The Amusement Park | |
---|---|
Directed by | George A. Romero |
Screenplay by | Wally Cook |
Produced by | Karl Rabeneck |
Starring | Lincoln Maazel |
Cinematography | S. William Hinzman |
Edited by | George A. Romero |
Production companies |
|
Distributed by |
|
Release dates |
|
Running time | 54 minutes |
Country | United States |
Language | English |
Budget | $37,000 [1] |
The Amusement Park is a 1975 American psychological horror film directed and edited by George A. Romero from a screenplay by Wally Cook. It stars Lincoln Maazel, Harry Albacker, Phyllis Casterwiler, Pete Chovan and Sally Erwin. Produced in 1973, the film premiered at the American Film Festival in New York in June 1975. [2] It did not receive any further release at the time. The film was commissioned by the Lutheran Service Society of Western Pennsylvania as an educational film about elder abuse, but was shelved after completion. [3] It was considered lost [4] [5] [6] [7] [8] [9] until 2017, when a 16 mm print was rediscovered. The film underwent restoration and the new 4K version premiered in Pittsburgh on October 12, 2019.
The film opens with an informational prologue by Lincoln Maazel as he explains how the elderly are constantly overlooked and undervalued by society. He tells the viewer that they are about to watch a film that acts as a metaphorical description of how the elderly are mistreated.
An elderly man, played by Maazel, sits in a white room, bandaged, bloodied and with his once nice white suit dirtied. Another man, also played by Maazel, enters looking clean and in good spirits. He attempts to communicate with the tired version of himself and tells him that he is going to the park despite him telling him that "there is nothing out there." The cleaner man walks through the door and is immediately in the park. On the outside the door is not connected to anything. The man walks about and happily examines his surroundings before coming across a ticket taker who swindles other septuagenarians out of their things with low pay. He buys some tickets from him which take the form of money in the park.
The man gets on a rollercoaster with strange signage, rides a train where one of the older passengers supposedly dies and is ignored once in a coffin and witnesses a man's license get revoked due to poor eyesight. While playing in the bumper cars, an "accident" occurs complete with a police officer and lawyer arriving on the scene. The man tries to offer assistance, but it becomes apparent that he needs to wear glasses and therefore cannot be seen as a reliable alibi. He goes to eat at a food stand, lampooned as a restaurant, as he and several other elders are ignored by waiters for a wealthy individual. When the man finally gets his food, he sympathetically gives it to the other elders.
The man buys groceries, but cannot carry them all so he simply takes some crackers and a jar of peanut butter. As he sits to eat, he beckons some children to come and converse with him, but a younger man accuses him of being a "degenerate" and he leaves in shame. The man is beckoned into a building by younger people who tell him that he will have fun, but upon entering, it is a claustrophobic room where elders are forced to perform in uncomfortable exercise machines. He leaves, but breaks his glasses in the process. He comes upon a fortune teller and witnesses a young couple enter and ask what their future will be like. The fortune teller shows them that they will be living in a soon to be built over apartment building where they will have little support from their personal doctor and neighbors. Angry, the young man leaves and punches the older man who collapses.
When the man comes to his senses, the park is empty save for three bikers who beat him and then take his tickets. As people suddenly appear, they all ignore him. With very little money, he goes to get first aid. The medical center, set up like a store, is full of various elders equipment and the doctors and nurses hastily rush everyone through. The man finds himself simply getting a band aid on his head and a cane and is ushered out. He comes upon some men trying to sell retirement homes and ends up getting pick-pocketed. The pick-pocket is revealed to run a freak show, which simply consists of elders dressed in casual clothing. Everyone is upset and as the man gets up to leave, is suddenly chased by the patrons who accuse him of trying to escape the freak show. He finds "sanctuary", but it closes upon his arrival.
The man finally gets some solace when a little girl offers for him to read The Three Little Pigs to her and have some chicken. The mother apathetically takes her and the book away as he finally breaks down into tears. He leaves the piece of chicken behind and walks back to the white room; resigned and defeated. Moments later, a cleaner optimistic version of himself enters as the scene from the beginning repeats. The man sits tired and powerless over not being able to stop his younger self.
Maazel appears one last time to tell the viewer that they can help the elderly through already established programs. He signs off with "I'll see you in the park... someday."
