The Mind Is a Terrible Thing to Taste | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 14, 1989 | |||
Recorded | 1988–1989 | |||
Studio | Chicago Trax Studios | |||
Genre | Industrial metal [1] | |||
Length | 50:18 | |||
Label | Sire | |||
Producer | ||||
Ministry chronology | ||||
| ||||
Singles from The Mind Is a Terrible Thing to Taste | ||||
|
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989, by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. [3] As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
Jourgensen recalled the band's state as dysfunctional and the album's production as "complete chaos and mayhem", which gave the band a level of artistic freedom impossible had they planned it. [4] : 52 Jourgensen says that despite being a fan favorite, it is not among his favorites because of the condition he was in at the time; he was heavily into drugs during recording and had a poor relationship with his bandmates. In one instance, he chased bassist Paul Barker around the studio with a chair and hit him on the head with it because he "couldn't stand him anymore". [5] Jourgensen credited the era, the city, and the atmosphere at Chicago Trax Studios for the album. Bill Rieflin and Chris Connelly instead attributed the album's sound to the band's interest in technology. [4] : 52
For pre-production, Rieflin said he and Barker watched films for a month, sampling anything that caught their interest. Instead of writing music, they all improvised individually, rarely collaborating with each other. Connelly compared it to exquisite corpse, a Surrealist technique in which an artistic work is created collaboratively without any of the participants having knowledge of the others' contribution. Rieflin cited "So What" as the only track to feature two musicians in the studio at the same time. [4] : 52–53
After playing with the band on The Land of Rape and Honey 's tour, Dave Ogilvie collaborated on this album. [4] : 52 The New York-based rapper K-Lite sang vocals on "Test". Jourgensen said that Ministry and K-Lite had been recording songs at the same time at the studio. Both Jourgensen and K-Lite were impressed with the aggressiveness of each other's music, and Jourgensen invited him to contribute vocals for a track. [6] Rieflin had previously recorded drums and bass after he became frustrated waiting for the others to contribute music to the track; Barker said he thinks that Rieflin played all the instruments on the song. [4] : 56
The female spoken word part of "Dream Song" is a recorded conversation with Angelina Lukacin, Jourgensen's future, and now ex-, wife. Jourgensen had met her while on tour in Canada and, impressed with her entertaining personality, called her on the phone several times while working on the album. Jourgensen recalled the conversations as her "babbling about dreams and angels" while high. [7] Lukacin herself said "Dream Song" was a poem she wrote after having a dream about an angel. She did not know she was being recorded but enjoyed the song. [8]
The title of the album is a reference to the UNCF's slogan, "A mind is a terrible thing to waste". Jourgensen was further inspired by the "Just Say No" anti-drug campaign. Rieflin said the other band members groaned when they heard it, but Jourgensen had the final say in naming. According to Connelly, the album art was inspired by a television program Jourgensen saw where migraine sufferers painted images of their pain. The image itself was a picture of an x-ray from a studio receptionist's mother, who had been in a car accident and received a metal plate. Jourgensen said he wanted that as the album artwork as soon as he found out about it, but the other band members disliked it. Barker praised the concept but said the execution was poor. [4] : 54
The album peaked at #163 in the US and was certified Gold by the RIAA for sales in excess of 500,000 units in December 1995. [9] [10] "Burning Inside" reached #23 on Billboard 's Hot Modern Rock Tracks. [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Chicago Tribune | [13] |
Encyclopedia of Popular Music | [14] |
Kerrang! | [15] |
Metal Storm | 10/10 [16] |
MusicHound Rock | [17] |
Robert Christgau | B+ [18] |
The Rolling Stone Album Guide | [19] |
Spin Alternative Record Guide | 8/10 [20] |
Music critic Tom Moon included the album in his book 1,000 Recordings to Hear Before You Die , calling it "one of the great works of industrial music" and an influential album that is "way ahead of its time". [21] In rating it 4.5/5 stars, AllMusic reviewer Marc van der Pol described it as a "wonderful album" that avoids the clichés common to industrial rock. [12] Bill Wyman of the Chicago Tribune rated it 3/4 stars and called it Ministry's "best-sounding, most assured and consistent album". [13] The A.V. Club , though praising the album's other tracks, described "Test" as "a novelty genre exercise from which Mind barely recovers". [22] The A.V. Club also wrote about "So What", including it on a list of the best songs written from the point of view of a crazy person. They called it "the most obvious and best-executed" of Ministry's songs about violent psychosis. [23]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Thieves" | Alain Jourgensen, Paul Barker, Chris Connelly, Kevin Ogilvie | 5:02 |
2. | "Burning Inside" | Jourgensen, Barker, William Rieflin, Connelly | 5:20 |
3. | "Never Believe" | Jourgensen, Barker, Connelly | 4:59 |
4. | "Cannibal Song" | Jourgensen, Barker, Connelly | 6:10 |
5. | "Breathe" | Jourgensen, Barker, Rieflin, Connelly, Ogilvie | 5:40 |
6. | "So What" | Jourgensen, Barker, Rieflin, Connelly | 8:14 |
7. | "Test" | Jourgensen, Barker, Rieflin, K. Lite | 6:04 |
8. | "Faith Collapsing" | Jourgensen, Barker, Rieflin | 4:01 |
9. | "Dream Song" | Jourgensen, Barker | 4:48 |
This section needs additional citations for verification .(October 2011) |
Chart (1989) | Peak position |
---|---|
US Billboard 200 [9] | 163 |
Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole remaining original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia, Tommy Victor and Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992, by Sire Records. It was produced by frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago, Illinois and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Aleister Crowley's The Book of Lies.
