|Studio album by|
|Released||March 12, 1986|
|Genre|| EBM |
|Singles from Twitch|
|Encyclopedia of Popular Music|
|The Rolling Stone Album Guide|
|Spin Alternative Record Guide||6 / 10|
Twitchis the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Preceded by "Over the Shoulder", with an accompanying video directed by Peter Christopherson, the album was supported by a concert tour of North America, which was the first to feature Paul Barker and Bill Rieflin in the line-up, playing bass guitar and drums, respectively. The album was released to mixed reviews.
Shortly after touring in support of Ministry's debut album, With Sympathy , Al Jourgensen parted ways with Arista Records, and returned with the band to Wax Trax! Records as of mid-1984. 645 according to various accounts, Jourgensen began working on new music either during that tour or the same time With Sympathy was recorded. In his 2013 autobiography, Ministry: The Lost Gospels..., Jourgensen said that, during an aforementioned tour, Seymour Stein had attended several gigs trying to offer the band a new deal with his record label Sire Records, a Warner Bros. Records subsidiary. As various accounts state, Jourgensen declined an offer, recalling his experience with Arista, but eventually volunteered, setting conditions that Sire would give Jourgensen complete creative control over his work, and would give resources to buy a Fairlight CMI synthesizer, and also to support the Wax Trax! imprint; as Jourgensen put it in 2013, "it was kind of a personal sacrifice to keep that company rolling and allow them to keep signing bands." By Summer 1985, Ministry released several non-albums singles on Wax Trax!: “All Day”, “(Every Day Is) Halloween”, and “The Nature of Love”, before getting signed to Sire. By this point, Jourgensen remained the only official member of Ministry.In that year’s Autumn, Ministry embarked on the tour of the East Coast with Belgian industrial dance band Front 242 as a supporting act; :
Stein subsequently employed On-U Sound Records owner Adrian Sherwood as the record's principal producer, regarding his work with Depeche Mode on their 1984 singles "People Are People" and "Master and Servant". 20 Recalling sessions in The Lost Gospels..., Jourgensen mostly regarded Sherwood for production advice, though he expressed dislike about his experience in London, citing cultural differences and conflicts with Sherwood’s friends; also he admitted that can’t "feel like this one's really mine because it's so Adrian Sherwood-influenced."Jourgensen, Sherwood, and Keith LeBlanc began work in Chicago in Spring 1985, before relocating in London-based Southern Studios; the later sessions were held in West Berlin at Hansa Tonstudio. :
Musically, Twitch is more abrasive and beat-driven than preceding Ministry releases, stepping away from the pop-oriented sound of With Sympathy, and incorporating elements from the growing industrial scene of the mid-1980s instead.Various authors wrote that the album’s overall sound is at times reminiscent of Ministry’s contemporary acts in Europe, Cabaret Voltaire and Front 242. It is described as an electronica, industrial, and EBM/industrial dance record which also contains material ascribed to the two latter genres, as well as dance-pop, dub, eurodisco, noise rock and synthpop. Jourgensen’s English-accented singing, while carried over from With Sympathy, was approached with distortion effects. Twitch was also the first Ministry record featuring use of sampling, which became one of Ministry’s trademarks over the years. The production also features the use of white noise and distortion.
The opening track, "Just Like You", is cited by Jourgensen as his “first real political Ministry song”.“We Believe” is described as a "sequencer hammerlock" and has been compared to the music of Nine Inch Nails. "All Day Remix" is a re-worked version of "All Day", originally the A-side from Wax Trax!'s 1985 single which included “Halloween”; drummer Stephen George and bassist Brad Hallen, who quit the band after 1984, were still credited for their contribution to the original track. "The Angel" features backing vocals from Jourgensen’s then-wife Patty; though uncredited, their daughter Adrienne appears as a toddler in this track’s intro.
The sole single from Twitch, "Over the Shoulder", was released in late November 1985, and marked Ministry's debut on Sire. [ improper synthesis? ] In the same magazine's "Dance Trax" column, writer Brian Chin described it as “a Bee Gees satire.” In the later review for the March 1986 issue of Spin Magazine , columnist John Leland praised Sherwood's work with Ministry's "typically banal ideas."The song is cited as an early example of electro-industrial, and contains multiple layers of looped synthesizer parts along with distinctive heavy drum machine pattern along with Jourgensen's weak vocal appoarch, referred to by Billboard editors as "Scritti Politti heard over the telephone."
