|Rio Grande Blood|
|Studio album by|
|Released||May 2, 2006|
|Recorded||2005 at 13th Planet Studios, El Paso, Texas|
|Genre||Industrial metal, thrash metal|
|Label||13th Planet, Megaforce|
Rio Grande Blood is the tenth studio album by an American industrial metal band Ministry, released in 2006. It is their first release through 13th Planet and Megaforce Records.
Industrial metal is the fusion of heavy metal music and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Godflesh, KMFDM and Nine Inch Nails.
Ministry is an American rock band founded in 1981 by Al Jourgensen in Chicago, Illinois. Originally a synth-pop outfit, Ministry's sound changed as they became one of the pioneers of industrial metal in the late 1980s. The band's lineup has frequently changed throughout its history, with the exception of Jourgensen who is the band's main producer, singer, songwriter, and instrumentalist. Notable musicians who have contributed to the band's studio or live activities include Paul Barker, Martin Atkins, Bill Rieflin, Chris Connelly, Nivek Ogre, Mike Scaccia, Rey Washam, Paul Raven, Tommy Victor, Roy Mayorga, John Bechdel, Jason Christopher, Tony Campos, Burton C. Bell and DJ Swamp.
13th Planet Records is an American record label founded by Ministry frontman Al Jourgensen in October 2005. In addition to its function as an artist-run, artist-friendly independent label, 13th Planet encompasses several realms of the music industry including artist management, touring, music publishing as well as a full-scale rehearsal and recording studio.
The album is the 2nd part of the band's anti-George W. Bush trilogy, preceded by 2004's Houses of the Molé and followed by 2007's The Last Sucker .
George Walker Bush is an American politician and businessman who served as the 43rd president of the United States from 2001 to 2009. He had previously served as the 46th governor of Texas from 1995 to 2000.
Houses of the Molé is the ninth studio album by American industrial metal band Ministry, released on June 21, 2004 by Sanctuary Records. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker since Twitch (1986). It was also the first album to feature Mike Scaccia on guitar since 1996's Filth Pig.
The Last Sucker is the eleventh studio album by industrial metal band Ministry, released in 2007 through 13th Planet Records. For three years until their reformation in 2011, it was the band's last studio album featuring new material.
The title of the album is a parody of the 1972 ZZ Top album Rio Grande Mud .
ZZ Top is an American rock band formed in 1969 in Houston, Texas. The band has, since 1970, consisted of vocalist/guitarist Billy Gibbons, bassist/vocalist Dusty Hill, and drummer Frank Beard. "As genuine roots musicians, they have few peers", according to critic Michael "Cub" Koda. "Gibbons is one of America's finest blues guitarists working in the arena rock idiom [...] while Hill and Beard provide the ultimate rhythm section support."
Rio Grande Mud is the second studio album by the American rock band ZZ Top. It was released in 1972.
Just like Houses of the Molé, Rio Grande Blood contains very political lyrics, making frequent allusions to the George W. Bush administration. The second track makes an explicit reference to Bush as Señor Peligro, which translates to "Mr. Danger" in Spanish. Some of the issues raised include the then-current Iraq War, U.S. immigration policy and U.S. military policy (particularly the US Marine Corps in the song "Gangreen"). The Halliburton corporation is also quoted and linked to the Bush administration.
The Iraq War was a protracted armed conflict that began in 2003 with the invasion of Iraq by a United States-led coalition that overthrew the government of Saddam Hussein. The conflict continued for much of the next decade as an insurgency emerged to oppose the occupying forces and the post-invasion Iraqi government. An estimated 151,000 to 600,000 or more Iraqis were killed in the first three to four years of conflict. In 2009, official US troops were withdrawn, but American soldiers continued to remain on the ground fighting in Iraq, hired by defence contractors and private military companies. The U.S. became re-involved in 2014 at the head of a new coalition; the insurgency and many dimensions of the civil armed conflict continue. The invasion occurred as part of a declared war against international terrorism and its sponsors under the administration of U.S. President George W. Bush following the unrelated September 11 terrorist attacks.
Halliburton Company is an American multinational corporation. One of the world's largest oil field service companies, it has operations in more than 70 countries. It owns hundreds of subsidiaries, affiliates, branches, brands, and divisions worldwide and employs approximately 55,000 people.
The album also contains allegations of the Bush administration complicity in the 9/11 attacks in the track "Lieslieslies," which contains audio samples from the conspiracy documentary Loose Change .The song received a nomination for Best Metal Performance at the 49th Grammy Awards.
A remix of the song "The Great Satan" from Rantology appears on this album. Along with "LiesLiesLies", "The Great Satan" was also nominated for a Grammy.
Rantology is a compilation album by American industrial metal band Ministry. The album is made up of remixes of the band's singles and best known songs - with the exception of track 2 which was first released here and became a live staple.
Samples of genuine Bush soundbites are cut-and-pasted together at various points to satirical effect: for example, the title track begins with Bush stating "I have adopted sophisticated terrorist tactics and I'm a dangerous, dangerous man with dangerous, dangerous weapons."
The album was re-released in remixed form as Rio Grande Dub on July 10, 2007.
Jourgensen ranks Rio Grande Blood as his second favorite Ministry album saying that not only he liked the songs but he had a good time working with Paul Raven and Tommy Victor. He was also proud that some of the songs were used in the 2008 Academy Award winning film The Hurt Locker .
