, Nitzer Ebb, Die Krupps, White Zombie, and many more. The band incorporates elements of industrial, industrial rock, hard rock, alternative, and punk into their music. Along with their original releases, The Joy Thieves have also done official remixes for many other artists, including Chris Connelly, <PIG>, Consolidated, Drownd, I Ya Toyah, Blue Eyed Christ, Machines With Human Skin, DogTablet, A Covenant of Thorns, Death Pop Radio, Sapphira Vee, Stoneburner, and more.