The music video for "Over the Shoulder" was directed by Peter Christopherson.According to Jourgensen, the director hired two kids to steal a car, then filmed it. When the band asked to film in a store, the owner refused. The director allegedly paid the same kids to break into the store and trash it, and the band asked once again. The owner, needing money to pay for cleanup, agreed. Jourgensen said, "Everything that happened on that video was criminal."
In 2000, the video of "Over the Shoulder" was featured on compilation album Tapes of Wrath ;the song was to be featured on a 2001 compilation album Greatest Fits , but was left off due to medium limitations.
Following the release of Twitch the band commenced a four-month tour through the US and Canada with a new four-piece line-up; Jourgensen approached former members of the Blackouts—Roland Barker, his brother Paul Barker and Bill Rieflin—to join the band. Both Barkers performed keyboards and bass, respectively; Rieflin joined on drums.Dave “Rave” Ogilvie, then producer of Canadian electro-industrial band Skinny Puppy, joined them as a sound engineer, while Frank Nardiello—future Thrill Kill Kult singer Groovie Mann—was a lighting technician.
Twitch was released on March 12, 1986 by Sire and Warner Bros. Records. Shortly after, it entered Billboard 200 on April 4 for three weeks, peaking at No. 194. A new issue of the album was released on March 13, 1990, featuring tracks from the "Over the Shoulder" single.As of February 2007, the album sold 138,755 copies in the United States.
Twitched, an unauthorized 2003 release by Radioactive Records, is an allegedely alternate version of Twitch, featuring the track listing that the band is said to have intended it to have before the intervention of the record company. It includes previously unreleased alternative versions of tracks from the album.
All tracks written by Al Jourgensen.
|Twitch– vinyl edition|
|1.||"Just Like You"||Adrian Sherwood||5:03|
|3.||"All Day Remix"||6:03|
|5.||"Over the Shoulder"||Sherwood||5:13|
|7.||"Where You at Now? / Crash & Burn / Twitch (Version II)"||12:15|
|Twitch– CD edition (additional tracks)|
|8.||"Over the Shoulder" (12" Version)||Sherwood||6:46|
|9.||"Isle of Man" (Version II)||Sherwood||4:30|
|Twitched– 2003 unauthorized release|
|1.||"Just Like You"||5:06|
|4.||"Isle of Man" (Ver 1)||3:29|
|5.||"Over the Shoulder"||5:05|
|8.||"Twitch" (Part 1)||3:49|
|9.||"The Angel" (Short Version)||4:31|
|10.||"Over the Shoulder" (Extended Version)||6:43|
|11.||"Isle of Man" (Ver 2)||4:34|
|12.||"Twitch" (Ver 2)||2:01|
Credits adapted from the liner notes of Twitch.
|The Billboard 200||194|
But Ministry's second album, Twtich (1986) saw singer/leader Alain Jourgensen dropping the synth-pop and hijacking the songbook of industrial dance pioneers Cabaret Voltaire, complete with pounding drum machines, sampled noises, and half-whispered, English-accented vocals.
While Ministry wouldn't perfect their trademark wall-of-guitar-and-sample style until later albums, Twitch’s hard-edged yet danceable electronica was a turning point for the band.
He released a strictly industrial album in 1986, Twitch...
The consensus narrative of his main band Ministry’s career trajectory holds that after an early anglophile period that’s as big of a let’s-pretend-it-didn’t-happen embarrassment to most their fans as Pablo Honey is to Radiohead snobs, the band really got started with the industrial dance masterpiece Twitch.
Anglophile synth-pop poseurs bucking for Spandau Ballet’s MTV minutes on their earliest records, Al Jourgenson’s Chicago outfit shape-shifted twice during the 1980s. First, letting Adrian Sherwood soak them in dense dub on 1986’s Twitch, then deciding they could sound meaner than Big Black — which they couldn’t, but nice try!
Nell’86 i Ministry per Over the shoulder lo lasciano delirare con i concetti allo stesso modo in cui loro lo fanno con i suoni, consentendogli di descrivere minuzio come due giovannissimi ladri rubano un’istigazione a delinquere, facendo poi compiere al cantante un furto con effrazione in un supermercato , quindi tendando la metafora tra una macchina distrutta dalla sfasciacarozze e l’apertura di una scatoletta, legando il tutto con il tema ricorrente delle galline in batteria: se ne potrebbe evincere che come atto di ribellione all’omologazione sociale sia giustificato perfino commettere reati.