The Amusement Park was originally produced in 1973, between director George A. Romero's films Season of the Witch and The Crazies ; The Amusement Park was the only film Romero made on a work-for-hire basis. [5] The film was shot over the course of three days [1] at the now-defunct West View Park in West View, Pennsylvania, [10] on a budget of $37,000. [1]
The film was commissioned by the Lutheran Service Society of Western Pennsylvania, as an educational film about elder abuse and ageism. [3] According to Romero's wife, Suzanne Desrocher-Romero, "They [did] use it initially, but I suspect that they thought it was a little edgier than they would have liked," [11] and it was soon shelved. [3]
The film premiered at the American Film Festival in New York in June 1975, and screened at some events and festivals in different years. [12]
The film was believed lost [3] [11] until a 16 mm print that was used in a Romero retrospective at the Torino Film Festival in 2001 was sent to Romero and his wife in 2017. [3] [11] The 16 mm print and a DVD copy were given to Desrocher-Romero. [5] This print was then screened at Spectacle Theater in New York in March 2018. [13] She, along with the George A. Romero Foundation, oversaw a 4K restoration of the film by New York-based film preservation organization IndieCollect. [1] [14]
The restoration premiered in Pittsburgh on October 12, 2019. [15]
In February 2021, it was announced that Shudder had acquired the streaming distribution rights for the film in North America, the United Kingdom, Ireland, Australia, and New Zealand. [16] [6] [17] It was released on Shudder on June 8, 2021. [11]
The film was invited for screening at 25th Bucheon International Fantastic Film Festival held on July 9, 2021, in Strange Hommage section. [18]
On Rotten Tomatoes, the film has an approval rating of 96% based on 75 reviews, with an average rating of 7.8/10. The website's critics consensus reads: "A blunt yet visceral depiction of society's treatment of the elderly, The Amusement Park sees George A. Romero exploring a different -- yet still chilling -- type of terror." [19] On Metacritic, the film has a weighted average score of 77 out of 100, based on 16 critics, indicating "generally favorable reviews". [20]
Peter Bradshaw, writing for The Guardian , gave the film three out of five stars, calling it "an absurdist nightmare." [21] Chris Evangelista of /Film gave the film a score of 10 out of 10, writing: "I can't remember the last time a film shook me like this." [22] Jim Vorel of Paste called The Amusement Park "a strange, occasionally mesmerizing film that is not often pleasant to look at, but contains an air of nihilistic doom that is often effectively disturbing." [23] Screen Anarchy 's Jaime Grijalba Gómez called it a miracle to be able to see the previously lost film but lamented that sometimes its "metaphors are too obvious." [24]
Night of the Living Dead is a 1968 American independent horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea. The story follows seven people trapped in a farmhouse in rural Pennsylvania, under assault by reanimated corpses. Although the flesh-eating monsters that appear in the film are referred to as "ghouls", they are credited with popularizing the modern portrayal of zombies in popular culture.
Dawn of the Dead is a 1978 zombie horror film written, directed, and edited by George A. Romero, and produced by Richard P. Rubinstein. An American-Italian international co-production, it is the second film in Romero's series of zombie films, and though it contains no characters or settings from the preceding film Night of the Living Dead (1968), it shows the larger-scale effects of a zombie apocalypse on society. In the film, a phenomenon of unidentified origin has caused the reanimation of the dead, who prey on human flesh. David Emge, Ken Foree, Scott Reiniger, and Gaylen Ross star as survivors of the outbreak who barricade themselves inside a suburban shopping mall amid mass hysteria.
George Andrew Romero Jr. was an American-Canadian film director, writer, editor and actor. His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture. Other films in the series include Dawn of the Dead (1978) and Day of the Dead (1985).
Creepshow is a 1982 American horror comedy anthology film directed by George A. Romero and written by Stephen King, making this film his screenwriting debut. The film's ensemble cast includes Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Carrie Nye, E. G. Marshall, Viveca Lindfors, Ted Danson and Ed Harris, as well as King himself. The film was primarily shot on location in Pittsburgh and its suburbs, including Monroeville, where Romero leased an old boys' academy to build extensive sets for the film.
Land of the Dead is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead. It was released in 2005, with a budget of $15–19 million, the highest in Romero's Dead series, and has grossed $46 million.
Thomas Vincent Savini is an American prosthetic makeup artist, actor, stunt performer and film director. He is known for his makeup and special effects work on many films directed by George A. Romero, including Martin, Dawn of the Dead, Day of the Dead, Creepshow, and Monkey Shines; he also created the special effects and makeup for many cult classics like Friday the 13th, Maniac, The Burning, The Prowler, and The Texas Chainsaw Massacre 2.