All tracks written by Al Jourgensen and Tommy Victor, except where noted.
|1.||"Rio Grande Blood"||Jourgensen||4:24|
|3.||"Gangreen" (feat. Sgt. Major)||6:00|
|4.||"Fear (Is Big Business)"||4:51|
|6.||"The Great Satan" (Remix)||Jourgensen||3:09|
|7.||"Yellow Cake"||Jourgensen, Paul Raven||4:35|
|9.||"Ass Clown" (feat. Jello Biafra)||Jourgensen, Raven||6:42|
|10.||"Khyber Pass" (feat. Liz Constantine)||Jourgensen, Raven, Victor||7:31|
|11.||Untitled (silent track)||0:04|
|12.||Untitled (silent track)||0:06|
|13.||"Sgt. Major Redux" (feat. Sgt. Major)||1:45|
|Japan bonus track|
|11.||"LiesLiesLies" (Jungle Remixxx)||9:34|
|German Albums Chart||60|
|The Billboard 200||134|
|Top Internet Albums||134|
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989 by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992 by Sire Records. It was produced by the band's official members, frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Alister Crowley's The Book of Lies.
Dark Side of the Spoon is the seventh studio album by American industrial metal band Ministry, released on June 8, 1999 by Warner Bros. Records. "Bad Blood" was nominated for a Grammy Award for Best Metal Performance in 2000.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988 by Sire Records. The album marked a departure from the band's previous two synthpop and EBM records, expanding on several elements introduced in their preceding album Twitch. The less-commercial, industrial-laced collection of tracks incorporates elements of heavy metal such as fast electric guitar riffs, although only the album's first three songs use guitars extensively.
With Sympathy is the debut studio album by American rock band Ministry, released on February 10, 1983 by Arista Records. The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup.
Allen David Jourgensen is a Cuban-American singer-songwriter, musician and music producer. Closely related with scene surrounding the independent record label Wax Trax! Records, Jourgensen has an active musical career that spans four decades, and is best known as the frontman of the industrial rock band Ministry, which he founded in 1981 and of which he remains the only constant member. He was also primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, Buck Satan and the 666 Shooters, and others. Aside from the aforementioned bands, he has produced and/or recorded with numerous other artists, including The Reverend Horton Heat, Prong, Skinny Puppy, Front Line Assembly, The Blackouts, Alan Vega, Iggy Pop, Adrian Sherwood, Jello Biafra and others. Jourgensen is regarded as being one of the most prominent figures of industrial music,</ref> influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Twitch is the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
"Jesus Built My Hotrod" is a song by American industrial metal band Ministry, released as the first single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs. It was written by the band's frontman Al Jourgensen, bassist Paul Barker, drummer Bill Rieflin, session keyboardist Michael Balch, and the Butthole Surfers lead singer Gibby Haynes, and was co-produced by Jourgensen and Barker. An industrial metal track, it features elements of rockabilly and psychobilly, and is influenced by the Trashmen 1963 hit "Surfin' Bird", and Flannery O'Connor's novel Wise Blood; the song's instrumentation is defined by its polyrhythmic structure.
Michael Ralph Scaccia was an American musician, best known as the lead guitarist for several heavy metal and alternative rock acts, including Rigor Mortis, Ministry and Revolting Cocks.
Big Sexy Land is the debut studio album by industrial rock band Revolting Cocks, released through Wax Trax! Records in 1986. At that time the Revolting Cocks were Luc Van Acker, Richard 23 and Alain Jourgensen. This would be the only album made by the group's original incarnation.
"Stigmata" is a song by American industrial metal band Ministry. Written by Al Jourgensen, it is the opening track and the only single released from their third studio album, 1988’s The Land of Rape and Honey. The song features distorted vocals, guitars and compressed drum machine loops. The song was an underground hit. The music video—which was said to get a regular airing on MTV—features gritty black and white machinery, gears, symbols, the band playing live, Paul Barker on a motorcycle, strobe-like montages of eyes, and what appear to be neo-Nazi skinheads. The song was said to be Ministry's "finest moment until 1992".
Adios... Puta Madres is a live album by Ministry, released on March 31, 2009 on 13th Planet Records. The album was recorded at various locations on Ministry's farewell tour, dubbed the "C U LaTouR". Allmusic database and Windows Media database incorrectly list the title of the record as "Adios...Putas Madres". In 2009, "Señor Peligro" was nominated for a Grammy Award in the category of Best Metal Performance for the 52nd Grammy Awards.
Undercover is an album of cover versions and remixes by Ministry & Co-Conspirators released on December 6, 2010 by Al Jourgensen's record label 13th Planet Records. The album includes remixes and re-recorded versions of previously released songs such as "N.W.O.", "Stigmata", and "Jesus Built My Hotrod", among others. Every Day Is Halloween: The Anthology, which was released October 5th by Cleopatra Records, features almost all of the same songs with the exception of their cover of Black Sabbath's "Paranoid", which is only available on this album.
From Beer to Eternity is the thirteenth studio album by American industrial metal band Ministry, released on September 6, 2013 by 13th Planet Records. Although frontman Al Jourgensen had previously stated that this was going to be Ministry's final album, a follow-up album, AmeriKKKant, was released in 2018. From Beer to Eternity was also the first Ministry album since Houses of the Molé (2004) not to feature Tommy Victor on guitar or bass.
"I’m Falling" and "Cold Life" are songs by American rock band Ministry. Written by Al Jourgensen, these were first released in 1981 by Wax Trax! Records, as the band's debut single. Initially featuring "I'm Falling" as the A-side, the single found success via its B-side, "Cold Life", which was chosen as the A-side on release in the UK. In 1985, during Ministry's short-lived return on Wax Trax!, the single was reissued with "Cold Life" as the A-side.
"LiesLiesLies" is a Grammy-nominated song by American industrial metal band Ministry. The song is the fifth track on the band's tenth studio album, Rio Grande Blood. The audio samples in the song are from the documentary Loose Change.