The Land of Rape and Honey | ||||
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Studio album by | ||||
Released | October 11, 1988 | |||
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Genre | ||||
Length | 46:31 | |||
Label | Sire | |||
Producer | ||||
Ministry chronology | ||||
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Singles from The Land of Rape and Honey | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
Encyclopedia of Popular Music | [4] |
Kerrang! | [5] |
MusicHound Rock | [6] |
The Rolling Stone Album Guide | [7] |
Spin Alternative Record Guide | 8/10 [8] |
The Village Voice | B+ [9] |
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
The album title comes from the slogan of Tisdale, Saskatchewan, whose motto at that time was "The Land of Rape and Honey", [10] a reference to the agricultural products rapeseed and honey. [11] The band chose the name after seeing the slogan on a souvenir mug. [12]
Jourgensen credited his work with Adrian Sherwood on the preceding album, Twitch , for giving him confidence in his vision and showing him new techniques, which he said he pushed to an extreme. [13] Jourgensen had experimented with a heavier, industrial sound starting in the mid-1980s with singles such as "No Devotion" from the Revolting Cocks' Big Sexy Land and "All Day" from Twitch. [14] When RevCo's next single was more commercial, Sire proposed doing the same for the new Ministry album, but Jourgensen threatened to disband Ministry. [15] Continuing in this less-commercial, industrial-laced direction, Land of Rape and Honey incorporates elements of heavy metal such as fast electric guitar riffs, although only the album's first three songs use guitars extensively. [3] "Stigmata" does not feature live guitars; the two chord riff, altered with a pitch shifter, was sampled. [16] Jourgensen had written some of the songs prior to working on Twitch and said this was the sound he originally wanted for the band. [17]
In his memoirs, Jourgensen described himself at the time as a "functional addict" who scheduled his life around his dealer's availability. Despite this, he spent hours editing tapes of music the band had recorded; Jourgensen described them as "snippets of noise" that came to him in dreams. Inspired by William Burroughs and the cut-up technique, Jourgensen cut up the tapes and spliced them back together randomly until he liked the end result. [18] Jourgensen wrote "Stigmata" at the last minute after realizing he needed another song to complete the album. [16]
A post made on Wax Trax! Records' official Instagram account in 2019 shows a handwritten production sheet featuring a number of tracks which did not appear on the final record. [19] Certain songs were instead released through the bands' side projects: "Idiot" and "Blackened Heart" under Lead Into Gold and "Apathy" for 1000 Homo DJs.
The album cover is an electronically processed image of a burned corpse in the Leipzig-Thekla subcamp of Buchenwald. [20] Jourgensen took a photograph while watching a Holocaust documentary on television and distorted the image himself. According to Jourgensen, it was originally rejected by the record label, but they later changed their mind after Jourgensen cut off the head of a roadkilled deer, put it in his truck, drove from Austin to Los Angeles, went into the Sire Records building, threw the head on the desk of the head of the art department and said, "Here's your new fucking [album] cover." [16]
Additional inner sleeve photography features a 1945 archival film footage of corpses of the Mittelbau-Dora concentration camp lying in a hillside mass grave in Nordhausen, Germany.
The album was certified gold by the RIAA in January 1996 [21] and was re-issued by Wounded Bird Records in 2007. [22]
Tom Moon wrote in 1,000 Recordings to Hear Before You Die that the album "became the blueprint for all of what was tagged as 'industrial' dance music". [23] Fear Factory, Linkin Park, Slipknot and Nine Inch Nails have cited this album as a major influence. [24] Jason Heller of The A.V. Club said the album "straddles a huge shift in industrial" and includes influences from most industrial music offshoots at the time. Heller suggested it to pop culture enthusiasts who want an accessible entry-point for industrial music. [25] Jourgensen has cited The Land of Rape and Honey as his favorite Ministry album, [26] likening it to a learning experience that changes one's life. [27] However, Jourgensen said that "Stigmata" is his least favorite song in the Ministry catalogue for its simplistic songwriting despite its popularity. [16] The track is featured in Richard Stanley's 1990 science fiction thriller Hardware , although the band shown performing the track is Gwar. [28] Marilyn Manson performed a cover on the soundtrack of the film Atomic Blonde . [29]
All tracks are written by Al Jourgensen except where noted [30]
No. | Title | Writer(s) | Length |
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1. | "Stigmata" | 5:45 | |
2. | "The Missing" | 2:55 | |
3. | "Deity" | 3:20 | |
4. | "Golden Dawn" | Jourgensen, Barker | 5:42 |
5. | "Destruction" | Jourgensen, Barker | 3:30 |
6. | "Hizbollah" (CD bonus track) | 3:58 | |
7. | "The Land of Rape and Honey" | Jourgensen, Barker | 5:10 |
8. | "You Know What You Are" | Jourgensen, Barker | 4:43 |
9. | "I Prefer" (CD bonus track) | 2:15 | |
10. | "Flashback" | 4:50 | |
11. | "Abortive" | Adrian Sherwood | 4:23 |
Chart (1988) | Peak position |
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US Billboard 200 [35] | 164 |
Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole remaining original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia and Tommy Victor, guitarist Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
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ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992, by Sire Records. It was produced by frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago, Illinois and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Aleister Crowley's The Book of Lies.
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Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
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With Sympathy is the debut studio album by American industrial band Ministry, released on May 10, 1983 by Arista Records. The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup. The album was briefly re-released overseas as Work for Love.
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Alain David Jourgensen is a Cuban-American singer, musician and music producer. Closely related with the independent record label Wax Trax! Records, his musical career spans four decades. He is the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was the primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, and Buck Satan and the 666 Shooters. Jourgensen is a prominent figure in industrial music, influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Paul Gordon Barker, also referred to as Hermes Pan, is an American musician, best known as the former bass guitarist, producer and engineer for industrial metal band Ministry from 1986 to 2003. Prior to Ministry, he provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985.
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Big Sexy Land is the debut studio album by industrial rock band Revolting Cocks, released through Wax Trax! Records in 1986. This is the only album to feature the group's founding lineup of Luc van Acker, Richard 23 and Alain Jourgensen.
"Stigmata" is a song by American industrial metal band Ministry. Written by frontman Al Jourgensen, it is the opening track and the only single released from their third studio album, 1988’s The Land of Rape and Honey. The song features distorted vocals, guitars and compressed drum machine loops. The song was an underground hit. The music video—which was said to get a regular airing on MTV—features gritty black and white machinery, gears, symbols, the band playing live, Paul Barker on a motorcycle, strobe-like montages of eyes, and what appear to be neo-Nazi skinheads. The song was said to be Ministry's "finest moment until 1992".
As of 2024, the discography of American industrial metal band Ministry, which was founded and is fronted by Al Jourgensen, consists of sixteen studio albums, eight live albums, fourteen compilation and remix albums, thirty singles, five video albums and twenty music videos. Several tracks spanning from 1981 to 1994 in studio, live and cover formats have remained unreleased by the band.
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