Martin is a 1977 American horror film written and directed by George A. Romero, and starring John Amplas. Its plot follows a troubled young man who believes himself to be a vampire. Shot in 1976, Martin was Romero's fifth feature film and followed The Crazies (1973).
Night of the Demons is a 1988 American supernatural horror film directed by Kevin S. Tenney, written and produced by Joe Augustyn, and starring Amelia Kinkade, Cathy Podewell, Linnea Quigley, Hal Havins, and Alvin Alexis. The plot follows a group of high school students who throw a party inside an isolated funeral parlor on Halloween night. While attempting a séance, they accidentally release a demon locked in the crematorium that begins to possess them one by one.
Monkey Shines is a 1988 American science fiction psychological horror film written and directed by George A. Romero and starring Jason Beghe, Kate McNeil, John Pankow, and Joyce Van Patten. Its plot follows a young athlete who becomes a paralyzed quadriplegic, and develops a bond with an intelligent service monkey named "Ella" who becomes homicidal after she is injected with an experimental serum of human brain tissue. It is based on the 1983 British novel of the same title by Michael Stewart.
The Dark Half is a 1993 American horror film adaptation of Stephen King's 1989 novel of the same name. It was written and directed by George A. Romero and features Timothy Hutton as Thad Beaumont and George Stark, Amy Madigan as Liz Beaumont, Michael Rooker as Sheriff Alan Pangborn and Royal Dano as Digger Holt.
Diary of the Dead is a 2007 found footage horror film written and directed by George A. Romero. Although independently produced, it was distributed theatrically by The Weinstein Company and was released in cinemas on February 15, 2008 and on DVD by Dimension Extreme and Genius Products on May 20, 2008.
John S. Harrison Jr. is an American television and film director, screenwriter, musician, composer and actor. He is best known for his collaborations with filmmaker George A. Romero, and for writing-directing the 2000 television miniseries adaptation of Dune.
Creepshow 3 is a 2006 American comedy horror film, and a sequel to Stephen King and George A. Romero's horror anthology films Creepshow (1982) and Creepshow 2 (1987). It was directed and produced by Ana Clavell and James Dudelson. The film stars Kris Allen, A. J. Bowen, Emmett McGuire and Stephanie Pettee. Like its predecessors, the film is a collection of tales of light-hearted horror: "Alice", "The Radio", "Call Girl", "The Professor's Wife", and "Haunted Dog", although there is no EC Comics angle this time around. The film was panned by critics.
George A. Romero (1940–2017) was an American-Canadian film director, writer, editor and cinematographer. He contributed to many projects as either the writer, director, editor, cinematographer or a combination of the four.
John Amplas is an American actor known primarily for his work with director George A. Romero, particularly his appearances in the title role of Martin (1977), as well as Dawn of the Dead (1978) and Creepshow (1982).
Creepshow is an American horror anthology television series that was released on Shudder in 2019. The series serves as a continuation of the 1982 film of the same name and features twenty five episodes with two horror stories per episode. The series premiered on September 26, 2019.
Scare Package is a 2020 American anthology horror comedy film created by Aaron B. Koontz and Cameron Burns. It features a series of horror shorts written and directed by Aaron B. Koontz, Courtney Andujar, Hillary Andujar, Anthony Cousins, Emily Hagins, Chris McInroy, Noah Segan, and Baron Vaughn.
PG: Psycho Goreman, or simply Psycho Goreman, is a 2020 Canadian science fantasy action horror-comedy film written and directed by Steven Kostanski. It stars Nita-Josee Hanna and Owen Myre as a young sister and brother who unwittingly resurrect an ancient extraterrestrial overlord.
V/H/S is an American horror anthology franchise that includes seven found footage films, two spin-off films, and one miniseries. Created from an original story idea by Brad Miska, the plot centers around a number of disturbing VHS tapes that are discovered by innocent viewers and the possessive influence of the videos over those who see them. Realized by a collaboration of various filmmakers and different casts, the installments are mostly standalone in nature; though recurring elements indicate the same fictional villain as the source for all of its videos.
During a career that spanned several decades, the American film director George A. Romero worked on a number of projects which never progressed beyond pre-production under him. Some fell into development hell or were produced after he left production.
...a short work still urgently awaiting discovery and release.