|Compilation album by Ministry|
|Released||October 12, 2004|
|Genre||New wave, synthpop, EBM, gothic rock|
Early Trax is a compilation album by the musical group Ministry. It was released in 2004 on the Rykodisc record company.
Ministry is an American rock band founded in 1981 by Al Jourgensen in Chicago, Illinois. Originally a synth-pop outfit, Ministry's sound changed as they became one of the pioneers of industrial metal in the late 1980s. The band's lineup has frequently changed throughout its history, with the exception of Jourgensen who is the band's main producer, singer, songwriter, and instrumentalist. Notable musicians who have contributed to the band's studio or live activities include Paul Barker, Martin Atkins, Bill Rieflin, Chris Connelly, Nivek Ogre, Mike Scaccia, Rey Washam, Paul Raven, Tommy Victor, Roy Mayorga, John Bechdel, Jason Christopher, Tony Campos, Burton C. Bell and DJ Swamp.
Rykodisc was an American record label. Its catalog is owned by Warner Music Group, operating as a unit of WMG's Independent Label Group and is distributed through Alternative Distribution Alliance.
The album contains either released or previously unreleased songs from 1981 through to 1984, as well as some remixes of those songs (roughly half of the album by time is made up of remixes of songs also on the album). The album is thus similar to the 1987 compilation album Twelve Inch Singles and contains much of the same material. Most of the songs on the album were initially released on the Wax Trax! label. As can be expected from Ministry's early work, the album features a strong synthpop and new wave flavor - Ministry moved more definitively into the industrial metal genre later into their career (post Twitch ). The album also shows Ministry's early gothic rock beginnings, with the two mixes of "I'm Falling" and "Overkill" being some of their earliest tracks.
Wax Trax! Records is an American independent record label based in Chicago. It began as a record shop in Denver, Colorado, opened by Jim Nash and Dannie Flesher, who sold the store in 1978 and moved to Chicago. In November of that year, they opened a store under the same name in the Lincoln Park neighborhood. During the 1980s and 1990s, the accompanying record label became a presence on the new wave and punk rock scenes in the city. The label was purchased in 1992 by TVT Records and was discontinued in 2001. In 2014, it was re-established by Julia Nash, daughter of co-founder Jim Nash.
New wave is a genre of rock music popular in the late 1970s and the 1980s with ties to mid-1970s punk rock. New wave moved away from blues and rock and roll sounds to create rock music or pop music (later) that incorporated disco, mod, and electronic music. Initially new wave was similar to punk rock, before becoming a distinct genre. It subsequently engendered subgenres and fusions, including synth-pop.
Industrial metal is the fusion of heavy metal music and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Godflesh, KMFDM and Nine Inch Nails.
All tracks written by Al Jourgensen.
|1.||"(Every Day Is) Halloween"||6:36|
|4.||"All Day" (Remix)||6:34|
|5.||"Nature of Love"||7:03|
|6.||"Nature of Love" (Cruelty Mix)||6:44|
|7.||"Nature of Love" (Outtakes)||8:08|
|9.||"Move" (Original Mix)||5:06|
|11.||"I'm Falling" (Alternative Mix)||4:04|
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings.
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations, to generate sounds of musical instruments. Programming is used in most electronic music and hip hop music since the 1990s. It is also frequently used in "modern" pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music.
My Life with the Thrill Kill Kult is an American electronic industrial rock band originally based in Chicago, Illinois and founded by Groovie Mann and Buzz McCoy. They became known in the 1980s as pioneers of the industrial music genre – although by the early 1990s they had changed to a more disco-oriented sound – and as a frequent target of censorship groups, including the PMRC, which objected to the band's humorous and satirical references to Satan, Jesus and sex in their song lyrics and stage shows.
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989 by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988 by Sire Records. The album marked a departure from the band's previous two synthpop and EBM records, expanding on several elements introduced in their preceding album Twitch. The less-commercial, industrial-laced collection of tracks incorporates elements of heavy metal such as fast electric guitar riffs, although only the album's first three songs use guitars extensively.
1000 Homo DJs was a side project of American industrial rock band Ministry. The project released a total of two singles, one of which prominently featured a cover of Black Sabbath's "Supernaut".
Beers, Steers + Queers is the second studio album by American–Belgian industrial rock band Revolting Cocks. Released in May 1990, the album was supported by three singles and was reissued several times. Its sound is industrial and built upon repetitive percussion and samples. David Jeffries of AllMusic described Beers, Steers + Queers as dominating college radio and clubs. The album's supporting tour was recalled by Chris Connelly as "ridiculous" and particularly chaotic.
