The Parents Music Resource Center (PMRC) was an American committee formed in 1985 [1] with the stated goal of increasing parental control over the access of children to music deemed to have violent, drug-related, or sexual themes via labeling albums with Parental Advisory stickers. The committee was founded by four women known as the "Washington Wives"—a reference to their husbands' connections with government in the Washington, D.C. area. The women who founded the PMRC are Tipper Gore, wife of Senator and later Vice President Al Gore; Susan Baker, wife of Treasury Secretary James Baker; Pam Howar, wife of Washington realtor Raymond Howar; and Sally Nevius, wife of former Washington City Council Chairman John Nevius. The PMRC eventually grew to include 22 participants before shutting down in the mid-to-late 1990s.
The Parents Music Resource Center was founded in May 1985. [1] The group's formation was cemented with the financial help of Mike Love of the Beach Boys, and Joseph Coors, the owner of Coors beers. Both had actively supported Reagan's candidacy, and Coors offered offices to the PMRC. [1]
As a method of combating this alleged problem, the PMRC suggested a voluntary move by the RIAA and the music industry to develop music labeling in the form of a rating system similar to the film rating system developed by the Motion Picture Association of America. [2] Additional suggestions from the PMRC that appeared in an article in The Washington Post included: printing warnings and lyrics on album covers, requiring record stores to put albums with explicit covers under the counters, pressuring television stations not to broadcast explicit songs or videos, "reassess[ing]" the contracts of musicians who performed violently or sexually in concert, and creating a panel to set industry standards. [3]
One of the actions taken by the PMRC was compiling a list of fifteen songs in popular music, at the time, that they found the most objectionable. This list is known as the "Filthy Fifteen" and consists of the following songs along with the lyrical content category for which each song was considered objectionable: [4]
# | Artist | Song title | Lyrical content |
---|---|---|---|
1 | Prince | "Darling Nikki" | Sex/masturbation |
2 | Sheena Easton | "Sugar Walls" | Sex |
3 | Judas Priest | "Eat Me Alive" | Sex/violence |
4 | Vanity | "Strap On 'Robbie Baby'" | Sex |
5 | Mötley Crüe | "Bastard" | Violence/language |
6 | AC/DC | "Let Me Put My Love Into You" | Sex |
7 | Twisted Sister | "We're Not Gonna Take It" | Violence |
8 | Madonna | "Dress You Up" | Sex |
9 | W.A.S.P. | "Animal (F**k Like a Beast)" | Sex/language/violence |
10 | Def Leppard | "High 'n' Dry (Saturday Night)" | Drug and alcohol use |
11 | Mercyful Fate | "Into the Coven" | Occult |
12 | Black Sabbath | "Trashed" | Drug and alcohol use |
13 | Mary Jane Girls | "In My House" | Sex |
14 | Venom | "Possessed" | Occult |
15 | Cyndi Lauper | "She Bop" | Sex/masturbation |
In August 1985, 19 record companies agreed to put "Parental Guidance: Explicit Lyrics" labels on albums to warn consumers of explicit lyrical content. Before the labels could be put into place, the Senate agreed to hold a hearing on so-called "porn rock". [5] The hearing was held on September 19, 1985, when representatives from the PMRC, three musicians—Dee Snider, Frank Zappa, John Denver—and Senators Paula Hawkins, Al Gore, and others testified before the Senate Commerce, Science and Transportation Committee on "the subject of the content of certain sound recordings and suggestions that recording packages be labeled to provide a warning to prospective purchasers of sexually explicit or other potentially offensive content." [6]
Paula Hawkins presented three record covers ( Pyromania by Def Leppard, W.O.W. by Wendy O. Williams, and W.A.S.P. by W.A.S.P.) and the music videos for "Hot for Teacher" by Van Halen, and "We're Not Gonna Take It" by Twisted Sister, commenting: "Much has changed since Elvis' seemingly innocent times. Subtleties, suggestions, and innuendo have given way to overt expressions and descriptions of often violent sexual acts, drug taking, and flirtations with the occult. The record album covers to me are self-explanatory."
Susan Baker testified that "There certainly are many causes for these ills in our society, but it is our contention that the pervasive messages aimed at children which promote and glorify suicide, rape, sadomasochism, and so on, have to be numbered among the contributing factors." Tipper Gore asked record companies to voluntarily "plac[e] a warning label on music products inappropriate for younger children due to explicit sexual or violent lyrics."
National PTA Vice President for Legislative Activity Millie Waterman related the PTA's role in the debate, and proposed printing the symbol "R" on the cover of recordings containing "explicit sexual language, violence, profanity, the occult and glorification of drugs and alcohol", and providing lyrics for "R"-labeled albums.
In addition, Dr. Joe Stuessy, a music professor at the University of Texas at San Antonio, spoke regarding the power of music to influence behavior. He argued that heavy metal was different from earlier forms of music such as jazz and rock and roll because it was "church music" and "had as one of its central elements the element of hatred." Dr. Paul King, a child and adolescent psychiatrist, testified on the deification of heavy metal musicians, and to the presentation of heavy metal as a religion. He also stated that "many" adolescents read deeply into song lyrics.