Dark Side of the Spoon is the seventh studio album by American industrial metal band Ministry, released on June 8, 1999, by Warner Bros. Records. "Bad Blood" was nominated for a Grammy Award for Best Metal Performance in 2000.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
Rabies is the fifth studio album by Skinny Puppy. It was released on November 21, 1989 through Nettwerk. The album notably features Ministry frontman Al Jourgensen who performed electric guitar and vocals on several songs. The album spawned two singles, "Tin Omen" and "Worlock", the latter of which becoming one of the band's most recognizable songs. The cover art was made by longtime Skinny Puppy collaborator Steven R. Gilmore. In 1993 the CD edition was reissued by Nettwerk to correct mastering errors in the original release.
Filth Pig is the sixth studio album by American industrial metal band Ministry, released on January 30, 1996, by Warner Bros. Records. The title was allegedly derived from a statement made in the British Houses of Parliament, in which the band's leader Al Jourgensen was described as a "filthy pig" for his onstage theatrics by MP Teddy Taylor.
With Sympathy is the debut studio album by American industrial band Ministry, released on May 10, 1983 by Arista Records. The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup. The album was briefly re-released overseas as Work for Love.
Houses of the Molé is the ninth studio album by American industrial metal band Ministry, released on June 21, 2004 by Sanctuary Records. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker since Twitch (1986). It was also the first album to feature Mike Scaccia on guitar since 1996's Filth Pig.
Alain David Jourgensen is a Cuban-American singer, musician and music producer. Closely related with the independent record label Wax Trax! Records, his musical career spans four decades. He is the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was the primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, and Buck Satan and the 666 Shooters. Jourgensen is a prominent figure in industrial music, influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Paul Gordon Barker, also referred to as Hermes Pan, is an American musician, best known as the former bass guitarist, producer and engineer for industrial metal band Ministry from 1986 to 2003. Prior to Ministry, he provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985.
Twitch is the second studio album by American industrial band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was largely produced by On-U Sound Records owner Adrian Sherwood, while the band's frontman Al Jourgensen co-produced two tracks. It stepped away from the synthpop-oriented form of Ministry's 1983 debut studio album, With Sympathy, and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Rio Grande Blood is the tenth studio album by American industrial metal band Ministry, released in 2006. It is their first release through 13th Planet and Megaforce Records.
"Jesus Built My Hotrod" is a song by American industrial metal band Ministry, released as the first single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs. It was written by the band's frontman Al Jourgensen, bassist Paul Barker, drummer Bill Rieflin, session keyboardist Michael Balch, and guest vocalist Gibby Haynes of the Butthole Surfers, and was co-produced by Jourgensen and Barker. An industrial metal track with a polyrhythmic structure, the also features elements of rockabilly and psychobilly, and is influenced by the Trashmen 1963 hit "Surfin' Bird", and Flannery O'Connor's novel Wise Blood.
Michael Ralph Scaccia was an American musician, best known as a guitarist for several heavy metal and alternative rock acts, including Rigor Mortis, Ministry and Revolting Cocks.
"Stigmata" is a song by American industrial metal band Ministry. Written by frontman Al Jourgensen, it is the opening track and the only single released from their third studio album, 1988’s The Land of Rape and Honey. The song features distorted vocals, guitars and compressed drum machine loops. The song was an underground hit. The music video—which was said to get a regular airing on MTV—features gritty black and white machinery, gears, symbols, the band playing live, Paul Barker on a motorcycle, strobe-like montages of eyes, and what appear to be neo-Nazi skinheads. The song was said to be Ministry's "finest moment until 1992".
"Burning Inside" is a song by American industrial metal band Ministry. It was released as the sole single from the band's 1989 album The Mind Is a Terrible Thing to Taste.
As of 2024, the discography of American industrial metal band Ministry, which was founded and is fronted by Al Jourgensen, consists of sixteen studio albums, eight live albums, fourteen compilation and remix albums, thirty singles, five video albums and twenty music videos. Several tracks spanning from 1981 to 1994 in studio, live and cover formats have remained unreleased by the band.
"Thieves" is a song by American industrial metal band Ministry. It was released as the opening track from the band's fourth studio album, The Mind Is a Terrible Thing to Taste (1989), as well as the B-side from its single, "Burning Inside". The song's lyrics deal mainly with political corruption. The song includes dialogue samples from R. Lee Ermey's drill instructor character in Full Metal Jacket. Ministry's version was featured in the 1992 science fiction film Freejack, also in the 2009 video game Brütal Legend.
"LiesLiesLies" is a Grammy-nominated song by American industrial metal band Ministry. The song is the fifth track on the band's tenth studio album, Rio Grande Blood. The audio samples in the song are from the documentary Loose Change.