Twitch is the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Twelve Inch Singles (1981–1984) is a compilation album by American rock band Ministry, first released in 1987 by Wax Trax! Records. It comprises tracks from early non-album singles originally released on the label. The album was reissued by Cleopatra Records in 2014, including a second CD of early tracks.
Hatefiles is a Fear Factory compilation album of rare, unreleased and remixed tracks released by Roadrunner Records on April 8, 2003. The album is notable as it contains "Terminate" the last song to be recorded with original guitarist Dino Cazares until his return to the band in 2009. Graphic designer Dave McKean's artwork is also used.
Rio Grande Blood is the tenth studio album by an American industrial metal band Ministry, released in 2006. It is their first release through 13th Planet and Megaforce Records.
Rantology is a compilation album by American industrial metal band Ministry. The album is made up of remixes of the band's singles and best known songs - with the exception of track 2 which was first released here and became a live staple.
Big Sexy Land is the debut studio album by industrial rock band Revolting Cocks, released through Wax Trax! Records in 1986. At that time the Revolting Cocks were Luc Van Acker, Richard 23 and Alain Jourgensen. This would be the only album made by the group's original incarnation.
Live! You Goddamned Son of a Bitch is a concert album and video by the Revolting Cocks, consisting of live material recorded at the Cabaret Metro in Chicago, on September 4, 1987. However Al Jourgensen has claimed in his autobiography, that the whole concert was re-recorded in Trax studio in Chicago afterwards. According to Jourgensen both Paul Barker and Chris Connelly thought the live record sounded horrible and they refused to release the original audio recording of the show. Jourgensen thought the recording was perfect but later agreed with Barker and Connelly. It is their second LP release following Big Sexy Land.
"All Day" and "(Every Day Is) Halloween" are songs by American band Ministry, both written and produced by Al Jourgensen. These were originally released by Wax Trax! Records in 1984 as Ministry's “comeback” single following their departure from Arista Records, with "All Day" on the A-side and "(Every Day Is) Halloween" on the B-side, respectively. In 1987, these were included on Ministry's compilation Twelve Inch Singles (1981–1984). The remixed version of "All Day", titled “All Day Remix”, was featured on Ministry's 1986 album Twitch. “(Every Day Is) Halloween” has been featured in the 1998 Rhino Records compilation Just Can't Get Enough: New Wave Halloween.
"Supernaut" is the fifth song from the album Vol. 4 by British heavy metal band Black Sabbath.
Undercover is an album of cover versions and remixes by Ministry & Co-Conspirators released on December 6, 2010 by Al Jourgensen's record label 13th Planet Records. The album includes remixes and re-recorded versions of previously released songs such as "N.W.O.", "Stigmata", and "Jesus Built My Hotrod", among others. Every Day Is Halloween: The Anthology, which was released October 5th by Cleopatra Records, features almost all of the same songs with the exception of their cover of Black Sabbath's "Paranoid", which is only available on this album.
From Beer to Eternity is the thirteenth studio album by American industrial metal band Ministry, released on September 6, 2013 by 13th Planet Records. Although frontman Al Jourgensen had previously stated that this was going to be Ministry's final album, a follow-up album, AmeriKKKant, was released in 2018. From Beer to Eternity was also the first Ministry album since Houses of the Molé (2004) not to feature Tommy Victor on guitar or bass.
"I’m Falling" and "Cold Life" are songs by American rock band Ministry. Written by Al Jourgensen, these were first released in 1981 by Wax Trax! Records, as the band's debut single. Initially featuring "I'm Falling" as the A-side, the single found success via its B-side, "Cold Life", which was chosen as the A-side on release in the UK. In 1985, during Ministry's short-lived return on Wax Trax!, the single was reissued with "Cold Life" as the A-side.
Special Affect was a Chicago, Illinois-based new wave band active from the late 1970s until 1981. They were notable for comprising the earliest-known recordings of future Ministry founder Al Jourgensen, future My Life with the Thrill Kill Kult vocalist Frank Nardiello, future Concrete Blonde drummer Harry Rushakoff, and bassist Martin Sorenson.
"Over the Shoulder" is a song by American rock band Ministry, from their second studio album, Twitch (1986). Written by frontman Al Jourgensen, produced by Adrian Sherwood, and released in November 1985 as a 12-inch single, it was the band’s first recording after signing with Sire Records; the accompanying music video was directed by Peter Christopherson.
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