During his statement, musician and producer Frank Zappa asserted that "the PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design." [7] He went on to state his suspicion that the hearings were a front for H.R. 2911, a proposed blank tape tax: "The major record labels need to have H.R. 2911 whiz through a few committees before anybody smells a rat. One of them is chaired by Senator Thurmond. Is it a coincidence that Mrs. Thurmond is affiliated with the PMRC?" Zappa had earlier stated about the Senate's agreement to hold a hearing on the matter that "A couple of blowjobs here and there and Bingo!—you get a hearing." [8]
Folk rock musician John Denver referred to the proposed labels as censorship and stated he was "strongly opposed to censorship of any kind in our society or anywhere else in the world", and that in his experience censors often misinterpret music, as was the case with his song "Rocky Mountain High". He further compared the PMRC proposals to Nazi book burnings, [9] and expressed his belief that censorship is ultimately counterproductive: "That which is denied becomes that which is most desired, and that which is hidden becomes that which is most interesting. Consequently, a great deal of time and energy is spent trying to get at what is being kept from you." When Denver came up to give his speech, many expected him to side with the PMRC. [10] [9]
Dee Snider, frontman and lead singer of the heavy metal band Twisted Sister, testified that he "[did] not support ... [RIAA president] Gortikov's unnecessary and unfortunate decision to agree to a so-called generic label on some selected records". [11] Like John Denver, Snider felt that his music had been misinterpreted. He defended the Twisted Sister songs "Under the Blade", which had been interpreted by the PMRC as referring to sadomasochism, bondage, and rape, and "We're Not Gonna Take It", which the PMRC accused of promoting violence. Snider told the panel that "Under the Blade" was inspired by a band member's surgery and was about the fear he imagined one would experience undergoing surgery, announcing that "the only sadomasochism, bondage, and rape in this song is in the mind of Ms. Gore." He further stated "Ms. Gore was looking for sadomasochism and bondage, and she found it. Someone looking for surgical references would have found it as well." Snider concluded that "The full responsibility for defending my children falls on the shoulders of my wife and I, because there is no one else capable of making these judgments for us."
Notable snippets of audio from the hearing found their way into Zappa's audiocollage "Porn Wars", released on the Frank Zappa Meets the Mothers of Prevention album. Senators Gore, Hollings, Gorton, Hawkins, and others appeared. The album cover featured a parody of the RIAA warning label. The LP included a note to listeners to send to Zappa's Barking Pumpkin Records for a free Z-PAC, a printed information package that included transcripts of the committee hearing, and a letter from Zappa encouraging young people to register to vote. Zappa's full testimonial was released on a posthumous 2010 compilation called Congress Shall Make No Law...
On November 1, 1985, before the hearing ended, the RIAA agreed to put "Parental Advisory" labels on selected releases at their own discretion. The labels were generic, unlike the original idea of a descriptive label categorizing the explicit lyrics. Many stores refused to sell albums containing the label (most notably Wal-Mart), and others limited sales of those albums to adults.
It is uncertain whether the "Tipper sticker" is effective in preventing children from being exposed to explicit content. [12] Some, citing the "forbidden-fruit effect", suggest that the sticker in fact increases record sales. Philip Bailey of Earth, Wind & Fire said that "for the most part [the sticker] might even sell more records in some areas – all you've got to do is tell somebody this is a no-no and then that's what they want to go see." [12] Ice-T's track "Freedom of Speech" contains the lyrics: "Hey, PMRC, you stupid fuckin' assholes/The sticker on the record is what makes 'em sell gold./Can't you see, you alcoholic idiots/The more you try to suppress us, the larger we get." While lyrics from the Furnaceface song "We Love You, Tipper Gore", from their 1991 album Just Buy It, suggest that the label "only whets my appetite ... only makes us want to hear it that much more".
Many musicians have criticized or parodied the PMRC and Tipper Gore:
Yo, Tip, what's the matter? You ain't gettin' no dick?
You're bitchin' about rock 'n' roll—that's censorship, dumb bitch
The Constitution says we all got a right to speak
Say what we want, Tip—your argument is weak
Our records have stickers with a warning from Tipper
'Cause they're no good for kids; if we'd get her, we'd strip her
Tipper, won't you understand the message that I want to say
It's kind of rude but here it goes: it's "fuck you!"
I don't like what you do, and I don't like you.
WARNING: The inside fold out to this record cover is a work of art by H.R. Giger that some people may find shocking, repulsive or offensive. Life can sometimes be that way. [24]
To burn the {flag} and replace it with a Parental Advisory sticker/
To spit liquor in the faces of this democracy of hypocrisy/
Fuck you, Ms. Cheney; Fuck you, Tipper Gore. [25]
Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
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